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Canon EOS C100 MK II TRIPLE LENS KIT
EOS Cinema 100 MK II with Dual Pixel CMOS AF and 3 Lenses

OUR PART #:  EOS-C100MKII-TRIPLE

The Canon EOS C100 MK II TRIPLE LENS KIT features a Canon EOS C100 Mark II Digital HD Camera to bring you Dual Pixel CMOS AF advanced imaging and operational features...
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Canon EF 70-200mm f/2.8L IS II USM Lens
Canon EF 24-70mm f/2.8L II USM Lens
Canon EF 16-35mm f/2.8L II USM Lens

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Canon EOS C100 MK II TRIPLE LENS KIT
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The Canon EOS C100 MK II TRIPLE LENS KIT features a Canon EOS C100 Mark II Digital HD Camera to bring you Dual Pixel CMOS AF advanced imaging and operational features, in addition to all of the great features offered in the previous version of the C100. Also included in this kit are 3 EF-mount lenses, VF Eyecup, grip, camera cover, and more (see complete list below)

Canon EOS C100 Mark II Digital HD Camera
Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, the C100 integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A redesigned 270-degree rotating 3.5" OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.

The body of the Canon EOS C100 Mark II Digital HD Camera has been redesigned and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo microphone, and audio controls.

Canon EF 16-35mm f/2.8L II USM Lens
The EF 16-35mm f/2.8L II USM is a high-performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers. It features 3 high-precision aspherical lens elements, each of a different type: ground, replica, and GMo for even better image quality than the original EF16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures. Other features include internal focusing, a ring type USM (Ultra Sonic Motor), and new AF algorithms for fast and quiet autofocusing.

Canon EF 24-70mm f/2.8L II USM Lens
Built to meet the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction and performance in professional zoom lenses. A standard focal length zoom lens, it features a large aperture throughout its focal length. Featuring the latest advances in optical lens design, it utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. Optimized lens coatings also help ensure exceptional color balance while minimizing ghosting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds. A ring-type USM and high-speed CPU with optimized AF algorithms enable silent and fast autofocusing. Built for the rigors of professional use as well as to meet the increased number of shots available with digital photography, it's constructed with improved dust sealing and water resistance while fluorine coatings on the front and rear lens surfaces help reduce soiling, smears, and fingerprints. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.

Canon EF 70-200mm f/2.8L IS II USM Lens
Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The Canon EF70-200mm f/2.8L IS II USM increases the speed, performance, and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

Canon EOS C100 MK II TRIPLE LENS KIT Includes:

  • EOS C100 MK II Body
  • Lenses:
    • EF 16-35mm f/2.8L II USM
    • EF 24-70mm f/2.8L II USM
    • EF 70-200mm f/2.8L IS II USM
  • VF Eyecup
  • Grip
  • Camera Cover
  • Handle Unit
  • Thumb Rest
  • Tripod Adapter Base (TB-1)
  • Shoulder Strap (SS-1200)
  • Battery Pack (BP-955)
  • Compact Power Adapter (CA-930)
  • DC Cable (for CA-930)
  • AC Cable x2
  • WFT Attachment
  • Measuring Hook
  • Data Import Utility Disc

Canon EOS C100 MK II TRIPLE LENS KIT Key Features:

