Paging, Zone, Background, No Amplifier Mixers

RM169 Professional Bluetooth Audio Mixer The RM169 is a six channel professional audio mixer with Bluetooth input. With two microphone inputs and four stereo line RCA inputs, the RM169 is ideal for any installation where space is a conside ...

Rolls' RM67 is a single-rackspace mixer designed for the install/contractor market. The unit mixes three balanced microphones with four stereo sources to mono or stereo balanced outputs. The XLR Microphone Inputs have Mic/Line level switch ...

The Rolls RM69 MixMate 3 is 6-channel, 1U electronic audio mixer with 2 microphone inputs and 4 stereo line inputs. It's ideal for installs where space is a consideration, but with no compromise in audio quality. A front-panel 3.5mm jack h ...

The Rolls RM82 is an eight-channel mixer in a single-rackspace design, intended for a variety of sound reinforcement applications including board rooms, churches, mixing console expansion, etc. Virtually any application where up to eight m ...

The Rolls RM64 Four Zone Mixer combines two paging microphones with up to four line level source inputs. Each input is switch selected to output to any combination of four zone outputs. The outputs are all balanced XLR connectors, and a 1/ ...

The Rolls RM424 Four-Zone Mixer combines two paging microphones with two line level source inputs. Each input is switch selected to output to any combination of four zone outputs. The outputs are all balanced XLR connectors, Remote Volume ...

The MX153 is a one-half rack space, two microphone and three stereo source mixer. The unit provides a compact and efficient way to mix sources such as AM/FM tuners, CD players, and video players with dynamic or condenser microphones. Appli ...

ROLLS' RM316 Three Zone Mixer allows for the combination of three microphones or XLR line level signals with three RCA line level source inputs. Each input is switch selected to output to any combination of three zone outputs, the micropho ...

The Rolls RM85 is a 8 channel two zone mixer. Channels 1-4 will accommodate XLR microphone or XLR line level inputs. Channels 5-8 are 1/4\" inputs. All 8 channels can be sent to the two XLR outputs in three configurations; A, B or both A+B ...