RED Digital Cinema DSMC2 BRAIN/Monstro PL Digital Cinema Camera with Monstro 8K VV Sensor and Al PL Mount

RED’s DSMC2® BRAIN is offered with four sensor options to deliver cutting-edge performance in any shooting scenario - with the MONSTRO 8K VV being RED's premier sensor that provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.

As a member of the DSMC2® camera lineup, the DSMC2 MONSTRO® benefits from the advanced modularity of the RED ecosystem. The camera features cable-free peripherals, integrated mounting plate, wireless control, and compatibility with a growing number of DSMC2 modules and accessories. The DSMC2 MONSTRO also supports interchangeable OLPFs and lens mounts—empowering you to make the most of all of your compatible lenses.

All RED cameras deliver stunning resolution and image quality — creating clean and organic images that bring your footage to life. The MONSTRO sensor takes the next step in exceeding beauty offered by film – with up to 17x more resolution than HD—and over 4x more than 4K. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.

NOTES:

• The DSMC2 BRAIN itself does not have a DC IN powerport. A port expander or power module is required to power the camera. Toconstruct a working configuration for any BRAIN, RED recommends an expander,battery, lens mount, display, and media.
• All DSMC2 BRAINs ship with a standard OLPF; an OLPF 2-pack is available for Skin Tone-Highlight and Low Light shooting environments.

Includes

• 1 DSMC2 BRAIN w/ selected sensor
• 1 2-Year Standard Warranty
• 1 DSMC2 BRAIN Case
• 1 DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)
• 1 DSMC AC Power Adaptor

Specifications

• SKU: 710-0303
• Sensor Type: MONSTRO 35.4 Megapixel CMOS
• Effective Pixels: 8192 × 4320
• Sensor Size: 40.96 mm x 21.60 mm (Diagonal: 46.31mm)
• Dynamic Range: 17+ stops
• Max Frame Rates*:
  • 60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
  • 60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
  • 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
  • 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
  • 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
  • 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
  • 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
• Max Data Rates:
  • Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
  • Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
  • Playback Frame Rates (Project Timebase): 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
• REDCODE settings range from 2:1 up to 22:1*:
  • 5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
  • 12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
  • 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
  • 3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
• REDCODE RAW Acquisition Formats2:
  • 8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
  • 7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
  • 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
  • 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
• Apple ProRes:
  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
  • ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
• AVID Codecs3:
  • DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
  • DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
  • DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  • DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  • DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
• Construction: Aluminum Alloy
• Weight: 3.35 lbs (BRAIN with Integrated Media Bay)
• Operating Temperature: 32°F to 104°F (0°C to 40°C)
• Storage Temperature: –4°F to 122°F (–20°C to 50°C)
• Relative Humidity: 0% to 85% non-condensing
• Color Management:
  • Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
  • Variable number of 3D LUT outputs with DSMC2 expander module
  • User programmable shaper 1D LUTs
  • Tetrahedral interpolation, 16-bit processing
• Audio:
  • Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
  • Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
• Remote Control:
  • Integrated R.C.P. WiFi antenna
  • Ethernet, RS232, and GPI Trigger with DSMC2 expander module
• Monitor Outputs:
  • 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
  • 1080p RGB or 4:2:2, 720p RGB or 4:2:2
  • 480p RGB or 4:2:2 (HDMI only)
  • SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
• Monitor Options:
  • DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
  • RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
• REDCINE-X PRO Delivery Formats:
  • 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
  • 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
• Video Editing Software Compatibility4: Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

Notes

* REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.

2. For more information on available acquisition formats, see the DSMC Operation Guides.

3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.

4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.

Please see the attached PDF for RED’s Terms and Conditions of Sale.