Panasonic AJ-PX380G
HD 1/3" 3MOS P2 Camcorder, Body Only


The Panasonic shoulder-type AJ-PX380G Camera Recorder ( body only ...
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The Panasonic shoulder-type AJ-PX380G Camera Recorder (body only, accessories sold separately) raises the bar for Broadcast-quality image acquisition combined with compact, lightweight mobility, while adding functionality that enhances network-based workflows and enables simple, yet excellent cost performance. It has a 1/3-type 2.2-megapixel 3MOS sensor that achieves high S/N, high sensitivity, and wide dynamic range. AVC-ULTRA* codecs give you a choice of the most suitable bit-rate for your needs, from HD-quality 1080/60p (50p) 4:2:2 10-bit recording to low bit-rate FTP transmission and streaming, for broadcast-level video acquisition. Network functions feature support for wired and wireless LAN, as well as 4G/LTE connectivity. The onboard Camera Adapter function provides simple dual BNC cable base station connectivity for SDI input. All of this makes the AJ-PX380G a simple and cost-effective solution to a wide range of video applications, from studio camera operation to ENG to relay, live streaming.

    * AVC-ULTRA: Panasonic's professional video codec family. The AJ-PX380G does not support all of the formats included in the AVC-ULTRA family.
    ** For details, refer to "Notes Regarding Network Functions" on the back page of the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation" tab.
    The use of DCF Technologies is under license from Multi-Format, Inc.

NOTE: This listing is for the AJ-PX380G body only. All accessories shown—lens, viewfinder assembly, UniSlot® wireless receiver, microphone, and battery pack—are sold separately. 

Panasonic AJ-PX380G Includes:

  • AJ-PX380G Camera Recorder Body
  • Shoulder Strap
  • Mount Cap

Panasonic AJ-PX380G Features:

