Zoom G2

G2: Taking multi-effects to the next level

Conventional floor-type multi-effect processors are designed to sound good when they are plugged into a guitar amp. Modeling processors are designed for recording in line. Until now, there was no product that could handle both scenarios with equal finesse.Introducing the G Series from Zoom. G2 pedal offers two algorithms: One for live and one for recording. The sound you created at practice or in the studio can now be brought straight to the stage. Or take the sounds you worked out during a rehearsal and apply them seamlessly in the recording studio. Your creative scope has suddenly doubled.

96 kHz sampling brings out authentic sounding tube amp harmonics

Everyone knows that the sound of tube amplifiers is the ultimate in guitar tone. By employing high-accuracy sampling at 96 kHz, G2 pedal faithfully model these sonic properties, right up to the highest harmonic register. Dynamic range is also excellent, thanks to 24-bit A/D/A conversion. These extremely high levels of digital processing also make your playing sound cleaner and clearer thanks to the fast processing speeds.

ZFX-3: A new-generation DSP from ZOOM

The heart of any multi-effect device is its processor and decoder section. Zoom has reached a new level with its newly developed ZFX-3 chip. 32-bit architecture ensures smooth and detailed signal processing. Accuracy and speed bring out the character of your instrument without restrictions.

54 high-quality effects made possible by 32-bit processing

A total of nine effects modules are included, including dynamics, ambience, drive, and modulation. Together they offer 54 types of effects. The Harmonized Pitch Shifter lets you play along in key. Use long delays or multi-tap delay of up to 5000 milliseconds. Select dynamic flanger and have the effect level controlled by picking intensity. Select from three types of modulation waveforms for the tremolo. A multitude of high-performance choices opens up totally new territory in this class. Touch up the harmonic register with the six-band equalizer. The cabinet simulator gives a choice of mic positions. The G Series has in incredible level of flexibility and the ability to create an awesome array of great tones.

Latest modeling technology supports 16 different drive sounds

By digitally simulating the clipping action of analog devices such as tubes and diodes, the G Series faithfully duplicates the distortion of tube amps and vintage effects. This includes not only the superficial sound character but also elements such as depth and dynamics. As you start using the G Series, you will be amazed by the realistic balance between fundamental notes and harmonics that is essential to a great analog tone.

# Fender Twin Reverb' 65: This is the tube combo amp often called the "Black Panel". Its clean sound is characterized by flamboyant highs.

# VOX AC30 / 6TB: This Class A tube combo amp is representative of the 1960s Liverpool sound created by such bands as The Beatles and The Shadows. Its major appeal is unclouded straightforward sound.

# ROLAND Jazz Chorus: Famous combo amp made in Japan. The uncolored clean sound shows what's possible with solid state designs, with the spacious built-in chorus being another highlight.

# Marshall JCM800: A tube stack amp favored by many hard rock guitarists. Great treble plus a solid low end guarantee powerful sound.

# Fender Tweed Deluxe '53: A compact tube combo amp that's representative of the Fender Tweed series. Its dry distortion and characteristic cabinet sound made it a favorite with many blues legends.

# MESA/BOOGIE Mark III: Combo amp noted for its extended midrange and long sustain. A mainstay of fusion guitarists, from Santana to Larry Carlton.

# Marshall JCM2000: Flexible stack amp that covers a wide range of genres. Traditional Marshall sound combines power with rich harmonics, but sharp metallic distortion is also possible.

# MESA/BOOGIE Dual Rectifier: High-gain stack amp with two rectifier circuits (silicone diode and vacuum tube) gives punchy metallic drive sound, great for hard modern rock.

# PEAVEY 5150 STACK: The high-gain tube stack made famous by Eddie Van Halen. Produces tight bass and detailed distortion.

# BOSS OD-1 Overdrive Pedal: Overdrive with mild, richly nuanced distortion in the manner of a fully driven tube amp. Popular as a booster for giving backbone to a stack amp.

# Marshall Guv'nor Overdrive Pedal: Stomp box that recreates the distortion of a Marshall amp. Popular among hard rock guitarists as an easy way to get Marshall sound.

# MATCHLESS Hot Box: Tube preamp for creating that MATCHLESS amp quality. Fat and punchy drive sound brings out the picking nuances.

# Dallas-Arbiter FUZZ FACE Pedal: Gutsy low bass and long sustain are the hallmarks of this fuzz effect. Made famous by the legendary Jimi Hendrix. The panel design resembling a face also was a unique touch.

# BOSS MT-2 Distortion Pedal: A distortion pedal with real wild metal character and fat midrange. Go for the ultra long sustain.

# Zoom Extreme Distortion: Stressing the digital edge, this ZOOM original pulls out all the stops when it comes to distortion. Get the strongest high-gain sound in the world.

# Zoom Digital Fuzz: Another ZOOM original, this digital fuzz effect will go places where analog simply can't follow. Its "broken" quality ushers in a new fuzz generation.