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M-Audio ProjectMix I/O
Control Surface w/ Motorized Faders & 18 x 14 Audio Interface, FireWire

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Control Surface w/ Motorized Faders & 18 x 14 Audio Interface, FireWireControl Surface w/ Motorized Faders & 18 x 14 Audio Interface, FireWireControl Surface w/ Motorized Faders & 18 x 14 Audio Interface, FireWire

M-Audio ProjectMix I/O

Today, more professional music is produced at home than ever before—and the new ProjectMix I/O delivers what you need to take your computer-based studio and productions to the next level. Seamless integration with all major DAW software. The ability to record directly into industry-standard Pro Tools sessions. Faders so you can feel the mix with your fingertips instead of dragging a mouse. On-board display of critical parameters for intuitive operation. Motorized control to craft more accurate mixes. And professional multi-channel I/O including mic/instrument preamps, Lightpipe and S/PDIF. ProjectMix I/O is the universal solution that combines the best of the hardware and software worlds for a new standard in streamlined production. Compatible with Pro Tools M-Powered 7, Ableton Live 5, Logic, Cubase, Digital Performer and SONAR.

Complete Production Experience
Computer-based DAWs seem to have virtually no limitations—except those imposed by using a mouse to do the job of dedicated hardware. ProjectMix I/O finally puts all that tactile control back under your fingertips. It also combines that control with M-Audio’s acclaimed FireWire audio interface technology, eliminating clutter while integrating everything you need to transform your computer-based music system into a full-fledged digital audio workstation.

Total I/O
ProjectMix I/O gives you just about every kind of I/O you might need for a session—and at the same price as many control surfaces lacking audio altogether. Eight analog input channels all feature ¼” balanced and XLR microphone inputs with individual mic/line switches. Of course, phantom power is provided for up to eight condenser mics and input 1 even features a front-panel instrument input so you easily plug a guitar or bass right in. 8 x 8 ADAT Lightpipe I/O brings the simultaneous input total to 16 and allows you to expand your system with devices like M-Audio’s award winning Octane preamp. This allows for eight more channels of preamp via Lightpipe. 2 x 2 S/PDIF handles all your other digital connectivity, and word clock synchronizes ProjectMix with other digital devices.

ProjectMix I/O also serves as a 1 x 1 MIDI interface, allowing your computer to connect with MIDI hardware. Monitoring options include two ¼” headphone outputs with separate volume controls for working with a partner, as well as two stereo output pairs for routing to monitors, processors and mixdown devices. There’s even an A/B headphone source monitoring switch for cueing. ProjectMix I/O brings all of this to your computer with a single, simple FireWire connection.

Transport Control
Dedicated transport controls are another feature that makes doing sessions with ProjectMix I/O a breeze. You get illuminated controls for record, play, stop, fast forward, and rewind, plus a jog/shuttle wheel and locate buttons for easy project navigation. Sets of keys for in/out points, zoom, region nudge, looping and more will having your flying through sessions with incredible efficiency.

Easy to Use
M-Audio’s design team gave a great deal of consideration as to what features would provide the most value in an affordable package. They knew that cutting-edge features like high-resolution 10-bit touch-sensitive moving faders, large LCD display and mic/line switches on all channels were important. They also found that much of the expense of other units on the market owed to a dizzying number of controls that many users find daunting. Our engineers opted for a streamlined design that places some functions under the control of the keyboard and mouse, where they are best suited. The result is a controller that doesn’t have much of a learning curve, is much more intuitive to use and comes in at an unbeatable price. Check out ProjectMix I/O for yourself at your local M-Audio dealer. We think you’ll agree.

10-bit Touch-Sensitive Moving Faders
The motorized touch-sensitive faders on each of ProjectMix I/O’s eight channel strips and master strip record and playback your changes, making for seamless mix automation. And touch sensitivity means that when you touch a fader in motion, it immediately disengages for manual control and re-engages automation when you release. This provides for both smoother operation and the elimination of motor burnout prevalent in older technologies. ProjectMix’s faders also feature higher resolution than other control surfaces in its price range.

Channel Strip
ProjectMix I/O’s eight channel strips can map to as many channels as your project by simply pressing the bank +/- and channel +/- controls. Each channel strip features all of the functions you’d expect to help you zip through sessions, including buttons for mic/line, record enable, mute, solo, and select. In addition to a touch-sensitive motorized fader, each strip has an endless rotary encoder knob whose function is assigned by one of 15 dedicated buttons for EQ, aux send and more. Related information is displayed in the LCD window directly above each encoder. The encoders and LCD double to control assigned plug-in parameters as well.