  • Compact, Lightweight, 1/3 Shoulder-Type Camera-Recorder -Weighs approximately 6.0 lbs (2.7 kg), and only about 10.47 lbs (4.75 kg) withlens and EVF (both sold separately) mounted. This combineswith the compact body size for excellent mobility in news gathering and otheractive uses.
  • 1/3-Type Bayonet Mount Interchangeable Lenses - Broadcastand professional 1/3-type zoom lenses available from various manufacturers ina wide range of variations and performance can be used.
    High Sensitivity, Low Noise, 1/3-Type 3MOS Sensors 2.2-megapixel 1/3-type 3MOS (RGB) image sensors offer full-pixel HD (1920 x 1080) resolution, F11 (59.94 Hz) or F12 (50 Hz) sensitivity and low noise. They also achieve rich gradation and vibrant color reproduction. The 1/3-type image sensors achieve the same maximum 600% level of dynamic range as other high-end shoulder-type models.
  • 600% Dynamic Range - Rich data is captured all the wayfrom highlights to shadows, to render truly realistic images. Features such ascolor grading also expand post-production flexibility.
    • FILM-REC Gamma: This function was made possible by the new 600% dynamic range. It achieves a cinematic latitude that exceeds the CINE-LIKE D mode in our previous 1/3-type camera recorder. Gamma curves can be selected from 7 modes (HD/SD/FILMLIKE 1/FILMLIKE 2/FILMLIKE 3/FILM-REC/VIDEO-REC).
    • DRS (Dynamic Range Stretch): Suppresses blocked shadows and blown highlights to achieve a visually wide dynamic range.
  • Built-in Electronic Level Gauge - The electronic levellets you easily confirm camera tilting on the LCD monitor screen. It helps tokeep the camera level during handheld shooting, low-angle shooting andhigh-angle shooting.
  • High-Quality Image Processing and Versatile Image Settings:
    • CAC (Chromatic Aberration Compensation): When using a CAC compatible lens, the small amount of circumjacent chromatic aberration (circumjacent blur) that is not corrected by the lens is compensated by this process.
    • Advanced Flash Band Compensation (FBC): This function detects and precisely compensates the flash bands (bands of light and dark) that often occur in cameras equipped with a MOS sensor.
    • Setting Items: H detail, V detail, detail coring, skin tone detail, chroma level, chroma phase, color correction, master pedestal, knee (auto/manual/off), matrix (norm1/norm2/fluo/cine-like), high color, white clip.
  • Advanced Focus Assist Functions - A variety of focusassist functions support quick and accurate focusing in manual focus mode.
    • Focus-in-Color: Emphasizes the image areas in focus by marking the edges in red, green or blue.
    • Expand: Enlarges the center portion for increased visibility.
    • Focus Bar: The meter graphically displays the focus level.
  • Professional Shooting Functions:
    • Scan Reverse: Displays/records images in vertically or horizontally inverted orientation.
    • Digital Zoom: 2x/4x digital zoom.
    • Electronic Shutter with Slow Shutter Capability: The shutter speed can be set in seven steps between 1/60 and 1/2000 second (60i/60p mode). It is also equipped with Slow and Synchro Scan (variable) mode. The shutter opening angle (deg value) can be set with synchro scan mode.
    • Shockless Auto White Balance: A smooth transition occurs when switching White Balance modes. This is effective, for example, when moving from outdoors to indoors.
    • AWB: Auto White Balance is equipped with ATW (auto tracking). The AWB selector can be switched between 3 positions: binary (A/B), memory and preset (3200/5600/VAR).
    • Three-position Gain Selector: The three-position gain selector can be assigned with gain levels selected from a range of –3 dB* to +18 dB to its L, M, and H positions.
      * -3dB is used for HIGH SENS. mode only.
      • +36 dB Super Gain: +24 dB/+30 dB/+36 dB Super Gain function enable extra-high sensitivity.
      • Optical ND Filters: Four-positions (CLEAR, 1/4 ND, 1/16 ND, 1/64 ND).
  • User Interface "SmartUI" - The user interface consists ofan LCD display and multiple switches. Multiple functions can be set easilywith minimal operation.
  • Versatile Shooting Assist Functions:
    • User Buttons: Frequently used functions can be assigned to 3 User Buttons.
    • Scene Files/User Files: Scene files let you select any of 6 preset files from the menu on SmartUI according to the shooting situation and up to 8 settings can be stored onto an SD memory card.
    • WFM/Vectorscope: Simplified waveform and vectorscope display.
    • Zebra: Select any two levels from 0% to 109% in 1% steps.
    • Mode check: Displays a list of the camera settings.
    • Y-GET: Measures brightness at center and displays numerical data.
    • Marker Display: Displays a center marker, safety zone marker and frame marker.
    • Front mic input volume knob (ON/OFF and CH can be allocated).
  • AVC-ULTRA Supported as Standard - From mastering tostreaming, the image quality and bit rate can be selected to match theapplication. Panasonic's professional A/V codec family, AVC-ULTRA, is providedas standard equipment to meet the particular needs of broadcasting and videoproduction. See the table onpage 6 of the Panasonic AJ-PX380G Datasheet under the "Documentation"tab.
