Line 6 TONE-PORT-KB37

With all the same features as the UX2 the TonePort KB37 now adds a full-sized 37-note velocity sensitive keyboard controller to add even more sounds.  You also get pitch bend/modulation wheels, transport control and patch select buttons, and four assignable real-time knobs & buttons so you can tweak to your heart’s content.

Professional producers, engineers, and musicians turn to Line 6 in studios around the world because they know that great mixes start with great recordings.  Now we’re introducing the world’s first line of recording & modeling interfaces with our pro grade tone for guitar, bass, vocals, and more.

TonePort™ is like a rack full of premium tube recording equipment, plus a perfectly engineered recording room for guitar and bass, thanks to our acclaimed guitar/bass direct tone with mic and cab modeling. What else would you expect from the makers of the revolutionary POD® product family? TonePort even comes with a special version of the popular recording application Ableton Live created for Line 6 so you can start making great sounding recordings as soon as you open the box!

GearBox™
The included GearBox™ software controls TonePort and gives you a premium tone front end for all your recordings. Includes meticulously crafted models of premium tube studio preamps, vintage guitar and bass rigs, and sought after, personality-rich effects. This is the tone that pros rely on and only Line 6 provides.  Now it comes to your desktop with TonePort.

ToneDirect™
With Line 6’s exclusive ToneDirect™ monitoring, you get fully processed audio in real time while you track!  Far better than recording through plug-ins, it avoids the latency from your recording program and operating system.  ToneDirect also easily beats analog direct monitoring options that force you to record guitar without hearing the amp model and effects, or struggle to get an inspired vocal with no reverb!  With GearBox software and TonePort hardware, it’s easy to get amazing sounding recordings every time inspiration hits.

From PODXT:

• Line 6® Treadplate
• Line 6® Chemical X
• Line 6® Insane
• Line 6® Piezacoustic 2
• Line 6® Spinal Puppet
• 1953 Small Tweed based on* "wide panel" Fender® Deluxe Reverb®
• 1958 Tweed B-Man based on* Fender®  Bassman®
• 1964 Blackface 'Lux based on* Fender®  DeluxeReverb®
• 1967 Class A-30 Top Boost based on* Vox® AC-30
• 1968 Plexi Lead based on* Marshall® Super Lead
• 1968 Plexi Jump Lead based on* Marshall® Super Leadwith "jumped" channels
• 1987 Jazz Clean based on* Roland® JC-120
• 1990 Brit J-800 based on* Marshall® JCM-800
• 1993 Solo 100 Head based on* Soldano SLO-100
• 2001 Treadplate based on* Mesa/Boogie® DualRectifier®
• Tube Instrument Preamp

From Bass PODXT:

• Rock Classic based on* Ampeg® SVT
• Flip Top based on* Ampeg® B-15A
• Adam and Eve based on* Eden Traveler WT-300
• Silverface Bass based on* 1967 Fender® Bassman® head
• Eighties based on* Gallien Kruger 800RB

Stompbox and Studio Effects:

• Facial Fuzz (based on* Fuzz Face)
• Fuzz Pi (based on* Big Muff Pi®)
• Screamer (based on* Tube Screamer®)
• Classic Distortion (based on* ProCo Rat)
• Vetta™ Comp
• Line 6® Sine Chorus
• Line 6® Flanger
• Phaser (based on* MXR® Phase 90)
• U-Vibe (based on* Uni-Vibe)
• Opto Tremolo (based on* 1965 Fender® Deluxe Reverb®)
• Rotary Drum & Horn (based on* Leslie® 145)
• Analog Delay Modulation (based on* Deluxe Memory Man)
• Tube Echo (based on* EP-1 Tube Echoplex)
• Line 6® Digital Delay
• Standard Spring Reverb
• Brite Room Reverb
• Medium Hall Reverb
• Cavernous Reverb
• Slap Plate Reverb
• Wah (based on* Vox® Wah)
• Volume (Pre- or Post-Amp Routing options)
• Compressor (based on* LA-2A® Compressor)
• Noise Gate
• Female De-Esser
• Male De-Esser

KB37 Features

• 37-note full-sized velocity sensitive keyboard with Pitch/Mod wheels for MIDI control
• 5 Transport buttons, 2 Patch Select buttons & 2 Control button/knobs - all assignable to GearBox and MIDI/recording software functions
• VU Meters assignable to input, record send, output and monitor levels
• 2 mic inputs with +48v phantom power
• 2 Guitar/Bass Inputs – use the Pad input for guitars and basses with high level pickup outputs, or the normal input
• Stereo Line Inputs for your line out level gear
• Stereo Monitor Input via stereo 1/4” jack
• Expression pedal input to control GearBox wah/volume or MIDI
• Stereo Digital Output S/PDIF via RCA
• Stereo Line Outputs via balanced 1/4-inch
• Headphone Output with independent volume knob
• Stereo Monitor Input via stereo 1/4” jack
• Dual footswitch jacks for control of GearBox (effect on/off, tone select, tap tempo, etc.) or MIDI/recording software (sustain, start/stop, punch in/out, etc.)
• ToneDirect Monitoring – full tone low latency monitoring regardless of recording software’s buffer size
• 44.1 & 48KHz, 16 & 24 bit recording
• 96KHz mode with built-in sample rate conversion for simultaneous input and output
• Pro Audio Performance with over 100dB signal-to-noise & dynamic range
• USB powered
• Rock-solid Drivers: ASIO, WDM, Mac OS X

Windows System Requirements

• Pentium® 4 1.2GHz or better (2.5Ghz or morerecommended)
• Windows XP® (with SP2 only) or Windows® 2000 (withSP4 or later)
• 512MB RAM minimum (1GB or more recommended)
• 1GB free HD space minimum (10GB or more recommendedfor recording)
• Drive speed 5400rpm minimum (7200rpm or fasterrecommended)
• CD-ROM drive
• Internet connection for online features

Macintosh System Requirements

• G4 1.25GHz or better (G4 1.67 or better recommended)
• OS X 10.4 or better
• 512MB RAM minimum (1GB or more recommended)
• 1GB free HD space minimum (10GB or more recommendedfor recording)
• Drive speed 5400rpm minimum (7200rpm or fasterrecommended)
• CD-ROM drive
• Internet connection for online features

USB: One free USB 1.1 or 2.0 compatible port on computer, or self-powered USB hub (requires power from USB, so bus-powered USB hubs are not supported)

* All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development.