  • The four 1920 x 1080 HD R Gr Gb B video components from the image sensorare pre-processed and then sent to the DIGIC DV 4 processor for advanced videoprocessing. This includes separate interpolation of the sparsely sampled R andB HD components to form full frame 4K for each. The two green HD componentsare also interpolated to form a single full-frame 4K Green component. Thesethree 4K RGB components are then down-sampled to create a set of  YCC 422HD components that have high MTF, improved edge transitions, low false colormoiré, and enhanced overall color reproduction. These components are furtherprocessed preparatory to sending them to the AVCHD and MP4 codecs.
  • The redesigned 3.5" OLED (OrganicLight-Emitting Diode) panel provides vivid colors, high contrast, anddramatically improved responsiveness compared to traditional LCD screens.The3.5" 1.23 megapixel OLED display on the EOS C100 Mark II delivers virtually100% field-of-view coverage, wide and faithful color range support, andimproved viewing even in bright sunshine. The EOS C100 Mark II camera's OLEDscreen has a new hinge design to help maximize monitoring versatility. Thedesign allows the panel to fold shut when stowed and protect the OLED surface.It can then open 180 degrees to reveal function keys and a joystick, or openfurther to 270 degrees to deploy against the side of the camera and providemonitoring for directors, producers, or other production personnel.
  • The Canon EOS C100 Mark II's 1.23 Megapixel Tilting ColorEVF is larger and totally redesigned from what wasfeatured on its predecessor model. The EOS C100 Mark II camera's EVF(Electronic View Finder) uses a 0.45" 1.23 megapixel color panel surrounded bya large professional-style eyecup like the one used on the Canon EOS C300 andEOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle,allowing it to be used more effectively in a variety of shootingsituations.
  • A built-in monaural "mono" microphone in the EOS C100 Mark II Digital HD Camera can capturereference audio, spoken notes, or aid in synching sound in post. Thismicrophone works only when the removable top handle with twin XLR inputs isnot attached.
  • There are three red start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the frontof the camera, one on the removable pistol grip, and one on the detachable tophandle). Besides aiding with quick identification, this industry-standardcolor helps reduce the chance of accidentally stopping a recording.
  • The ergonomically redesigned EOSC100 Mark II Digital HD Camera features a compact design for comfortable useby a single operator. Subtle but important modifications for smoother operatorcomfort include indentations around control buttons and a recessed powerswitch.
  • TheEOSC100 Mark II Digital HD Camera employs the same single Super 35mmCanon CMOS image sensor as the restof the Cinema EOS camera family, and includes the same innovative strategiesthat have established the outstanding image performance of these cameras. This8.3 megapixel sensor maximizes the size of the individual photo site, each ofwhich deploys 2 photodiodes to ensure high-speed removal of accumulatedcharge, which in turn helps elevate the effective sensor dynamic range. Allied with innovative Canon signal extraction strategies that enhance thesensor signal to noise performance allows unprecedented elevation of the ISOsetting in this professional Super 35mm camera, while always protecting itsdynamic range.
  • The EOS C100 Mark II Digital HD Camera enables users tosimultaneously record in both the AVCHD and the MP4 recordingformats in a variety of bit rates (up to 28 Mbps and 35Mbps, respectively), resolutions, and frame rates, including 59.94p, toaddress practically any production need. Both formats have their ownparticular advantages. AVCHD is a professional standard that enableslong-duration recording of full HD using moderate total data capacities. MP4has advantages for Web and smartphone sharing. Both formats are easilyaccepted by most nonlinear editing applications. The EOS C100 Mark II camera'sdual SD card slots can record in either or both formats simultaneously and canconvert AVCHD and MP4 files into smaller MP4 files for web upload.
  • The EOS C100 Mark II Digital HD Camera can provide slow andfast-motion video effects whenrecording in the MP4 format. Sound is not recorded, and the feature is notavailable during double-slot recording. Slow and fast-motion playback speedscan range from x0.4 slow up to x2.5fast.
  • MP4 conversion allows forconverting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark IIcamera's main slot into a 3Mbps (640 x 360) MP4 file on the SD card in thealternate slot. This gives users a smaller file that is easier to transmit.MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28Mbps.
