Gels, Filters & Color Correction

An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day. (Transmission = 39%).

Clean medium blue. Good for sky color or moonlight. (Transmission = 20%).

Musical pink. Lush accents. Very versatile color. (Transmission = 26%).

Warms light and reduces intensity. (Transmission = 35%).

Useful for achieving depressed moods and dull skies. (Transmission = 35%).

Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights. (Transmission = 4%).

A range of diffusion materials adapted from cinematography - used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process.

Useful for beams of realistic moonlight. (Transmission = 2%).

Used for dramatic moonlight effects. (Transmission = 18%).

Slightly more green than 69. (Transmission = 22%).

A deep, saturated pink created for musicals and specials. Excellent for down and back lighting. (Transmission = 15%).

Pale evening color. Excellent for back light. (Transmission = 16%).

A rich clean red blue that warms to lavender when dimmed. (Transmission = 19%).

Good for non-realistic night skies. (Transmission = 4%).

Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 35%).

Especially useful when cross lit with a cool color. Excellent for natural sunlight. (Transmission = 66%).

A clean pale pink; useful as a blush for skin tones. (Transmission = 80%).

Very useful as a backlight. Dramatic specials and firelight. (Transmission = 26%).

A peach amber. More yellow than 305. (Transmission = 79%).

Useful for bright musicals. Creates a happy atmosphere. (Transmission = 45%).

Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color for rock and roll concert lighting. (Transmission = 0.56%).

Similar uses as 45 where more saturation is needed. (Transmission = 6%).

Touch of color when white light is not desirable. (Transmission = 54%).

A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Transmission = 67%).