Atomos ATO-SHOGUN-STUDIO Shogun Studio All-In-One 4K Apple ProRes/RAW Monitor

OUR PART #: ATO-SHOGUN-STUDIO MFR #: ATOMSHSTU01

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The Atomos Shogun Studio harnesses the latest technology, along with class-leading Atomos usability and affordability... ...Read more

Atomos ATO-SHOGUN-STUDIO Shogun Studio All-In-One 4K Apple ProRes/RAW Monitor Image 1
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Atomos ATO-SHOGUN-STUDIO Shogun Studio All-In-One 4K Apple ProRes/RAW Monitor
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Product Overview

The Atomos Shogun Studio harnesses the latest technology, along with class-leading Atomos usability and affordability, to offer you an all-in-one rack-mounted solution for Professional 4K/HD video recording, monitoring, and playback.

Applications

Pro AV - Play list functionality & control via RS422, Ethernet or on screen, makes the Shogun Studio an affordable 4K & HD play out engine for signage, video walls, and projection.

Mobile Production - With rack space at a premium and resolution on the rise, Mobile Production professionals will welcome the ability to record, monitor, test, measure, convert and play out from a single 3RU device. Dual resolution, dual codec recording maximizes its flexibility in mobile situations.

Event - Shogun Studio is the solution to many of the problems faced by multi camera events with long run times. Atomos' Master Caddy provides affordable & reliable media while features like time lapse, pre-roll cache, & 4K/HD simultaneous recording make this an excellent choice for Event professionals. Atomos' open approach with media means you record up to 2.5 hours of 4K 30p or 5 hours of 1080p60 onto a single 1TB SSD, keeping media costs less than $150 per hour; you can also link the 2 channels to utilize continuous recording.

Security - In security applications a wide angle lens on a 4K camera can mean a single camera replaces the equivalent of 4 x HD cameras. The Studio Shogun, with its long record time, time lapse, record scheduling and monitor zoom capability makes it a great weapon for 4K security applications.

On Set/DIT - Shogun Studio in the rack of a DIT cart arms the set with the fastest path from acquisition to editing by recording direct to 10-bit 422 ProRes or DNxHR. The 3RU chassis offers dual record channels and class-leading monitoring with test measurement for the highest quality 4K/2K/HD viewing and setup. For color analysis, the RGB and Vector scopes provide real time feedback and can be overlaid in several positions on the color accurate 7.1” 323ppi Full HD monitor.

Includes

  • Shogun Studio
  • Removeable Rack ears
  • 6G SDI loop cable
  • HDMI full to full Loop cable
  • 2 x IEC C
  • 2 x Master Caddy II
  • Docking station & leads

Features

  • 4K, 1080p60 recording to popular professional codecs.
  • Utilize the 2 channels for dual codec, dual resolution recording
  • Scheduled playback and record via Ethernet, Serial & on-screen.
  • Class leading monitors & test measurement for perfect 4K viewing &set up on built-in HD monitors.
  • Powerful & intuitive AtomOS offers one-touch simplicity for any operator
  • Utilize the Atomos Master Caddy for reliable, affordable open standard media
  • Continuous built-in HDMI and SDI converter with down scaling for 4K to2K/HD to match your infrastructure.
  • Dual IEC c14 PSUs to integrate with your rack power distribution system

