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PreSonus AVB16AI Mix System
Bundle w/CS18AI Control Surface and RM16 Mixer

OUR PART #  AVB16AI

Our Price: $3,199.95
List Price: $3,999.95
You save 20%! (Low Price Guarantee)
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The PreSonus® StudioLive™ CS18AI mix controller is now available at PreSonus dealers worldwide. This versatile, scalable, modular control surface controls StudioLive RM-series rack-mount, Active Integration™ digital mixers and PreSonus’ Studio One® 3 DAW.

Networking with StudioLive RM32AI and RM16AI mixers via AVB Ethernet and PreSonus UCNET technology, the StudioLive CS18AI offers 18 touch-sensitive motorized faders and enables complete hardware control of all mixer features, managing up to 32 channels, and features dedicated controls for the RM mixer’s Fat Channel processing section. It can be used concurrently with PreSonus UC Surface control software for Mac, Windows, and iPad and with QMix™-AI personal monitor-control software for iPhone/iPod touch.

With a simple Ethernet connection, the StudioLive CS18AI also becomes the controller for Studio One version 3, giving you an instant “hands on” studio upgrade. With the CS18AI, you get touch-sensitive, motorized fader control over Studio One’s console and automation, as well as assignable knob control of effects plug-ins. In addition it provides custom integration not found in off-the-shelf control surfaces, such as RGB LED Channel Select buttons that perfectly match custom track colors in Studio One, Scribble Strips with track names, knobs for dedicated Fat Channel control, and more.

StudioLive 16 AVB Mix System Includes:

  • PreSonus CS18AI Control Surface
  • PreSonus RM16 AI Mixer

StudioLive 16 AVB Mix System Features:

