Allen & Heath GL2400-16

The GL2400-16 is a 16 channel, 4 group, 6 aux, LR mix, dual function live sound console. Includes 7x4 matrix and aux-fed subs capability.

Dual Functionality
As pioneers of dual functionality, Allen & Heath has ensured that every detail of the concept has been carefully implemented with no controls redundant in either mode. When mixing Front-of-House, the monitors can be set pre-insert as well as pre-EQ to prevent your house mix EQ and compression affecting the stage mix. Per channel aux switching means you can mix pre-fade with post-fade sends such as theatre radio mics and sound effects. As a monitor console, the aux masters get faders, inserts, mutes, meters and balanced XLR drive. You even get a fader controlled engineer wedge feed. The Groups and LR mixes are still available to create yet more sends. In monitor mode the GL2400 can provide up to 10 mixes, for example 6 wedge and 2 stereo IEM.

Performance
Our new mic preamp has an extended 74dB gain range with massive headroom able to deal with the widest range of signals right up to +34dBu. From our new low-noise mix amp through responsive 4 band EQ to the differential balanced +26dBu outputs, every stage has been carefully designed to ensure optimum gain structure and the best sonic performance possible.

Third Fader
There are three master faders on the GL2400. The configurable M fader lets you create an LR sum mono fill, an engineers monitor wedge feed, or a dedicated center or sub-bass speaker mix from Aux 6 which means you can dial in exactly what you need from each channel. L, R and M each provide a dedicated meter, mute, AFL and balanced XLR output.

7x4 Matrix
The matrix is a big feature for corporate AV work, specialized recording and broadcast feeds, and personal monitoring. Smart auto-switching of the external inputs lets you add a common mono, stereo or independent sources to the matrix. Cross patch from the stereo channel mic breakpoints to add room ambience to your recording and IEM feeds.

Dual Stereo Channels
These two multi-function channels provide a mic and 2 stereo line inputs each. Use the channels as mic inputs while the 4 stereos are independently routed to LR, or combine stereo sources such as backing tracks and reverbs while the mics are patched elsewhere, or use conventional stereo channels while the second inputs provide additional returns and the mics patch into the matrix for ambience. True versatility in a tiny space.

Features:

• 16 channel frame
• LR and M main outputs
• 4 Audio groups with pan control
• 6 Auxiliary sends with per-channel pre/post faderswitching
• 2 stereo channels each with mic and dual stereo lineinputs
• 7x4 Matrix
• Proper dual functionality for FOH and/or Monitormixing
• M can be configured as LR sum, Wedge, or Aux-Fed Subor C master
• Recording capable with channel direct outputs
• Matrix external inputs with level trims and commoninput capability
• Stereo channel line inputs can be independentlyrouted to LR
• Stereo channel mic input breakpoints for crosspatching into matrix
• Responsive 4 band, 2 sweep EQ
• 100Hz channel high pass filters
• Individual phantom power and Polarity switching
• Dedicated Channel, Master and stereo Monitor meters
• Internal jumper plugs for pre/post-EQ aux, direct outand other options
• Mutes, meters and AFL on all fader masters
• Assignable talkback
• 1kHz oscillator and pink noise generator
• 2-track monitoring and replay to LR
• Headphones and local monitor outputs
• Electronically balanced XLR outputs with +26dBu drivecapability
• Preamp +34dBu maximum input capability for mic orline
• Ultra low noise mix head amp design
• Internal power supply with MPS12 backup supply input(16 to 32 models)
• External RPS11 power supply and socket for backupsupply (40 model)
• 100mm dust protected faders
• Metal jacks, gold-plated XLRs, sealed pots andswitches
• Individual circuit card assembly with nutted pots
• Solid copper bus bar grounding
• Sys-Link V2 console linking option
• 4-pin XLR lamp sockets
• Dimensions (W x D x H): 24" x 22" x 5.9"
• Weight: 36.3 lbs