Specifications

  • Touchscreen
    • Size: 7.1”
    • Resolution: 1920 x 1200
    • PPI: 320
    • Aspect ratio: 16:9 native
    • Color standard: Rec.709 HDTV
    • Look up table (LUT) support: 3D LUT (.cube file format)
    • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional Atomos Spyder (sold separately)
    • Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom
    • Calibration:
    • Calibration inf factory to Rec. 709, in field calibration with optional Spyder (sold separately)
  • Video Input/Loop Out
    • HDMI: 1 x HDMI (1.4b) per channel
    • SDI: 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
    • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)
  • Video Output (Play Out)
    • HDMI: 1 x HDMI (1.4b) per channel
    • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
    • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
  • Supported Formats (Record & Playback)
    • 4K - DCI RAW 4096x2160 to Supported cameras; Sony FS700, FS7, Canon C300MKII, C500
      • Apple ProRes HQ, 422, LT
      • DNxHR HQX, HQ, SQ, LB
    • 4K-UHD 3840x2160 8/10-bit 4:2:2 to:
      • Apple ProRes HQ, 422, LT
      • DNxHR HQX, HQ, SQ, LB
    • 1920x1080 8/10-bit 4:2:2 to:
      • Apple ProRes HQ, 422, LT
      • DNxHD 220x, 220, 145, 36
    • 1280x720 8/10-bit 4:2:2 to:
    • Apple ProRes HQ, 422, LT
    • DNxHD 220x, 220, 145, 36
  • Onboard Processing
    • Pulldown removal:
      • 24/25/30pSF > 24/25/30p (2:2 pulldown)
      • 60i > 24p (3:2 pulldown)
    • HDMI < > SDI conversion: Yes - Always on
    • 4K - UHD to HD downscale: On HDMI/SDI loop out (Rec &Playout)
  • Audio In/Out (48kHz PCM Audio)
    • HDMI: 2 or 8ch 24-bit, camera dependent
    • SDI: 12ch 48kHz 24-bit
    • Analogue audio:
      • 2 x XLR in & 2 x XLR out on rear per record channel.
      • Mic or line level with phantom 48V
    • Processing: Gain control on line in & headphone output
    • Maximum audio quality: 24-bit, 48kHz
    • Audio delay: Delay setting +1 to 99 frames
  • Remote Control
    • HDMI:
      • Auto HDMI Trigger
      • Supported Protocols - Canon, Sony, Atomos Open Standard
    • SDI: SDI trigger camera selectable
    • RS422: Sony RS422 machine control
    • AMP: via Ethernet RJ45 10/100
    • Serial: Calibration (front)
  • Timecode
    • HDMI: Embedded timecode from camera or video device
    • SDI: Embedded timecode from camera or video device
    • LTC: In Yes (LTC loop back)
    • GenLock In: Yes (GenLock loop back)
  • Playback
    • Playlist: Yes (run down or reverse order) for selected, favorite or all clips
    • Playback options: Loop in & out markets
  • Recording
    • Dual channel: Record 4K master with HD proxies. Record both ProRes & DNxHR versions, independent dual channel record.
    • Continuous record: Single channel 4K / HD recording automatically switches between drive when at capacity
    • Pre-roll record: Yes (HD 8s, 4K 2s)
    • Custom timelapse: Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock).
    • Meta data tagging: Yes (10 tags available)
  • Recording Media
    • Drive slots: 2 (1 per record channel)
    • Drive connection types: SATA
    • Supported media (Approved List Only):
      • 4K / HD (50/60/120p*): CFast 2.0, SSD 2.5”, HDD (HD 50/60 only - 7,200 up to 1080p60)
      • HD: CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)
    • Master caddy case: Master Caddy II (included), 75mm x 105mm x 12mm
    • Master caddy dock: 2.5” SATA to USB 2.0/3.0
    • Supported Applications: FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
    • XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible)
  • Power
    • Operating power: 20 - 60W
    • Redundant PSU: Yes
    • Compatible batteries: No
    • Input voltage (battery): -
    • DC Out: No
    • Continuous power*: -
  • Physical
    • Weight: 11lbs (5.0kg)
    • Rack height: 3Ru
    • Rack mounting: Removable rack ears
    • Dimensions (WxHxD):
      • Without rack ears: 17.6" x 6.0" x 9.9" (447 x 152 x 251mm)
      • With rack ears: 19.3" x 6.0" x 9.9" (490 x 152 x 251mm)
    • Construction: Steel construction for durablility
    • Cooling: Actively controlled fan with heat sinks
  • Protection
    • Warranty 1 year. Extended to 3 years on product registration

WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.

Product Documents

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