  • StudioLive RM16AI
    • Inputs & Outputs:
      • 16 locking XLR inputs, each with:
        • Recallable XMAX™ Class A mic preamps
        • +48V phantom power
      • Stereo tape input (RCA jacks)
      • 8 XLR line-level Mix outputs
        • Four 300 ms alignment delays on the last four Mix outputs
      • 1 DB25 jacks mirror 8 line-level Mix outputs
      • 3 XLR main outputs (left, right, mono/center) with analog trim pots
      • S/PDIF digital output on removable option card
      • Headphone output with volume knob and selectable source
      • 1x1 MIDI I/O (for future implementation)
    • Channels and Buses:
      • 32 internal channels
      • 25 mix buses
        • 16 aux mix buses
        • 3 main mix buses (left, right, mono/center)
        • Stereo solo bus
        • 4 internal FX buses (2 reverb, 2 delay)
      • Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)
  • UC SURFACE LIVE MIXING AND CONTROL SOFTWARE
    • Designed specifically for live sound mixing
    • Multiplatform support for Mac®, Windows®, and iPad®
      • Windows 8 multi-touch-compatible for large touchscreen mixing (touchscreen not included)
      • Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
    • Contextual-based navigation for quick, intuitive access to all mixing functions
    • 8 Mute Groups with All On and All Off
    • Scene Store and Recall:
      • Global Scene Storage: all current StudioLive RM settings
      • Up to 99 at a time
      • 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
      • Automatic Global AutoStore
      • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    • Individual channel-strip setting storage:
      • Up to 100 at a time
      • 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
      • Copy and paste among channels and buses
      • Can be saved as user presets
      • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
    • Contextual Presets System:
      • Presets filtered by Channel Types
      • Quickly audition presets on the fly
      • Edit auditioned preset before loading 
      • Exit Audition mode with out loading to return to previous settings
      • Save and load presets on all platforms including iOS
    • Filter DCAs:
      • Unlimited groups
      • Automatic group creation using Channel Types
      • Custom groups
    • Security features to monitor and restrict access to the mixer’s controls
    • Other Actively Integrated Software:
      • Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
      • Studio One® Artist full-featured digital audio workstation software (Mac/Windows)
      • QMix™-AI wireless monitor-mix control from an iPhone®/iPod® touch
      • Nimbit® online “direct to fan” marketing, sales, and distribution service
    • Networking Connections:
      • USB jack and included Wi-Fi LAN adapter provides direct wireless control (when used with a wireless router, NOT included)
      • Option card slot for future expansion
        • 2 FireWire S800 ports and 1 Ethernet controlport on removable option card
        • Thunderbolt, Dante, and AVB cards coming soon
    • Signal Processing:
      • Dual Fat Channel signal processing on all channels and buses with:
      • Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
      • Variable lowpass filter on the mono/center bus
      • 4-band fully parametric EQ:
        • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB,switchable shelf or peaking
        • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz,±15 dB, variable Q 0.1 to 4.0
        • High Mid EQ: sweepable from 380 Hz to 5 kHz,±15 dB, variable Q 0.1 to 4.0
        • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15dB, switchable shelf or peaking
        • Master EQ On/Off
      • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=8:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms;
      • Makeup Gain: 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
      • Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec;
      • Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
      • Limiter: Variable Threshold -28 dBfs to 0, 8:1 Ratio
      • Pan
      • Stereo link for input channels and aux buses
      • Polarity reverse (input channels only)
      • Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
        • 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses
        • Four 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses
    • Hardware Controls:
      • 32 LED meter grid
      • Front-panel Mute All button temporarily mutes all inputs and outputs
      • +48V Meters button to display phantom power assignment on the meter grid
      • Headphone source selection between Main and Cue
    • Digitalia:
      • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
      • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
      • Internal sample frequency 44.1, 48, 88.2, 96 kHz
    • Physical: 4U/3U rack-mount steel chassis
  • PRESONUS CS18AI
    • 18 100mm, touch-sensitive motorized faders: 16 Channel, 1 Flex, 1 Master
    • Control StudioLive RM AI mix systems of up to 64-channels
    • Full PreSonus Fat Channel DSP control with individual encoders and 12-LED displays for:
      • Gate Threshold, Range, Attack, Release
      • Compressor Ratio, Attack, Release, Gain
      • Limiter Threshold
      • EQ Low, Low-Mid, High-Mid, High
    • Metering:
      • Sixteen 12-LED channel ladder level and Fat Channel displays
      • Three 11-LED Select Channel Level/Compressor/Gate displays
      • 11-LED displays for Main Center/Mono, Left and Right
    • Variable-color (RGB) Select buttons for easy channel and Filter DCA group identification
    • 16-channels of high resolution 64 x 96 scribble strip display with Pan indicators
    • 4.3” / 109 mm color touch-sensitive display:
      • Compressor
      • EQ
      • Gate
      • Compressor
      • Effects, Scenes, Markers Edit
      • Audio Routing
      • Channel Presets and setting
      • Talkback Assign
      • 4 Effects Mute/Mix button with TAP
      • Navigate using traditional layers or with intuitive PreSonus Filter DCA groups
      • Active Integration™ with PreSonus software includes UC Surface™ software
      • Studio One control surface functionality including: touch-sensitive motorized fader control over channel faders and automation, plug-in control for PreSonus and third-party plug-ins, Channel Mute, Channel Solo and Solo clear, Channel Select, Channel Pan control, Scribble strip names, pan indication, and current automation mode, channel layer navigation, Aux mix and transport control, Automation mode selection, metering
      • 4x2 AVB audio transport control with Marker Shift, REW/FF options
    • Analog I/O:
      • 2 remote XMAX™ mic preamps for talkback, room mic or other local inputs
      • 2 balanced 1/4” TRS line inputs
      • 2 XLR line outputs
      • Stereo headphone output with level control
      • Monitor control level control
    • 4-pin XLR amp connection
    • Footswitch input
    • Silent internal PSU with no fans
    • Same footprint as StudioLive 16.4.2AI for integration in 19” rack mounts and 3rd-party studio desks
    • Optional iPad mount accessory

