Product Overview
Connectable via blazing-fast Thunderbolt™, USB & 2 x MADI, Antelope Audio's Goliath houses a total of 36 analog ins and 32 analog outs, providing digital clarity and analog realism like no other audio interface out there.
Antelope’s most powerful audio interface comes with an array of hardware-based audio effects, among which vintage guitar amps & cabs, AuraVerb reverb, legendary EQ and compressor emulations, plus our world-renowned Acoustically Focused Clocking technology.
Included Antelope Vintage FX Models:
- EQUALIZER LEGENDS: VEQ-STU 089, VEQ-STU 169, VEQ-STU 900, VEQ HA32C, BAE1023, BAE 1084, NEU-W492, NEU-W495, VEQ-4K Black, VEQ-4k Brown, VEQ-4K Pink,VEQ-4K Orange, BAE-1073, VEQ-HLF, VEQ – 1A, VMEQ-5, LANG PEQ2, VEQ-55A, UK-69,NEU-PEV, INTEGRATED EQ
- VINTAGE COMPRESSORS: X160, Tube176, X903, Gyratec X, Grove Hill Liverpool, ANTELOPE FEEDFORWARD COMPRESSOR, FET-A76
- AURAVERB™: New Reverb Leveraging Unique Algorithms and Proprietary FPGAChip for “Smooth and Clear” Sound
- THE GUITAR CLASSICS:
- Cabinets: Darkface 65 2x12, Top30 2x12, Green 2x12, Vintage 4x12, Green 4x12, Caliper50 1x10, Clst 1x12, England4x12, Modern 4x12, Bluelux 1x12.
- Guitar Amps: Darkface 65 US, Top32 UK, Modern US, Plexi 59 UK, Rock 22.10 UK, Rock 75 UK, Marcus II US, Tweed, Deluxe US, Overange 120 UK, BurnSphere DE.
Antelope Audio GOLIATH Features:
- 16 Mic Pres: 16 Class-A Mic preamps. Hi-Z, Mic & Line ins
- Pristine AD/DA: 24-bit, 192 kHz audio and Antelope Audio’s signature pristine conversion
- Zero Latency: 64 channels I/O simultaneous streaming, multiple mixers and effects processing
- 64-bit Acoustically Focused Clocking: 4th Generation Antelope Audio jitter management technology
- Pro Guitar Effects: Hardware-based effects for next level guitar amp modeling
- Convenient Control: Intuitive desktop and mobile apps and front panel touch screen
Antelope Audio GOLIATH Specifications:
- Analog Inputs:
- 16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms
- 16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also)
- 4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front
- Analog Inserts: 2 x Inserts on TRS 1/4 jacks (dedicated to rear universal inputs 1, 2)
- Digital Inputs:
- 2 x Fiber Optic MADI (up to 64CH each)
- 2 x ADAT (up to 16CH)
- 8 x AES/EBU on D-SUB 25 (16CH)
- 1 x S/PDIF
- Word Clock Input: 1 x Input @ 75 Ohms 3Vpp on BNC 32– 192kHz
- Atomic Clock Input: 1 x 10M Input @ 75 Ohms 1Vpp onBNC
- Analog Outputs:
- 24 x Line outs on three D-SUB 25, +20dBu, 56 Ohms
- 1 x Monitor out on 2x TRS 1/4 jacks
- 2 x Stereo Headphone outs on TRS
- 2 x ReAmp outs on TRS
- Digital Outputs:
- 2 x Fiber Optic MADI (up to 64CH each)
- 2 x ADAT (up to 16CH)
- 8 x AES/EBU on D-SUB 25 (16CH)
- 1 x S/PDIF
- Word Clock Outputs: 2 x Outputs @ 75 Ohms 3Vpp on BNC32 – 192kHz
- Thunderbolt: 1 x Thunderbolt (64 channels I/O)
- D/A Monitor Converter:
- Dynamic Range: 129 dB; THD + N: -108 dB
- D/A Converter:
- Dynamic Range: 120 dB; THD + N: -107 dB
- A/D Converter:
- Dynamic Range: 120 dB; THD + N: -110 dB
- Clocking System:
- 4th Generation Acoustically Focused Clocking
- 64-bit DDS
- Oven Controlled Crystal Oscillator
- Clocking Stability: < +/-0.02 ppm, oven controlled at 64.5°C/ 148.1°F
- Clock Aging: < 1 ppm per year
- Clock Calibration: < +/-0.001 ppm
- Sample Rates: 32, 44.1, 48, 88.2, 96, 176.4, 192(kHz)
- Operating Temperature: 32°-122°F (0°-50°C)
- Weight: 15 lbs (6.8 kg) approx
- Dimensions (approx.)(WxHxD): 19” x 19” x 11” (483 x 81 x 279mm)
- Power Supply
- AC Universal input ~95-245 V
- Power Consumption: 40 Watts Max
- Mic Pre:
- Gain: 0, 10 – 65 dB
- THD + N: -108 dB
- USB I/O: 1 x USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