    • AVC Intra: An intra-frame compression method that is highly suited to image production, AVC-Intra100/50 codec (10-bit quantization, 4:2:2 sampling).
    • AVC LongG: This inter-frame compression method achieves high quality HD recording at a low bit rate. Ideal for providing on-air content direct from the shooting location and for workflows using content transferred over the internet. Three bit rates are available:
      • AVC-LongG50/25/12 Mbps. AVC-LongG25 provides 4:2:2 10-bit quality at a bit-rate of approximately 25 Mbps.
    • AVC Proxy: Low-bit-rate, high-resolution, high-sound quality proxy video (Quick Time/H.264) is also recorded with the actual data.* Also includes metadata for efficient offline editing. See the table (AVC-Proxy Recording Modes and Recording Signals) on page 6 of the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation" tab.
      * Proxy data cannot be recorded when using the Loop Rec or Interval Rec function. Proxy data is low-resolution video and audio data with time code, metadata, and other management data in a file format.
      The use of DCF Technologies is under license from Multi-Format, Inc.
  • Full Frame Progressive Recording - 1080/60p* (50p) fullframe progressive recording is supported in the AJ-PX380G. In addition tobeing able to record with the AVC-Intra100 or AVC-LongG25/LongG12 codec, theAJ-PX380G is capable of camera through output from the SDI OUT 1terminals.
    * 60p is actually recorded at 59.94 Hz.
  • HD/SD Multi Format/Multi Codec - In addition to 1080/60i,the AJ-PX380G supports 24p, 30p, 60p, and 720p multi HD format and SDrecording. 59.94 Hz/50 Hz switchable is convenient for use in productionsheaded for global use. DVCPRO HD/DVCPRO50/DVCPRO/DV recording is alsosupported.
    * 60i, 60p, 24p and 30p are actually 59.94i, 59.94p, 23.98p and29.97p.
  • High-Quality 24-Bit, 4-Channel Audio Recording -AVC-Intra and AVC-LongG¹ modes support 24 bit/48 kHz/4 CHdigital audio recording². (16-bit for AVC-LongG12, DVCPRO HD,DVCPRO 50, DVCPRO and DV). The audio source can be selected for each channel,choosing from mic-in, line-in and wireless receiver.
    ¹ TheAVC-LongG12 mode does not support 24-bit digital audiorecording.
    ² The audio signal can be played back by using24-bit digital audio equipment. For details, refer to "Note Regarding 24 bitAudio" on the back page of the Panasonic AJ-PX380G/AJ-PX380GF Datasheet underthe "Documentation" tab.
  • Standard-Equipped microP2/P2 Card Slots - The AJ-PX380Gcomes with two slots for microP2 cards, the broadcast-use memory carddownsized to match the size of a conventional SD Memory Card and one P2 cardslot¹.
    • microP2 card: While inheriting the high reliability of the P2 card and maintaining the large capacity of 64 GB¹, the microP2 card was greatly downsized to match the size of an SD Memory Card, resulting in a considerable reduction in cost.
    • Content Protection System (CPS): A security function featured on the microP2 card. The content recorded on the card is locked with a password to protect against unauthorized access. This prevents data from being stolen and enables secure media control.
      ¹ microP2 and P2 cards cannot be simultaneously recorded on.
      NOTE: Total card capacity includes space for data management, such as system data; therefore, the actual usable area is less than the capacity indicated on the card. See the "Recording Times" table on Page 6 of the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation" tab for recording times.
  • Multifunctional Recording Including SimultaneousRecording:
    • Simultaneous Rec: Records simultaneously onto (2) microP2 cards for exceptional safety.
    • Dual-codec recording: Records a low-rate AVC-Proxy file while recording main data in AVC-Intra/AVC-LongG¹.
    • Hot-Swap Rec: Thanks to the 2 card slots, you can hot-swap microP2 cards for continuous non-stop recording. Cards can be swapped and slots can be switched while recording.
    • One-Clip Rec Mode²: Records up to 99 consecutive cuts as a single clip.
    • Loop Rec: Maintains a recording of a certain time period through repeated loop recording by sequentially switching between (2) microP2 cards.
    • Pre Rec:² This stores approximately 3 seconds of HD or 7 seconds of SD video and audio data in memory while in standby mode and lets you recover and use the data from the point before you started recording.
    • Interval Rec: Records intermittently based on a set interval time.
    • One-Shot Rec: A frame-shot recording function for producing animations.
    • Text Memo³: Up to 100 memos can be posted onto a clip as bookmarks.
    • Shot Marker³: Used to mark clips as OK, NG, etc.
    • Rec Check: This lets you run a quick playback check of the clip-end you have just recorded.
    • Metadata: Data with information such as operator's name, reporter's name, shooting location, and text memos can be added via an SD Memory Card.