StudioLive CS18AI

  • Computer System Requirements:
    • General:
      • Internet connection
      • AVB compatible Ethernet connection
      • Internet connection for registration and software download
    • Mac®:
      • OS X 10.8 64-bit or later
      • Hardware: Intel® Core™ i3 processor or better, 4 GB or more RAM (8GB recommended)
    • Windows® PC:
      • Windows 7x 64/x86 SP1 or Windows 8/8.1 x64/x86 or Windows 10 x64/x86
      • Intel® Core™ 2 processor (Intel® Core™ i3 processor or better recommended)
      • 4 GB RAM (8 GB or more recommended)
    • iOS:
      • Operating System: iOS 7.03 or later
      • Hardware: iPad Air, iPad mini with Retina display, iPad (3rd or 4th generation), iPad mini
      • Network Type: Ethernet / AVB
  • Microphone Inputs:
    • Type: XLR Female (via Combo), Balanced Remote
    • Maximum Input Level: +12 dBu, ±0.5 dB, Unity Gain
    • Gain Control Range: 65 dB, ±1 dB
    • Gain: 0 to +65 dB, ±1 dB
    • Frequency Response to Main Output: 20 Hz-20 kHz, ±0.5 dBu
    • Frequency Response (A-D): 10 Hz to 40 kHz, ±0.2 dB
    • Input Impedance: 1 kOhm
    • THD to Main Output: <0.005% max, +4 dBu, 20 Hz-20 kHz, unity gain, unweighted
    • THD+N (min. gain, a-wtd): < 0.005%
    • Dynamic Range (min. gain, a-wtd): > 114 dB
    • Dynamic Range (mid. gain, unwtd): > 105 dB
    • Signal-to-Noise Ratio to Main Output: 94 dB
    • Common Mode Rejection: 65 dB (1 kHz, unity gain)
    • EIN (+55 dB gain, 150O input, 20 Hz-22 kHz, A-weighted): < 128 dBu
    • Phantom Power: +48 V (±2 V, > 8 mA per channel)
  • Line Inputs:
    • Type: ¼” TRS Female (via Combo), Balanced
    • Maximum Input Level: +18 dBu
    • Frequency Response (A-D): 20 Hz to 20 kHz, ±0.2 dB
    • Frequency Response to Main Out: 20 Hz to 20 kHz, ±0.5 dBu
    • THD to Main Output: <0.005% max, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
    • THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
    • Input Impedance: 10 kOhm
    • Signal-to-Noise Ratio to Main Output: 94 dB
    • Max Input Level: +18 dBu
    • Dynamic Range (min. gain, a-wtd): > 114 dB
    • Dynamic Range (mid. gain, unwtd): > 105 dB
    • Crosstalk (1 kHz, channel-to-channel): < -80 dB
  • Monitor Line Outputs:
    • Type: XLR Male, Electrically Balanced
    • Maximum Output Level: +24 dBu, ±0.5
    • Frequency Response: 20 Hz to 20 kHz, ±0.2 dB
    • Dynamic Range (a-wtd): > 112 dB
    • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
    • Output Impedance: 100O
    • Crosstalk (1 kHz, channel-to-channel): < -80 dB
  • Headphone Outputs:
    • Type: ¼” TRS Female, Stereo, Unbalanced
    • Maximum Output Level: 120 mW/channel @ 60 O
    • Frequency Response: 20 Hz to 20 kHz, ±0.5 dB Dynamic Range (a-wtd): > 103 dB
    • THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unweighted
    • Crosstalk (1 kHz, channel-to-channel): < -80 dB
    • Signal-to-Noise Ratio: 96 dB 1kHz, max gain, 20 kHz BW, unwtd
  • System Crosstalk:
    • Input to Output: -90 dBu +4 dBu, 20 Hz-20 kHz, unwtd
    • Adjacent Channels: -87 dBu +4 dBu, 20 Hz-20 kHz, unwtd
  • Digital Audio:
    • ADC Dynamic Range: 118 dB min (A-wtd, 48 kHz)
    • DAC Dynamic Range: 118 dB min (A-wtd, 48 kHz)
    • Sample Rate: 44.1, 48, 88.2, 96 kHz
    • Reference Level for 0 dBFS: +18 dBu
  • Clock:
    • Clock Jitter: <20 Ps RMS, 20 Hz-20 kHz
    • Jitter Attenuation: >60 dB 1 ns in ~1 ps out
  • Power / Environmental:
    • Connector: IEC
    • Input-Voltage Range: 100 to 230V, 50-60 Hz
    • Power Requirements: 200W
    • Temperature Range: 0° to 40° Celsius / 32° to 104° Fahrenheit
  • Physical:
    • Length: 22.35" (58.6 cm)
    • Width (chassis only): 17.22" (43.74 cm)
    • Maximum Height: 6.9" (17.53 cm)
    • Weight: 23 lbs. (10.43 kg)
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PreSonus AVB16AI Mix System
Bundle w/CS18AI Control Surface and RM16 Mixer

OUR PART #  AVB16AI

Product Information:

The PreSonus® StudioLive™ CS18AI mix controller is now available at PreSonus dealers worldwide. This versatile, scalable, modular control surface controls StudioLive RM-series rack-mount, Active Integration™ digital mixers and PreSonus’ Studio One® 3 DAW.

