Digitech RP500-DIGITECH

Easily control your tone on stage! The RP500 guitar multi-effect processor gives you the ability to control program changes, complete signal chains and allows you to turn all amplifier and cabinet sounds off in the exclusive Pedalboard mode. When in Pedalboard mode the RP500 acts like 5 separate stompboxes and effects. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro rigs.

The RP500's stage control allows you to quickly and easily change your tone mid-song and eliminates the "tap dance" of individual effects while retaining the ability to individually switch on/off the effects.

The RP500 is built like a tank from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by a built-in expression pedal to control wahs, volume, Whammy and other parameters.

Your sound is king, the control of your sound is imperative. The RP500 gives you the control to express yourself the way you want - No longer will the lack of control stand in the way of your expression.

Features

• Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
• Amp/Cabinet Bypass defeats internal amp and cabinet effects in all programs
• Heavy-duty vacuum switches for program changes, effect on / off changes, bank up and down, tap tempo and tuner
• Bright LEDs display program status and effect on / off
• Large 10 character LED display for program name, bank name and tuner
• Stereo XLR and 1/4" Outputs with ground lift
• Built-in expression pedal controls the RP500’s internal wahs, volume, Whammy™ and other parameters
• All metal construction

Distortions

• SCREAMER (Based on an Ibanez® TS-9)
• TS 808 (Based on an Ibanez TS-808 Tube Screamer)
• SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
• OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
• DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
• RODENT (Based on a Pro Co RAT™)
• MX DISTORTION (Based on an MXR® Distortion +)
• DS (Based on a Boss® DS-1™ Distortion)
• GRUNGE (DigiTech® Grunge®)
• ZONE (Based on a Boss MT-2 Metal Zone®)
• DEATH METAL (DigiTech Death Metal™)
• GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
• 8TAVIA (Based on a Roger Mayer Octavia™)
• FUZZLATOR (Based on a Demeter Fuzzulator)
• CLASSIC FUZZ (Based on a DOD Classic Fuzz)
• FUZZY FACE (Based on an Arbiter® Fuzz Face™)
• BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
• REDLINE (DigiTech® Redline Overdrive)

Amp Models

• 57 CHAMP Based on a '57 Fender® Tweed Champ®
• 57 DELUXE Based on a '57 Fender® Tweed Deluxe™
• 59 BASSMAN Based on a '59 Fender® Tweed Bassman®
• 62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
• 65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
• 65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb®
• 65 JTM-45 (Based on a '65 Marshall® JTM-45
• 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
• 68 JUMP PANEL Based on a '68 Marshall Jump Panel
• 77 MASTER VOLUME Based on a '77 Marshall Master Volume
• 83 JCM800 Based on an '83 Marshall JCM800
• 93 JCM900 Based on a '93 Marshall JCM900
• 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
• 62 AC15 Based on a '62 Vox® AC15
• 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
• 69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
• 81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
• 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
• MARK 4 Based on an '93 Mesa Boogie Mark IV
• TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier
• 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
• 96 MATCH HC-30 Based on a '96 MatchlessTM HC30
• 88 SLO-100 Based on an '88 Soldano SLO-100
• GA-40 Based on a Gibson® GA-40
• 5150 II Based on a Peavey® 5150® II
• JAZZ COMBO Based on a Roland® JC-120
• SOLAR 100S Based on a Sunn® 100S
• HT-100 Based on a Randall® HT-100
• OJ 120 Based on a Orange™ OR 120
• SUPER G Based on a Laney™ Supergroup
• DIGITECH SOLO DigiTech® Solo
• DIGITECH METAL DigiTech Metal
• DIGITECH BRIGHT CLEAN DigiTech Bright Clean
• DIGITECH CHUNK DigiTech Chunk
• DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
• DIGITECH CRUNCH DigiTech Crunch
• DIGITECH BLUES DigiTech Blues
• DIGITECH FUZZ DigiTech Fuzz
• DIGITECH SPANK DigiTech Spank
• DIGITECH HIGH GAIN DigiTech High Gain
• DIGITECH MONSTER - Maxed out gain
• DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp
• DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp
• DIGITECH STONERROCK – Thick, sludgy distorted amp tone
• DIGITECH DARKMETAL – Responsive, tight metal tone
• DIGITECH TRANSISTOR – Solid state transistor amp sound
• DIGITECH BROWNSOUND – Hot rodded 80’s stack tone
• DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle
• 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
• 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
• DIRECT No amp model
• DREADAUGHT ACOUSTIC
• JUMBO ACOUSTIC

Cabinet Models

• CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
• DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
• DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
• BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
• BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
• TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
• BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
• BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
• BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
• GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
• FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
• BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
• VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
• DIGITECH SOLO 4X12 4x12 DigiTech® Solo
• DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
• DIGITECH METAL 4X12 4x12 DigiTech Metal
• DIGITECH ROCK 4X12 4x12 DigiTech Rock
• DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
• DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
• DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
• DIGITECH SPANK 4X12 4x12 DigiTech Spank
• DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
• DIRECT No cabinet model

