RED Digital Cinema DSMC2 BRAIN/Gemini Digital Cinema Camera with Gemini 5K S35 Sensor

Featuring Dual Sensitivity Modes, GEMINI™ is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail. GEMINI 5K S35 leverages these dual sensitivity modes to provide creators with greater flexibility for a variety of shooting environments. Whether capturing with GEMINI’s Standard Mode for well-lit conditions or its Low Light Mode for darker environments, RED EPIC-W 5K S35 delivers incredible dynamic range and produces cinema-quality images.

With the GEMINI 5K S35 sensor, operators can easily switch between modes through the camera’s on-screen menu with no down time and experience an increased field of view at 2K and 4K resolutions compared to the higher resolution HELIUM sensor. In addition, the sensor’s 30.72 mm x 18 mm dimensions allow for greater anamorphic lens coverage than with the HELIUM or RED DRAGON sensor.

The SDMC2 GEMINI works with the camera BRAIN®, which is the primary building block of the RED system, housing the image sensor and advanced computing components. A DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, and is offered with three sensor options - delivering incredible dynamic range and up to 8K resolution. With features like cable-free peripherals, integrated media bay, wireless control, DSMC2 is the most powerful and intuitive camera to date. It is also compatible with a growing arsenal of modules and accessories - from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.

Specifications

• SKU: 710-0305
• Sensor Type: GEMINI 15.4 Megapixel Dual Sensitivity CMOS
• Effective Pixels: 5120 × 3000
• Sensor Size: 30.72 mm x 18 mm (Diagonal: 35.61 mm)
• Dynamic Range: 16.5+ stops
  • Max Data Rates:
  • Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
  • Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
• Max Frame Rates:
  • 75 fps at 5K Full Height 1.7:1 (5120 × 3000)
  • 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
  • 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
  • 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
  • 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
• Playback Frame Rates (Project Timebase): 23.98, 24,25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
• REDCODE Settings Range From 2:1 UP TO22:1:
  • 3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps
  • 6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps
  • 2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps
  • 8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps
  • 2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps
  • 6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps
• REDCODE RAW Acquisition Formats:
  • 5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x
  • 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
• Apple PRORES:
  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
  • ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
• AVID Codecs:
  • DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
  • DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
  • DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  • DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  • DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
• Construction: Aluminum Alloy
  • Weight: 3.35 lbs (BRAIN with Integrated Media Bay)
  • Operating Temperature: 32°F to 104°F (0°C to 40°C)
  • Storage Temperature: –4°F to 122°F (–20°C to 50°C)
  • Relative Humidity: 0% to 85% non-condensing
• Color Management:
  • Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
  • Variable number of 3D LUT outputs with DSMC2 expander module
  • User programmable shaper 1D LUTs
  • Tetrahedral interpolation, 16-bit processing
• Audio:
  • Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
  • Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
• Remote Control:
  • Integrated R.C.P. WiFi antenna
  • Ethernet, RS232, and GPI Trigger with DSMC2 expander module
• Monitor Outputs:
  • 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
  • 1080p RGB or 4:2:2, 720p RGB or 4:2:2
  • 480p RGB or 4:2:2 (HDMI only)
  • SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
• Monitor Options:
  • DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
  • RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
• REDCINE-X PRO Delivery Formats:
  • 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
  • 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
• Video Editing SoftwareCompatibility:
  • Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

NOTE

• * Tech specs reflect both current and projected information. Everything is subject to change.
• Please see the attached PDF for RED’s Terms and Conditions of Sale.