Networking with StudioLive RM32AI and RM16AI mixers via AVB Ethernet and PreSonus UCNET technology, the StudioLive CS18AI offers 18 touch-sensitive motorized faders and enables complete hardware control of all mixer features, managing up to 32 channels, and features dedicated controls for the RM mixer’s Fat Channel processing section. It can be used concurrently with PreSonus UC Surface control software for Mac, Windows, and iPad and with QMix™-AI personal monitor-control software for iPhone/iPod touch.

With a simple Ethernet connection, the StudioLive CS18AI also becomes the controller for Studio One version 3, giving you an instant “hands on” studio upgrade. With the CS18AI, you get touch-sensitive, motorized fader control over Studio One’s console and automation, as well as assignable knob control of effects plug-ins. In addition it provides custom integration not found in off-the-shelf control surfaces, such as RGB LED Channel Select buttons that perfectly match custom track colors in Studio One, Scribble Strips with track names, knobs for dedicated Fat Channel control, and more.

StudioLive 16 AVB Mix System Includes:

  • PreSonus CS18AI Control Surface
  • PreSonus RM16 AI Mixer

StudioLive 16 AVB Mix System Features:

  • StudioLive RM16AI
    • Inputs & Outputs:
      • 16 locking XLR inputs, each with:
        • Recallable XMAX™ Class A mic preamps
        • +48V phantom power
      • Stereo tape input (RCA jacks)
      • 8 XLR line-level Mix outputs
        • Four 300 ms alignment delays on the last four Mix outputs
      • 1 DB25 jacks mirror 8 line-level Mix outputs
      • 3 XLR main outputs (left, right, mono/center) with analog trim pots
      • S/PDIF digital output on removable option card
      • Headphone output with volume knob and selectable source
      • 1x1 MIDI I/O (for future implementation)
    • Channels and Buses:
      • 32 internal channels
      • 25 mix buses
        • 16 aux mix buses
        • 3 main mix buses (left, right, mono/center)
        • Stereo solo bus
        • 4 internal FX buses (2 reverb, 2 delay)
      • Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)
  • UC SURFACE LIVE MIXING AND CONTROL SOFTWARE
    • Designed specifically for live sound mixing
    • Multiplatform support for Mac®, Windows®, and iPad®
      • Windows 8 multi-touch-compatible for large touchscreen mixing (touchscreen not included)
      • Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
    • Contextual-based navigation for quick, intuitive access to all mixing functions
    • 8 Mute Groups with All On and All Off
    • Scene Store and Recall:
      • Global Scene Storage: all current StudioLive RM settings
      • Up to 99 at a time
      • 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
      • Automatic Global AutoStore
      • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    • Individual channel-strip setting storage:
      • Up to 100 at a time
      • 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
      • Copy and paste among channels and buses
      • Can be saved as user presets
      • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
    • Contextual Presets System:
      • Presets filtered by Channel Types
      • Quickly audition presets on the fly
      • Edit auditioned preset before loading 
      • Exit Audition mode with out loading to return to previous settings
      • Save and load presets on all platforms including iOS
    • Filter DCAs:
      • Unlimited groups
      • Automatic group creation using Channel Types
      • Custom groups
    • Security features to monitor and restrict access to the mixer’s controls
    • Other Actively Integrated Software:
      • Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
      • Studio One® Artist full-featured digital audio workstation software (Mac/Windows)
      • QMix™-AI wireless monitor-mix control from an iPhone®/iPod® touch
      • Nimbit® online “direct to fan” marketing, sales, and distribution service
    • Networking Connections:
      • USB jack and included Wi-Fi LAN adapter provides direct wireless control (when used with a wireless router, NOT included)
      • Option card slot for future expansion
