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OUR PART #: 2011C
DPA's 2011C microphone has strong references to the acclaimed close-miking and high SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11 ... Read more
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DPA's 2011C microphone has strong references to the acclaimed close-miking and high SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the Twin Diaphragm Capsule and DPA's strong know-how within interference tube technology.
While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control.
2011C is part of the flexible DPA Reference Standard series. The 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more "body" to the low end – in addition to its easier-to-position approach. The 2011A with the MMP-A preamplifier is the audiophile's choice with low distortion and total accurate and faithful sound.
At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition.
The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision.
The 2011 has found its use on numerous stages and recording sessions. Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money.
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Took this product on tour (2019) and tried it on Kick drum, snare, guitar. It just did not disappoint me.
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I am a monitor engineer and live sound engineer of 14 year. I have used DPA products extensively and they are without a doubt, some of my favorite mics. The 2011 C was a staple in my touring cabinet while I was with Michael Bolton. These Mics were used for our Kick drum and Snare drum among other things. As an overall Swiss army knife mic who can handle high SPL, it was incredibly useful to have in your kit.
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Fantastic compact drum overhead mic. Extremely versatile. I've placed it on Overheads, Hats, and Snare Bottom with successful results. Probably would work nicely on a variety of instruments. Small enough to fit into some tight spaces, yet captures the top of the drum kit faithfully.
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This is by far the most transparent "pencil" condenser that I've ever tried. It's my weapon of choice on snares and overheads both in the studio and live. If you're tired of EQ'ing the life out of your drum mics, spend the extra bucks and get this! Pro tip: try it on a kick drum and listen for yourself.
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I had been using my favorite snare mic for years. Then I tried the 2011C. I will never use another mic on the snare....ever!!! Since that day I started using it on the overheads and hi hat. With this microphone you hear the instrument, not the microphone.
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Love love love this microphone! Very natural sounding and very diverse. We use them on Pitbull’s band. Snare top, hi hat, overheads, toys and even on the kick drum. We also use them for recording our live shows and the bands side projects. We’ve recorded acoustic guitar with them and had great results. Pair this up with a 4099 on snare bottom and never look back. DPA mics are extremely durable. We travel with them everywhere we go with no issues. I refuse to use any other brand on my band.
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