  • Dual Pixel CMOS AF (Auto Focus)ingeniously deploys the 2 photodiodes within each sensor Photosite tofacilitate a powerful phase difference detection that provides measurementdata that ultimately controls the EF lens focusing system helps ensure thatproper focus is always maintained, even in unpredictable "run and gun" news ordocumentary-type shooting situations. Dual Pixel CMOS AF operates within thecenter portion of the frame and is compatible with more than 100 Canon EFlenses.
  • Face AF Mode detects and focuses onhuman faces. Both the Dual Pixel CMOS AF and Face AF capabilities give cameraoperators more freedom to concentrate on composing their shots and payingattention to potentially unpredictable shooting environments.
  • The EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HDvideo at a 59.94p frame rate (59.94p isavailable in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate canprovide captured video with a very "smooth" look that is useful for sports andnews applications.
  • MP4 and AVCHD video files (and still images) can be wirelesslytransferred to a selected FTP server.This feature is particularly useful for transferring time-critical video fornews and for backing-up files. The feature uses the 5GHz band for quick,reliable file transfers. Up to 100files can be selected to transfer at onetime.
  • Many filmmakers prefer toshoot in Canon Log to protect the integrity of the total dynamic range ofwhich the image sensor is capable, which, in turn, can provide greaterlatitude in post-production grading processes. As the picture is beingmonitored during Canon Log-enabled shooting, however, the image seen will notaccurately represent its final "look". A built-in Canon Log LUT(Look-Up Table) in theEOS C100 Mark II can be applied to facilitate viewing the video live on amonitor connected to the camera's HDMI® output in a more visually appealingWide DR (Dynamic Range) or BT.709 (television standard) color space. The CanonLog LUT feature can be turned on or off in the camera's menu.
  • The combined performance of the camera's Canon Super 35mm CMOS sensor andDIGIC DV 4 Image Processor achieve a very high signal-to-noise ratiothat enables recordings with great detail and dynamic range even in minimallight. This advanced performance yields amaximum ISO speed of 80,000 and a wide dynamic range with up to 12 stops.
  • Digital filmmakers preferring complete manual control havethat ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters canalso create, save, and recall custom picture settings, camera functions, anddisplay options. Highly effective built-in Focus Aids to confirm critical focuscan be displayed on both the tilting EVF and folding OLED monitor, includingPeaking (white, red, blue, yellow) and a magnification function that can beshifted to 25 locations across the image. Also included is an Edge Monitorfeature, which shows red and green displays at the bottom of the OLED panelwith three red focus-check areas shown. The green waveform shows overall focusof the image while the red waveform shows the focus status of the focus-checkboxes. Through this dynamic focus feedback technology, shooters canintuitively tune focus or quickly change the zone of focus.
  • The removable top handle on the Canon EOS C100 MarkII Digital HD Camera integrates a built-in tally light, stereomicrophone, dual XLR audio inputs for stereo recording, and a micmount. Audio is capturedin16-bit 48 kHz linear PCM format or DolbyDigital. A compact array ofaudio-level dials and channel/input switches built into the handle (under ahinged clear plastic protective cover) enables shooters to select signals fromthe built-in stereo mic or mics attached to the XLR inputs and adjust the gainindependently on a channel-by-channel basis. Users can also power a wide rangeof audio-capture devices with the XLR inputs phantom power supply.
  • The Canon EOS C100 Mark II Digital HD Camera includes ascrew-locking HDMI connector for output of live HD video fromthe camera to monitors or other devices. The camera's HDMI signal featuressuperimposed SMPTE time code for attachment to recorders or other third-party devices.
  • An optional Canon RC-V100 Multi-FunctionRemote Controller can be connected to the camera via its remotecontrol cable to adjust image quality and other settings from a distance. Thiscan also be a handy feature when shooting from a crane, jib arm, or mountedremotely in some other inaccessible location.
  • An optional Canon EOS GP-E2 GPS Receiver (soldseparately) canbe connected to the camera using a USB cable to provide precise location andtime information during shooting. This capability can support editing andarchiving functions.