        • 2 FireWire S800 ports and 1 Ethernet controlport on removable option card
        • Thunderbolt, Dante, and AVB cards coming soon
    • Signal Processing:
      • Dual Fat Channel signal processing on all channels and buses with:
      • Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
      • Variable lowpass filter on the mono/center bus
      • 4-band fully parametric EQ:
        • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB,switchable shelf or peaking
        • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz,±15 dB, variable Q 0.1 to 4.0
        • High Mid EQ: sweepable from 380 Hz to 5 kHz,±15 dB, variable Q 0.1 to 4.0
        • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15dB, switchable shelf or peaking
        • Master EQ On/Off
      • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=8:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms;
      • Makeup Gain: 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
      • Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec;
      • Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
      • Limiter: Variable Threshold -28 dBfs to 0, 8:1 Ratio
      • Pan
      • Stereo link for input channels and aux buses
      • Polarity reverse (input channels only)
      • Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
        • 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses
        • Four 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses
    • Hardware Controls:
      • 32 LED meter grid
      • Front-panel Mute All button temporarily mutes all inputs and outputs
      • +48V Meters button to display phantom power assignment on the meter grid
      • Headphone source selection between Main and Cue
    • Digitalia:
      • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
      • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
      • Internal sample frequency 44.1, 48, 88.2, 96 kHz
    • Physical: 4U/3U rack-mount steel chassis
  • PRESONUS CS18AI
    • 18 100mm, touch-sensitive motorized faders: 16 Channel, 1 Flex, 1 Master
    • Control StudioLive RM AI mix systems of up to 64-channels
    • Full PreSonus Fat Channel DSP control with individual encoders and 12-LED displays for:
      • Gate Threshold, Range, Attack, Release
      • Compressor Ratio, Attack, Release, Gain
      • Limiter Threshold
      • EQ Low, Low-Mid, High-Mid, High
    • Metering:
      • Sixteen 12-LED channel ladder level and Fat Channel displays
      • Three 11-LED Select Channel Level/Compressor/Gate displays
      • 11-LED displays for Main Center/Mono, Left and Right
    • Variable-color (RGB) Select buttons for easy channel and Filter DCA group identification
    • 16-channels of high resolution 64 x 96 scribble strip display with Pan indicators
    • 4.3” / 109 mm color touch-sensitive display:
      • Compressor
      • EQ
      • Gate
      • Compressor
      • Effects, Scenes, Markers Edit
      • Audio Routing
      • Channel Presets and setting
      • Talkback Assign
      • 4 Effects Mute/Mix button with TAP
      • Navigate using traditional layers or with intuitive PreSonus Filter DCA groups
      • Active Integration™ with PreSonus software includes UC Surface™ software
      • Studio One control surface functionality including: touch-sensitive motorized fader control over channel faders and automation, plug-in control for PreSonus and third-party plug-ins, Channel Mute, Channel Solo and Solo clear, Channel Select, Channel Pan control, Scribble strip names, pan indication, and current automation mode, channel layer navigation, Aux mix and transport control, Automation mode selection, metering
      • 4x2 AVB audio transport control with Marker Shift, REW/FF options
    • Analog I/O:
      • 2 remote XMAX™ mic preamps for talkback, room mic or other local inputs
      • 2 balanced 1/4” TRS line inputs
      • 2 XLR line outputs
      • Stereo headphone output with level control
      • Monitor control level control
    • 4-pin XLR amp connection
    • Footswitch input
    • Silent internal PSU with no fans
    • Same footprint as StudioLive 16.4.2AI for integration in 19” rack mounts and 3rd-party studio desks
    • Optional iPad mount accessory