¹ microP2 and P2 cards cannot be simultaneously recordedon.
² Not available in 24p, 25p, and 30p recordingmodes.
³ Shot marker and text memo cannot be used in LoopRec, Interval Rec, or One-Shot Rec.
The use of DCF Technologies is underlicense from Multi-Format, Inc.

  • Wired/Wireless LAN, 4G/LTE Network Functions** - Thestandard LAN (Ethernet) port allows network connection via a wired LAN. Whenthe optional AJ-WM30¹ Wireless Module is installed, theAJ-PX380G gains wireless LAN (IEEE 802.11g/n) connectivity, enabling access tothe following functions from a network-connected PC/Mac, tablet device orsmartphone. 4G/LTE connection is also possible.
    • Proxy Preview: Plays back proxy files (AVC-Proxy), downloads file/clip information, displays and allows editing of metadata, and enables addition/deletion of shot marks and text memos².
    • Camera Remote: Easy remote operation is possible from various devices by using a web app. The P2 ROP App (available free of charge from the Apple App Store) for iPad enables multifunctional remote operation equivalent to ECU. (See page 8 of the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation" tab for details.)
    • Playlist Editing: Playlists can be created using proxy video with a PC/Mac or tablet. The workflow can be streamlined to be faster by rough editing on location, and then transferring the content files.
    • File Transfer: When connected via wired/wireless LAN or 4G/LTE, the FTP client function lets you transfer clips from the camera recorder to a network.

** For details, refer to “Notes Regarding Network Functions” on the backpage of the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation"tab.
¹ Not available in some areas.
²Some functions are not supported by some devices.
The use of DCFTechnologies is under license from Multi-Format, Inc.

  • Full-HD Streaming Supported** - Full-HD (1920 × 1080)proxy video can be streamed via a network connection (wired LAN, wireless LAN,4G/LTE network) while recording mainstream video onto a memory card. The videocan be received and played on a PC or Mac. "QoS"¹ stands forQuality of Service. Using this function, the bit rate is optimized to matchthe network condition and continue streaming distribution even when thecommunication bandwidth is reduced. This provides solutions for a variety ofsituations, such as news acquisition. While recording mainstream video, videofor newsflashes can be streamed live² to a broadcast stationfrom the field.

** For details, refer to “Notes Regarding Network Functions” on the backpage the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation"tab.
¹ P2 Streaming Receiver software (Windows only, notsupported by Mac; available free of charge) is required for receiving the QoSmode. Please consult your Sales Pro.
² The video and audiosignals arrive with a delay. The latency varies depending on the networkenvironment and the hardware/software environment of the PC, server, etc.

  • Transferring Recorded Clips Automatically: Rec During UploadingFunction - The Rec during Uploading function,* which automaticallyand sequentially transfers recorded clips to an FTP server or cloud service,has also been newly added. Uploading is done in the background, andrecording/playback continues during the transfer. In addition to allowing thecamera operator to concentrate on shooting without any concerns aboutuploading, this also boosts the levels of safety and immediacy. The transferstatus can be checked on the LCD monitor or viewfinder. If the network isdisconnected during transfer, or the power of the camera is turned off,transfer resumes when the connection or power is recovered. Manual transfer ofup to 100
    registered clips is also possible.

* During simultaneous recording, only recorded clips in slot 1 areautomatically transferred. Clips of interval recording, loop recording,one-clip recording or one-shot recording are not transferred automatically.The streaming function is disabled while using the Rec during Uploadingfunction.

  • Direct Connection to The LiveU Video Uplink Solution** -The AJ-PX380G supports direct connection to the LiveU Central managementplatform using public networks, such as 4G/LTE, wireless LAN or wired LAN.There is no need for special uplink equipment. This enables both live previewson the reception side, and on-air streaming.
    ** For details, refer to“Notes Regarding Network Functions” on the back page the PanasonicAJ-PX380G/AJ-PX380GF Datasheet under the "Documentation" tab.
    * A contractwith LiveU is required separately. For details, consult your Sales Pro.
  • Built-in Camera Adapter for Camera Studio Systems - ACamera Adapter function is built into the AJ-PX380G, eliminating the need fora conventional Camera Adapter and VF Interface Box when connecting to a BaseStation (AG-BS300). Two BNC cables (with maximum extension of 100 m (328feet)) enable SDI input for camera remote operation by a Controller(AG-EC4G/AJ-RC10G) via the Base Station. RETURN images and INTERCOM are alsosupported. This provides simple, low-cost studio camera operation.
    * Powercannot be supplied from the Base Station to the camera recorder.
  • Camera Remote System Compatibility*:
    • 10-pin Remote Terminal: Camera remote operation is enabled with the optional AG-EC4G Extension Remote Control Unit or AJ-RC10G Remote Control Unit.
    • Wired LAN remote: A wired LAN connection allows the camera to be remotely controlled by using the optional AK-HRP200G Remote Operation Panel.

