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Atomos SUMO
19" HDR Monitor Recorder

OUR PART #:  SUMO

The Atomos SUMO On-set & In-studio 4Kp60 HDR 19" monitor-recorder is the first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR...
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Our Price: $2,495.00

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The Atomos SUMO On-set & In-studio 4Kp60 HDR 19" monitor-recorder is the first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.

Build for Production:
The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.

Quad SDI & HDMI 2.0 in/out:
Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.

Professional Recording:
12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60
Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.

Monitor. Switch. Record:
Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback
Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.

XLR Monitor & Record:
Balanced XLR Monitor & Record with 48V Phantom
Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

Atomos SUMO Includes:

  • Sumo unit
  • Master Caddy II x 1
  • AC power supply

Atomos SUMO Specifications:

  • Weight:
    • Without batteries, media & stand: 12.3lb (5.6kg)
    • With stand: 13.7lb (6.2kg)
  • Dimensions (WxHxD):
    • Without stand: 19.8" x 12.2" x 2.5" (504 x 310 x 63mm)
    • With stand: 19.8" x 13" x 7.1" (504 x 330 x 180mm)
  • Construction: Aluminium alloy chassis with built in armor protection
  • Mounting Points:
    • 1/4-20 screw; 4 x top, 4 x bottom, 2 x side
    • 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
    • VESA mount rear
  • Power:
    • Operating power: 75W
    • Compatible batteries: V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
    • Input voltage (battery): 14.4V nominal
    • Battery time (based on 7.4V): Depends on Watt Hours specification of battery used
    • DC In: 1 x DC in (12 - 16.8V)
    • Continuous power (* Patent pending):
      • Primary-secondary battery system
      • Change batteries without losing power
      • Loop batteries continuously
  • Touchscreen:
    • Size: 19”
    • Resolution: 1920 x 1200
    • PPI: 120
    • Aspect ratio: 16:9 native
    • Color Gamut: REC709 HDTV
    • Look up table (LUT) support: 3D LUT (.cube format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
  • HDR:
    • AtomHDR: Yes
    • Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
    • Supported Gamuts:
      • Sony: SGamut / SGamut3 / SGamut3.cine
      • Canon: Cinema / BT2020 / DCI P3 / DCI P3+
      • Panasonic: V Gamut
      • Arri Alexa: Wide Gamut
    • Bit depth: 10-bit (8+2 FRC)
    • Brightness: 1200nit (+/- 10%)
    • HDR input (PQ/HLG): Yes / Yes
    • HDR output (PQ/HLG): Yes / Yes
  • Video input/loop out:
    • HDMI: 1 x HDMI (2.0)
    • SDI: Quad link 4 x 3G SDI* or up to 12G single link SDI
    • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)
  • Video output (play out):
    • HDMI: 1 x HDMI (2.0)
    • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
  • Supported loop out formats:
    • HDMI to HDMI:
      • 720p 50/60, 1080i 50/60,
      • 1080p 24/25/30/50/60/100/120
      • 2160p 24/25/30/50/60
    • SDI to SDI:
      • 720p 50/60, 1080i 50/60
      • 1080pSF 24/25/30
      • 1080p 24/25/30/50/60/100/120
      • 2160p 24/25/30/50/60
  • Video signal conversion:
    • HDMI to SDI:
      • 720p 50/60, 1080i 50/60,
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
    • SDI to HDMI:
      • 720p 50/60, 1080i 50/60,
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
  • Supported Codecs & frame rates (record & playback):
    • Raw Record:
      • Sony FS5/FS7^^/FS700 CDNG:
        • 4K DCI; 24/25/30p
        • 4K UHD; 
        • 2K; 24/25/30/50/60/100/120p
        • 1080;
      • Canon C300MKII/C500 CDNG:
        • 4K DCI; 24/25/30p
        • 4K UHD; 24/25/30p
        • 2K;
        • 1080;
      • Panasonic VaricamLT / Varicam35* CDNG:
        • 4K DCI; 24/25/30p
        • 4K UHD; 24/25/30p
        • 2K;
        • 1080;
      • Arri Alexa Mini .ARI*:
        • 2880x1620; 24/25/30/50/60p
        • 2880x2160; 24/25/30/50/60p
    • Raw to ProRes / DNxHR:
      • Sony FS5/FS7/FS700:
        • ProRes (HQ, 422, LT)
        • DNxHR (HQX, HQ, SQ, LB)
        • 4K DCI; 24/25/30/50/60p
        • 4K UHD;
        • 2K; 24/25/30/50/60/100/120/200/240p
        • 1080;
      • Canon C300MKII/C500:
        • ProRes (HQ, 422, LT)
        • DNxHR (HQX, HQ, SQ, LB)
        • 4K DCI; 24/25/30p
        • 4K UHD; 24/25/30p
        • 2K;
        • 1080;
      • Panasonic VaricamLT / Varicam35*:
        • ProRes (HQ, 422, LT)
        • DNxHR (HQX, HQ, SQ, LB)
        • 4K DCI; 24/25/30/50*/60p*
        • 4K UHD; 24/25/30/50*/60p*
        • 2K; not supported in camera
        • 1080; not supported in camera
    • Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)
      • Codecs:
        • Apple ProRes HQ, 422, LT
        • AVID DNxHR HQX. HQ, SQ, LB
      • Frame rates:
        • 4K DCI; 24/25/30/50/60p
        • 4K UHD; 24/25/30/50/60p
        • 2K; N/A
        • 1080p; 24/25/30/50/60/100^/120^/200/240p
        • 1080i; 50/60i
        • 720p; 50/60p
  • Onboard processing:
    • Pulldown removal:
      • 24/25/30pSF > 24/25/30p (2:2 pulldown)
      • 60i > 24p (3:2 pulldown)
    • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)
  • Audio in/out (48kHz PCM audio):
    • HDMI: 2 or 8ch 24-bit, camera dependent
    • SDI: 12ch 48kHz 24-bit
    • Audio:
      • 2ch balanced XLR analog in/out (direct XLR connection)
      • Dynamic range >90dB
      • Max signal level +24dBu
      • Max analog gain +52dB
      • 48V Phantom Power for Mic
    • Headphone Out: 3.5mm
    • Built-in Speakers: Yes
  • Remote start/stop:
    • HDMI:
      • Auto HDMI Trigger
      • Supported Protocols - Canon, Sony, Atomos Open Standard
    • SDI: SDI trigger camera selectable
    • Other: LANC control - Slave
  • Playback:
    • Playlist / Genlock / LTC: Yes / Yes / Yes
    • CDNG (Recorded content): No support
    • ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
    • DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps
  • Recording:
    • Pre-roll record: Yes (HD 8s, 4K 2s)
    • Custom timelapse: Yes
    • Meta data tagging: Yes (10 tags available)
    • Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    • Master caddy II: 75 x 105 x 12mm
    • Master caddy dock: 2.5” SATA to USB 2.0/3.0
    • Supported applications: FCPX/FCP7+ / Media Composer / 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
    • XML support: FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
  • Optional extras: Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration
  • Warranty: 1 year. Extended to 3 years on product registration

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