NOTE: Additional information canbe found under the "Documentation" tab.

Canon EOS C100 Mark II Key Specifications:

Canon EOS C100 Mark IICamera

  • Imaging Sensor:
    • Effective Pixels: 3840 x 2160 pixels; Approx. 8.29 megapixels
    • Total Pixels: 4206 x 2340 pixels; Approx. 9.84 megapixels
    • Sensor Type: CMOS
    • Sensor Size: Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch
    • Scanning System: Progressive
    • Number of Sensors: 1
    • Filter: RGB Primary Color Filter (Bayer Array)
    • Imaging Processor: Digic DV
  • Lens System:
    • Interchangeable Lens System: EF-mount for compatibility with EF, EF-S, and EOS EF Cinema lens systems.
    • Zoom/Focus Preset: Not Available
    • Shockless Zoom: Not Available
    • Digital Teleconverter: Not Available
    • ND Filter: Mechanical ND filter system with option of clear, 2, 4, and 6 stops
    • Iris Dial:
      • Manual setting in 1/2-step increments, 1/3-step increments or fine
      • Push Auto Iris Control
      • Auto Iris Control
    • Peripheral Illumination Correction: Available
  • Exposure and Metering:
    • Exposure Modes:
      • Manual
      • Push Auto Iris Control
      • Auto Iris Control (STM lenses)
    • Metering Modes: Available (Standard Center Weighted, Spotlight, Backlight)
    • Gain: Normal Setting -6dB to 30 dB (-6 dB to 42 dB with Sensitivity Expansion ON)
    • ISO: 3200 to 80,000 in 1/3 stop increments
    • Auto Gain Control (AGC): Not Available
    • Shockless Gain: Not Available
    • Exposure Compensation/AE Shift: Available
    • Shutter Modes: 3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
      Speed setting can be set in 1/2 or 1/3 stop increments
    • Shutter Speed Range:
      • 59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15,1/30;CS: 59.94 Hz - 250.51 Hz
      • PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15;CS:29.97 Hz - 250.51 Hz
      • 23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6,1/12;CS: 23.98 Hz - 250.51 Hz
      • 50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/121/25;CS: 50.00 Hz - 250.51 Hz
      • PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;CS:25.00 Hz - 250.51 Hz
    • Shutter Angle Settings:
      • 59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
      • PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
      • 23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90,86.4,72, 60, 45, 30, 22.5, 15, 11.25
      • 50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
      • PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50,15,11.25
    • Iris (Aperture) Range: Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.
  • Focus:
    • Focus Settings: Manual, One-Shot AF, Continuous AF
    • Autofocus System:
      • Available; AF is dependent on interchangeable lenses
      • (a) Dual Pixel CMOS AF (screen center)
      • (b) TTL-Video Signal Sensing System (contrast detection system) whenFace AF is selected
    • AF Modes: One-Shot AF, Continuous AF
  • Recording/Codec:
    • Signal System: NTSC and PAL
    • Compression: MPEG-4 AVC / H.264
    • Color Space: Available
    • Maximum Bit rate:
      • AVCHD: 28 Mbps
      • MP4: 35 Mbps
    • AVCHD Recording Options:
      • 28 Mbps:
        • Resolution: 1920x1080
          Frame Rate: 59.94P, 50P
      • 24 Mbps:
        • Resolution: 1920x1080
        • Frame Rate: 59.94i/PF29.97/23.98P, 50i/PF25
      • 17 Mbps:
        • Resolution: 1920x1080
        • Frame Rate: 59.94i/PF29.97/23.98P, 50i/PF25
      • 7 Mbps:
        • Resolution: 1440x1080
        • Frame Rate: 59.94i/PF29.97/23.98P, 50i/PF25
    • MP4 Recording Options:
      • 35 Mbps:
        • Resolution: 1920x1080
        • Frame Rate: 59.94P, 50P
      • 24 Mbps:
        • Resolution: 1920x1080
        • Frame Rate: 29.97P/23.98P, 25P
      • 17 Mbps:
        • Resolution: 1920x1080
        • Frame Rate: 29.97P/23.98P, 25P
      • 4 Mbps:
        • Resolution: 1280x720
        • Frame Rate: 29.97P/23.98P, 25P
      • 3 Mbps:
        • Resolution: 640x360
        • Frame Rate: 29.97P/23.98P, 25P
    • Recording Time: Please refer to the "Canon EOS C100 Mark II Camera Recording Time Chart" under the "Documentation" tab.
    • Recording Media; SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported
    • File Format: AVCHD, MP4
    • File System: FAT 32
    • Maximum Clip Number: 999 (per media)