* Only functions that are supported by the AJ-PX380G can be controlled.

  • 3G-SDI Output and HD SDI Input¹:
    • SDI OUT 1: A 3-Gbps speed supports 1080/60p and 50p progressive full frame image output. Allows Rec Start/Stop linked backup recording with a Panasonic recorder equipped with SDI input.
    • SDI OUT 2: Can be set to HD-SDI or down-converted SD-SDI.
    • SDI IN: For an external source and return signal input.
    • HDMI OUT: This terminal allows digital A/V output to a wide range of HD devices.
    • TC IN/OUT: A built-in SMPTE time code generator/reader. IN/OUT selectable by menu settings.
    • GENLOCK IN: For synchronized recording with a multi-camera system.
    • USB 2.0: Equipped with both HOST (for connection to an HDD) and DEVICE (for connection to a PC/Mac) terminals.
    • UniSlot®² compatible wireless receiver slot (two channels).
    • XLR audio input: Two channel mic/line inputs supporting 48-V phantom power supply.
    • Audio output terminals (pin jacks), two channels.
    • Multiple battery brand supported, including Anton Bauer.

¹ 3G output for SDI OUT1 only. SDI OUT2/SDI IN (1.5 GIN/OUT), GENLOCK IN/VIDEO OUT and TC IN/OUT terminals are for both input andoutput. (Menu Selected)
² UniSlot® is a trademark ofIkegami Tsusinki Co., Ltd.

  • The P2 ROP App for Wireless Control using iPad** - The P2ROP App (downloadable free of charge from the Apple App Store) for iPad isavailable. It allows an iPad to control functions and setting of the AJ-PX380Gremotely via wireless connection. The P2 ROP App can control Focus, Zoom and avariety of settings similar to those of the AG-EC4G Extension Control Unitcontrols, including picture quality settings and Rec Start/Stop. Aneasy-to-see value display and easy-to-operate up/ down touch keys providesettings and adjustments. A proxy browser is also built into the app so thatoperator can adjust the setting while checking recorded clips with thumbnailsand previewing. Metadata can also be displayed and edited on an iPad tosupport post-production work.

** For details, refer to “Notes Regarding Network Functions” on the backpage of the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation"tab.
* iOS7.1 and iOS8.1 are supported.
The Apple App Store and iPad areservice marks or trademarks of Apple Inc. registered in the U. S. and othercountries.

Panasonic AJ-PX380G Specifications:


  • Power: DC 12 V (11.0 V to 17.0 V)
  • Power Consumption:
    • 19 W (body only, 1080/60i, AVC-Intra 100 standard recording status, LCD ON)
    • 58W (with all optional accessories connected and maximum power supplied from each output terminal)
  • Operating Temperature: 32°F to 104°F (0°C to 40°C)
  • Operating Humidity: 10% to 85% (relative humidity)
  • Storage Temperature: -4°F to 140°F (-20°C to 60°C)
  • Weight: Approx. 6.0 lbs (2.7 kg) (body only, excluding the battery and accessories)
  • Dimensions (WxHxD): 5-21/32" x 10-1/2" x 13-11/16" (144 x 267 x 348mm) Body only, excluding protrusion