Control Features:

  • 8 touch-sensitive motorized channel faders
  • 1 touch-sensitive motorized master fader
  • 8 assignable rotary encoders and large LCD forchannel or plug-in functions
  • record enable, select, solo and mute buttons on eachchannel
  • channel +/- and bank +/- keys
  • illuminated transport controls for record, play,stop, fast forward and rewind
  • jog/scrub wheel with mode switch
  • zoom key with 4 directional keys
  • dedicated keys for in/out points, locate, regionnudge, loop and more
  • A/B headphone source switch for cue auditioning
  • function LED display for each channel

I/O Features:

  • 8 analog mic/line inputs (1/4” TRS and XLR balanced)each with signal/peak indicators and mic/line switch
  • 4 analog outputs (1/4” TRS balanced)
  • ADAT Lightpipe I/O
  • front panel instrument input (1/4” TS) switchable forinput 1
  • S/PDIF digital I/O
  • 1 x 1 MIDI I/O with activity LEDs
  • FireWire (IEEE 1394) connectivity
  • word clock I/O (BNC)
  • phantom power
  • 2 stereo headphone outputs (1/4” TRS) withindependent level controls
  • Kensington lock port
  • Compatible with Pro Tools M-Powered 7, Ableton Live 5, Logic, Cubase,Digital Performer and SONAR.

Specifications:

Mic Inputs (A/D):

  • Input Impedance: 3.4k ohms
  • Maximum Input Level at Minimum Gain: -3dBu, balanced
  • Channel-to-Channel Crosstalk: < -110dB @ 1kHz
  • SNR: -104dB, A-weighted
  • Dynamic Range: 104dB, A-weighted
  • THD+N: 0.00188 % (-94.6dB) @ -1 dBFS, 1kHz
  • Frequency Response: 20Hz to 20kHz, +/- 0.1dB
  • Preamp Gain: 55dB
  • Phantom Power: 48 Volts DC @ 16mA

Instrument Input (A/D):

  • Input Impedance: 560k ohms bal/280k ohms unbal
  • Maximum Input Level at minimum gain: +14 dBu bal/+11.8 dBV unbal
  • SNR: -100dB, A-weighted
  • Dynamic Range: 100dB, A-weighted
  • THD+N: 0.00243 % (-92.3dB) @ -1 dBFS, 1kHz
  • Frequency Response: 20Hz to 20kHz, +/- 0.1dB @ 48kHz

Line Inputs (A/D):

  • Input Impedance: 20k ohms bal/10k ohms unbal
  • Maximum Input Level at Minimum Gain: +10dBu bal/+7.8dBV unbal
  • Channel-to-Channel Crosstalk: < -110dB @ 1kHz
  • SNR: -104dB, A-weighted
  • Dynamic Range: 104dB, A-weighted
  • THD+N: 0.00243 % (-92.3dB) @ -1dBFS, 1kHz
  • Frequency Response: 20Hz to 20kHz, +/- 0.1dB @ 48kHz

Line Outputs (D/A):

  • Output Impedance: 300 ohms bal/150 ohms unbal
  • Maximum Output Level: +10dBu bal/+1.8dBV, unbal
  • Channel-to-Channel Crosstalk: < -109dB
  • SNR: -110dB, A-weighted
  • Dynamic Range: 110dB, A-weighted
  • THD+N: 0.00205 % (-93.8dB) @ -1dBFS, 1kHz
  • Frequency Response:
       * 20Hz to 22kHz, +/- 0.1dB @ 48kHz
       * 20Hz to 44kHz, +/- 0.2dB @ 96kHz

Headphone Output (D/A):

  • Maximum Output: -2.9dBV at THD+N < 0.03% into 32 ohms
  • Working Range: 24 to 600 ohms

Supported Sample Rates:

  • Analog Ports: 44.1, 48, 88.2, 96kHz
  • S/PDIF Digital I/O: 44.1, 48, 88.2, 96kHz
  • ADAT Digital I/O: 44.1, 48, 88.2, 96kHz

Digital Parameters:

  • Converter Bit Depth: 24 bits

Size and Weight:

  • Dimensions: 20” x 18.5” x 4.25”
  • Weight: 27.8 lbs.

PC System Requirements:

  • Pentium 3 – 800MHz or higher (may be higher for laptops)
  • 512 MB RAM
  • Windows XP (SP2 Home or Professional Edition only)
  • DirectX 9.0c or higher
  • Available FireWire port or FireWire expansion card

Mac System Requirements:

  • Macintosh G3 800MHz or G4 733MHz higher (may be higher for laptops)
  • 512MB RAM
  • Mac OS X 10.3.9 / 10.4.2
  • Available FireWire port or FireWire expansion card
  • G3/G4 accelerator cards not supported
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