StudioLive CS18AI

  • Computer System Requirements:
    • General:
      • Internet connection
      • AVB compatible Ethernet connection
      • Internet connection for registration and software download
    • Mac®:
      • OS X 10.8 64-bit or later
      • Hardware: Intel® Core™ i3 processor or better, 4 GB or more RAM (8GB recommended)
    • Windows® PC:
      • Windows 7x 64/x86 SP1 or Windows 8/8.1 x64/x86 or Windows 10 x64/x86
      • Intel® Core™ 2 processor (Intel® Core™ i3 processor or better recommended)
      • 4 GB RAM (8 GB or more recommended)
    • iOS:
      • Operating System: iOS 7.03 or later
      • Hardware: iPad Air, iPad mini with Retina display, iPad (3rd or 4th generation), iPad mini
      • Network Type: Ethernet / AVB
  • Microphone Inputs:
    • Type: XLR Female (via Combo), Balanced Remote
    • Maximum Input Level: +12 dBu, ±0.5 dB, Unity Gain
    • Gain Control Range: 65 dB, ±1 dB
    • Gain: 0 to +65 dB, ±1 dB
    • Frequency Response to Main Output: 20 Hz-20 kHz, ±0.5 dBu
    • Frequency Response (A-D): 10 Hz to 40 kHz, ±0.2 dB
    • Input Impedance: 1 kOhm
    • THD to Main Output: <0.005% max, +4 dBu, 20 Hz-20 kHz, unity gain, unweighted
    • THD+N (min. gain, a-wtd): < 0.005%
    • Dynamic Range (min. gain, a-wtd): > 114 dB
    • Dynamic Range (mid. gain, unwtd): > 105 dB
    • Signal-to-Noise Ratio to Main Output: 94 dB
    • Common Mode Rejection: 65 dB (1 kHz, unity gain)
    • EIN (+55 dB gain, 150O input, 20 Hz-22 kHz, A-weighted): < 128 dBu
    • Phantom Power: +48 V (±2 V, > 8 mA per channel)
  • Line Inputs:
    • Type: ¼” TRS Female (via Combo), Balanced
    • Maximum Input Level: +18 dBu
    • Frequency Response (A-D): 20 Hz to 20 kHz, ±0.2 dB
    • Frequency Response to Main Out: 20 Hz to 20 kHz, ±0.5 dBu
    • THD to Main Output: <0.005% max, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
    • THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
    • Input Impedance: 10 kOhm
    • Signal-to-Noise Ratio to Main Output: 94 dB
    • Max Input Level: +18 dBu
    • Dynamic Range (min. gain, a-wtd): > 114 dB
    • Dynamic Range (mid. gain, unwtd): > 105 dB
    • Crosstalk (1 kHz, channel-to-channel): < -80 dB
  • Monitor Line Outputs:
    • Type: XLR Male, Electrically Balanced
    • Maximum Output Level: +24 dBu, ±0.5
    • Frequency Response: 20 Hz to 20 kHz, ±0.2 dB
    • Dynamic Range (a-wtd): > 112 dB
    • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
    • Output Impedance: 100O
    • Crosstalk (1 kHz, channel-to-channel): < -80 dB
  • Headphone Outputs:
    • Type: ¼” TRS Female, Stereo, Unbalanced
    • Maximum Output Level: 120 mW/channel @ 60 O
    • Frequency Response: 20 Hz to 20 kHz, ±0.5 dB Dynamic Range (a-wtd): > 103 dB
    • THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unweighted
    • Crosstalk (1 kHz, channel-to-channel): < -80 dB
    • Signal-to-Noise Ratio: 96 dB 1kHz, max gain, 20 kHz BW, unwtd
  • System Crosstalk:
    • Input to Output: -90 dBu +4 dBu, 20 Hz-20 kHz, unwtd
    • Adjacent Channels: -87 dBu +4 dBu, 20 Hz-20 kHz, unwtd
  • Digital Audio:
    • ADC Dynamic Range: 118 dB min (A-wtd, 48 kHz)
    • DAC Dynamic Range: 118 dB min (A-wtd, 48 kHz)
    • Sample Rate: 44.1, 48, 88.2, 96 kHz
    • Reference Level for 0 dBFS: +18 dBu
  • Clock:
    • Clock Jitter: <20 Ps RMS, 20 Hz-20 kHz
    • Jitter Attenuation: >60 dB 1 ns in ~1 ps out
  • Power / Environmental:
    • Connector: IEC
    • Input-Voltage Range: 100 to 230V, 50-60 Hz
    • Power Requirements: 200W
    • Temperature Range: 0° to 40° Celsius / 32° to 104° Fahrenheit
  • Physical:
    • Length: 22.35" (58.6 cm)
    • Width (chassis only): 17.22" (43.74 cm)
    • Maximum Height: 6.9" (17.53 cm)
    • Weight: 23 lbs. (10.43 kg)
Advanced Digital Audio Workstation - USB Installer, Box & Key CardPreSonus Studio One 3 Professional Advanced Digital Audio Workstation - USB Installer, Box & Key Card

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Crossgrade from 3rd Party DAWPreSonus Studio One 3 Pro [DOWNLOAD] Crossgrade from 3rd Party DAW

Studio One 3 features streamlined workflow, great sound quality, and solid stability. This new edition adds innovative songwriting and arranging tools, unique sound-design capabilities, and high-dpi, multi-touch interfaces, as well as ...


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Upgrade from Studio One Professional 1 or 2 to Professional 3PreSonus Studio One 3 Professional Version [UPGRADE] Upgrade from Studio One Professional 1 or 2 to Professional 3

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Studio One 3 features streamlined workflow, great sound quality, and solid stability. This new edition adds innovative songwriting and arranging tools, unique sound-design capabilities, and high-dpi, multi-touch interfaces, as well as ...

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