Camera Unit

  • Pickup Device: 1/3 type 2.2 million pixels, MOS × 3
  • Lens Mount: 1/3 type bayonet
  • ND Filter: 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND
  • Gain Setting:
    • NORMAL mode: 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB
    • HIGH SENS mode: -3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB
  • Super Gain (S.GAIN): Selectable from 24 dB, 30 dB, 36 dB
  • Shutter Speed:
    • 60i/60p mode: 1/60 (OFF) sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
    • 30p mode: 1/30 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec.
    • 24p mode: 1/24 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec.
    • 50i/50p mode: 1/50 (OFF) sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
    • 25p mode: 1/25 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec.
  • Synchro Scan Shutter:
    • 60i/60p mode: 1/60.0 sec. to 1/249.8 sec.
    • 30p mode: 1/30.0 sec. to 1/249.8 sec.
    • 24p mode: 1/24.0 sec. to 1/249.8 sec.
    • 50i/50p mode: 1/50.0 sec. to 1/250.0 sec.
    • 25p mode: 1/25.0 sec. to 1/250.0 sec.
  • Slow Shutter Speed:
    • 60i/60p mode: 1/15 sec., 1/30 sec.
    • 30p mode: 1/15 sec.
    • 24p mode: 1/12 sec.
    • 50i/50p mode: 1/12.5, 1/12.5 sec.
    • 25p mode: 1/12.5 sec.
  • Shutter Open Angle: 3.0° to 360.0° (in 0.5° steps, angle display)
  • Sensitivity:
    • NORMAL mode:
      • F8 (2000 lx, 3200 K, 89.9% reflection, 1080/59.94i)
      • F9 (2000 lx, 3200 K, 89.9% reflection, 1080/50i)
    • HIGH SENS mode:
      • F11 (2000 lx, 3200 K, 89.9% reflection, 1080/59.94i)
      • F12 (2000 lx, 3200 K, 89.9% reflection, 1080/50i)
  • Horizontal Resolution: 1000 TV or higher (center)

Memory Card Recorder

  • Recording Media: P2 card x1, microP2 card x2
  • System Format: 1080/59.94p, 1080/59.94i, 1080/23.98psF, 720/59.94p, 480/59.94i, 1080/50p, 1080/50i, 720/50p, 576/50i
  • Recording Format: AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25/AVC-LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DV formats, switchable
  • Recording Video Signal:
    • 1080/59.94p, 1080/59.94i, 1080/29.97pN, 1080/23.98pN, 720/59.94p, 720/29.97pN, 720/23.98pN, 480/59.94i, 480/29.97p, 1080/50p, 1080/50i, 1080/25pN, 720/50p, 720/25pN, 576/50i, 576/25p
  • Recording/Playback Time*:
    • AVC-Intra 100/DVCPRO HD:
      • 30 GB x 1: Approx. 30 min., 32 GB x 1: Approx. 32 min.
      • 60 GB x 1: Approx. 60 min., 64 GB x 1: Approx. 64 min.
    • AVC-Intra 50/AVC-LongG 50/DVCPRO50:
      • 30 GB x 1: Approx. 60 min., 32 GB x 1: Approx. 64 min.
      • 60 GB x 1: Approx. 120 min., 64 GB x 1: Approx. 128 min.
    • AVC-LongG 25/DVCPRO/DV:
      • 30 GB x 1: Approx. 120 min., 32 GB x 1: Approx. 128 min.
      • 60 GB x 1: Approx. 240 min., 64 GB x 1: Approx. 256 min.
    • AVC-LongG 12
      • 30 GB x 1: Approx. 225 min., 32 GB x 1: Approx. 240 min.
      • 60 GB x 1: Approx. 450 min., 64 GB x 1: Approx. 480 min.
        *Theseare reference values for continuous recording using the Panasonicproducts. The recording time may vary based on the scene or thenumber of clips.