Wahs:

• DigiTech® Wah
• Cry Wah Based on a Dunlop® Cry Baby™ Wah
• Clyde Wah Based on a Vox® Clyde McCoy™ Wah

Compressors:

• DigiTech® Compressor
• CS Compressor Based on an Boss® CS-2 Compressor/Sustainer
• Dyna Comp Based on an MXR® Dynacomp™

Noise Gate:

• DigiTech® Silencer™ Noise Gate
• DigiTech Auto Swell Gate

EQ:

• 3-band semi-parametric EQ

Chorus Stompbox Models:

• DigiTech® Dual Chorus
• DigiTech Multi-Chorus
• DigiTech Glistening Chorus
• CE Chorus based on a Boss® CE-2 Chorus
• TC Chorus based on a TC Electronics® Chorus

Flanger Models:

• DigiTech® Flanger
• DigiTech Triggered Flanger
• MX Flanger based on MXR® Flanger
• EH Flanger based on Electro Harmonix® Electric Mistress™
• AD Flanger based on ADA™ Flanger

Phaser Models:

• DigiTech® Phaser
• MX Phaser based on MXR® Phase 100
• EH Phaser based on Electro Harmonix® Small Stone™

Pitch Models:

• DigiTech® Whammy™
• DigiTech® Pitch Shift
• DigiTech® Detune
• DigiTech® Harmony Pitch
• Octaver based on a Boss® OC-2 Octaver™

Vibrato / Rotary Models:

• DigiTech® Vibrato
• DigiTech® Rotary
• DigiTech® Vibro / Pan
• Unovibe based on a Unicord Uni-Vibe™

Tremolo Models:

• DigiTech® Tremolo
• DigiTech® Panner
• DigiTech ScatterTrem – Dual tremolo effect
• Opto Tremolo based on a Fender® Opto Tremolo™
• Bias Tremolo based on a Vox® Bias Tremolo

Envelope / Special Models:

• DigiTech® Auto Yah™
• DigiTech® YaYa™
• DigiTech® Synth Talk™
• DigiTech® Step Filter
• DigiTech® Sample & Hold
• DOD FX25 based on DOD® FX25 Envelope Filter

Delays:

• Digital Delay
• Analog Delay
• Pong Delay
• Modulated Delay
• Tape Delay
• Reverse Delay
• DM Analog Delay based on Boss® DM2 Analog Delay
• Echo Plex based on a Maestro EP-1 Tube Echoplex

Reverbs:

• Lexicon® Ambience
• Lexicon® Hall
• Lexicon® Room
• Lexicon® Studio
• Spring based on a Fender® Twin Reverb™
• EMT240 based on an EMT® 240 Plate Reverb

General Specifications

• Chassis: Durable cast metal construction
• Display: Large 8 character alpha-numeric and 2 character numeric LED display
• Electronic SNR: = 110dB
• USB: 2.0 compliant
• Audio streaming: 2 channels to computer, 2 channels from computer
• Sample rate: 44.1 kHz
• Unit Dimensions: 19.5” x 2.25” x 8.75” (W x H x D)
• Shipping Dimensions: 21” x 4” x 11” (W x H x D) (approximate)
• Shipping Weight: 8.0 lbs (approximate)

Controls

• Footswitches: 9 heavy duty vacuum-style switches control Bypass, Tap Tempo, Bank up/down, Program up/down, Tuner, program access and stompbox/effect on/off
• Expression pedal: Built-in
• A/D Converter: 24-bit high performance audio
• D/A Converter: 24-bit high performance audio
• Sampling Frequency: 44.1kHz throughout
• DSP Section: 1 Audio DNA2™ DSP Processors
• Preset Memory: 99 User / 99 Factory Presets

Guitar input

• Impedance: 1M Ohms
• Maximum input signal: 8 dBu

Line Outputs

• Impedance: 1K Ohms unbalanced / 2K Ohms balanced
• Maximum Output Level: 23 dBu

Mixer Outputs

• Impedance: 2K Ohms balanced
• Maximum Output level: 23 dBu

Headphone Outputs

• Minimum Headphone Impedance: 50 Ohms
• Output Power: 250 mW / channel

Computer Minimum System Requirements, Windows

• Vista Home/Premium XP Home/Professional (SP2 installed, .NET 2.0 installed*)
• Pentium®/Athlon™ 1.4GHz or later
• 512MB RAM (1GB RAM recommended)
• 180MB hard disk space for application
• DVD-ROM drive
• USB Port
• Internet connection required for Cubase activation
• *.NET 2.0 will be installed during installation of X-Edit software ifrequired on XP systems

Computer Minimum System Requirements, Mac

• OS 10.4.x or later
• PowerPC G4/G5 1GHz or later
• 512MB RAM (1GB RAM recommended)
• 180MB hard disk space for application
• DVD-ROM drive
• USB Port
• Internet connection required for Cubase activation

TMGR# RP500-DIGITECH