Digital Video

  • Sampling Frequency:
    • AVC-Intra100/AVC-LongG25/AVC-LongG12:
      • Y: 148.3516 MHz, PB/PR: 74.1758 MHz (1080/59.94p)
      • Y: 148.5000 MHz, PB/PR: 74.2500 MHz (1080/50p)
    • AVC-Intra100/AVC-LongG50/AVC-LongG25/AVC-LongG12/DVCPRO HD:
      • Y: 74.1758 MHz, PB/PR: 37.0879 MHz (59.94 Hz)
      • Y: 74.2500 MHz, PB/PR: 37.1250 MHz (50 Hz)
    • DVCPRO50: Y: 13.5 MHz, PB/PR :6.75 MHz
    • DVCPRO: Y: 13.5 MHz, PB/PR: 3.375 MHz
  • Quantizing:
    • AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25: 10-bit
  • Video Compression Format:
    • AVC-Intra100/AVC-Intra50:
    • MPEG-4 AVC/H.264 Intra Profile
    • AVC-LongG50/AVC-LongG25/AVC-LongG12:
    • MPEG-4 AVC/H.264
    • DVCPRO HD/DVCPRO50/DVCPRO: DV-Based Compression
    • DV: DV Compression

Digital Audio

  • Recording Audio Signal:
    • AVC-Intra100/AVC-Intra50: 48 kHz/16-bit, 4 CH and 48 kHz/24-bit, 4 CH switch
    • AVC-LongG50/AVC-LongG25: 48 kHz/24-bit, 4 CH
    • AVC-LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DV: 48 kHz/16-bit, 4 CH
  • Headroom: 18 dB/20 dB (switchable with menu)


  • Video Compression Format: H.264/AVC Baseline Profile, H.264/AVC High Profile
  • Audio Compression Format: AAC-LC, Linear PCM
  • Approx. Recording Time* (1 GB):
    • AVC-G6 2CH MOV: Approx. 13 min.
    • SHQ 2CH MOV: Approx. 25 min.
    • HQ 2CH MOV: Approx. 78 min.
    • LOW 2CH MOV: Approx. 135 min.
      *These are reference values for continuous recording using the Panasonic products. Recording time may differ depending on the scene or the number of clips.

Video Input/Output (I/O)

  • SDI OUT1:
    • BNC×1
    • HD SDi (3G/1.5G), SD SDI: 0.8 V [p-p], 75 Ohms
  • SDI OUT2/IN:
    • BNC ×1, SDI OUT2, SDI IN (menu selection)
      (Can be switched to HD SDI/SD SDI on SmartUI)
    • HD SDi (1.5G), SD SDI: 0.8 V [p-p], 75 Ohms
    • BNC ×1, GENLOCK IN, VIDEO OUT (menu selection)
    • GENLOCK IN: 1.0 V [p-p], 75 Ohms
    • VIDEO OUT: Composite, 1.0 V [p-p], 75 Ohms
  • HDMI OUT: HDMI × 1 (HDMI type A terminal, not compatible with VIERA Link)

Audio I/O

  • Audio IN CH1/3, AUDIO IN CH2/4:
    • XLR (3-pin) × 2, LINE/MIC (switch selection)
    • LINE: 0 dBu
    • MIC:
      • -50 dBu/-60 dBu (menu selection)
      • +48 V ON/OFF (switch selection)
  • MIC IN:
    • XLR (3-pin) × 1:
      • +48 V supported (selectable menu)
      • -40 dBu/-50 dBu/-60 dBu (selectable menu)
  • Wireless IN: 25-pin, D-SUB, -40 dBu, 2 CH supported
  • Audio OUT: Pin jack x 2 (CH1, CH2), Output level: 600 Ohms, 316 mV
  • Phones OUT: 3.5 mm diameter stereo mini jack ×1
  • Speaker: 20 mm diameter, round x 1

Other I/O

  • TC IN/OUT:
    • BNC×1, IN/OUT (menu selection)
    • IN: 0.5 V [p-p] to 8 V [p-p], 10 kOhms
    • OUT: 2.0 ±0.5 V [p-p], Low impedance
  • LAN: 100BASE-TX/10BASE-T
  • USB2.0 (device): Type B connector, 4-pin
  • USB2.0 (host): Type A connector, 4-pin
  • USB2.0 (sub host): Type A connector, 4-pin (exclusively for wireless module AJ-WM30)
  • DC IN: XLR×1, 4-pin, DC 12 V (DC 11.0 V to 17.0 V)
  • DC OUT: 4-pin, DC 12 V (DC 11.0 V to 17.0 V), maximum output current 1.5 A
  • REMOTE: 10-pin
  • Lens: 12-pin
  • EVF: 20-pin

NOTE: Weight and dimensions shown are approximate. Specifications are subject to change without notice. More information available in the Panasonic AJ-PX380G/AJ-PX380GF Datasheet under the "Documentation" tab.

Panasonic AG-BS300PJ Studio Base Station
Panasonic AG-BS300PJ Studio Base Station
Panasonic's AG-BS300 base station features two HD/SD SDI outputs and a composite video output that connects with the AG-CA300G camera adapter via optional studio cables, available in 100-meter (approx. 328 ft.), 50-meter (approx 164 ...
3,910.92 4,765.00 18

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Panasonic AG-CA300GPJ Camera Studio Adapter for 300Studio and P2Studio Systems
Panasonic AG-CA300GPJ Camera Studio Adapter for 300Studio and P2Studio Systems
Panasonic's AG-CA300GPJ is a camera studio adapter that adds mobility to a camcorder and is included in the 300Studio and P2 Studio Systems.
2,968.90 3,595.00 17

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Panasonic AG-CVF15G 3.45" HD Color LCD Viewfinder
Panasonic AG-CVF15G 3.45" HD Color LCD Viewfinder
Panasonic's AG-CVF15G is a 3.45" HD color LCD viewfinder with approximately 920,000-dot resolution and a 16:9 aspect ratio.
2,683.20 2,800.00

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Panasonic AG-EC4 Extension Control Unit for 300Studio, P2Studio Camcorder Systems
Panasonic AG-EC4 Extension Control Unit for 300Studio, P2Studio Camcorder Systems
Panasonic's AG-EC4 is for use with their 300Studio and P2Studio camcorder studio systems, and is designed to work best with the AG-HPX300 and AG-HPX500 series camcorders.  The AG-EC4 can control either system's base station ...
2,393.44 2,745.00 13

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Panasonic AGMC200G Unidirectional Phantom Powered Microphone for HVX200, DVX100/A/B
Panasonic AGMC200G Unidirectional Phantom Powered Microphone for HVX200, DVX100/A/B
Panasonic's AG-MC200G unidirectional microphone can be used with their HVX200, DVX100/A/B; and AG-DVC30 if customer has an AG-MYA30G. The AG-MC200G microphone provides targeted pickup, isolating signals in noisy environments. Uses +48v ...
378.17 466.00 19

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Panasonic SHAN-TM700 Tripod Adapter
Panasonic SHAN-TM700 Tripod Adapter
Camera tripod adapter for the Panasonic AJ-D700 camcorder. It is a quick-release mounting plate and attaches to the tripod easily.
437.01 440.00

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Panasonic AJ-MPD1G Dual-Slot microP2 Memory Card Drive
Panasonic AJ-MPD1G Dual-Slot microP2 Memory Card Drive
Get fast access to microP2 content with the dual-slot AJ-MPD1 microP2 memory card drive.  This offload solution allows you to reliably transfer content from microP2 cards directly onto a laptop or computer via USB 3.0.  Designed ...
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Panasonic SHAN-RC700 Rain Cover for Varioud DVC-PRO/Shoulder Camcorders
Panasonic SHAN-RC700 Rain Cover for Varioud DVC-PRO/Shoulder Camcorders
Panasonic's SHAN-RC700 is rain cover that is compatible with the following camcorders: AJ-SP700 AJ-SDX900 AJ-HDX400 AJ-HD27H AJ-SDC905 AJ-D410 AJ-D610 AJ-D615

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Panasonic AJ-P2M032AG 32GB microP2 Memory Card
Panasonic AJ-P2M032AG 32GB microP2 Memory Card
Panasonic's microP2 series of memory cards are the world's first UHS-II compliant memory cards, which continues the company's evolution to higher-speed, lower-cost, more compact media.  The simultaneous introduction of a microP2 ...
204.28 210.00

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