  • Audio:
    • Recording Format:
      • AVCHD:
        • 28 Mbps & 24 Mbps Modes: Linear PCM;2-Channel; 16-Bit; 48 kHz
        • All Other Modes: Dolby Digital 2ch
      • MP4:
        • MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
        • 35-17 Mbps: 256 kbps
        • Less than 4 Mbps: 128 kbps
    • Built-in Microphone:
      • Monaural Microphone in Camera Body
      • Stereo Microphone in Handle Unit
    • External Audio Inputs:
      • 2 - XLR inputs (Auto and Manual level settings)
      • External microphone terminal: (3.5 mm diameter)
    • Recording Channel Selection: This is used to set the allocation of the audio channels:
      • CH1/CH2: The CH1 signals are allocated to the L output channel, andthe CH2 signals are allocated to the R output channel.
      • CH1/CH1: The CH1 signals are allocated to the L output channel, andthe CH1 signals are allocated to the R output channel.
      • CH2/CH2: The CH2 signals are allocated to the L output channel, andthe CH2 signals are allocated to the R output channel.
      • ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signalsare allocated to the L and R output channels.
    • XLR Mic Trimming: Available; -12dB, -6 dB, 0dB, +6dB or +12 dB
    • Limiter: Available
    • Recording Level Adjustment Range:
      • - Infinity to +18dB, Automatic
      • Separate controls for internal and externally connectedmicrophones.
    • Phantom Power: Available; +48V
    • Headphone Adjustment: 16 Settings; Volume is muted at lowest setting
    • Built-in Speaker: Yes; 16 level settings
    • 1KHz Tone: Available; Off, -12, -18, or -20 dB
  • Features and Performance:
    • Playback:
      • (1) Standard Playback: The images and sound recorded under thepreviously stated recording options are played back.
      • (2) Special Playback:
        • Fast Forward: 5x Speed>15x speed>60xspeed>5x speed...
        • Fast Reverse: 5x speed>15x speed>60xspeed>5x speed...
        • Frame Forward: 1-frame increments
        • Frame Reverse: In 0.5 second increments (1-GOP increments)
        • Skip Playback: The first image located according to the number of times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip and pauses.
        • Rec. Review: Rec review is executed by pressing the rec review button while in camera mode. By selecting whether the playback from the start of the last clip on the selected media or playback the last 4 seconds of that clip. When continuous recording has been performed so that the recording extends from one care onto the other, only the images on the card in the current slot are played.
        • Slow Playback: None
    • Slow and Fast Motion Recording: Please refer to the "Canon EOS C100 Mark II - Slow/Fast Motion Recording Chart" under the "Documentation" tab. 
    • Special Recording Functions: Relay Recording; Double-Slot Recording; Continuous Recording
    • Photo Recording Mode: Available; Images captured to SD Card; Images can be captured in Camera and Media modes.
    • Waveform Monitor:
      • Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)
      • Gain: 1x/2x
    • Vectorscope:
      • Available; 2 Modes (Spot/Normal)
      • Gain: 1x/5x
    • Exposure/Focus Aids: Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
    • Interval Record: Not Available
    • Frame Record: Not Available
    • Pre-Record: Yes, 3 seconds cache (Audio and Video)
    • Scan Reverse: Available (Horizontal, vertical or both can be selected)
    • Time code: Drop Frame (DF)* or Non-Drop Frame (NDF)
      *59.94(i/P>/29.97P mode in 59.94 Hz mode only
    • Time Code Modes: Regen, Record Run, Free Run
    • Auto White Balance (AWB): Available (BT.709/Wide DR)
    • White Balance Presets: AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B
    • Custom Functions: Available, 8 total functions
    • Custom Display: Available; Total of 33 displays including audio level and remaining battery can be turned on and off
    • Assign Buttons: 17; Can be assigned functions as desired
    • Color Bars: Available; Color bars compliant with SMPTE, ARIB (59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)
    • Minimum Subject Illumination:
      • 59.94 Hz Mode: 0.3 Lux (f/1.2 lens, 24 dB, PF29.27, 1/30s)
      • 50.00 Hz Mode: 0.25 Lux (f/1.2 lens, 24 dB, PF25.00, 1/25s)
    • Sensitivity:
      • 59.94 Hz mode: F9 [1920x1080/59.94i, ISO 640 (0 dB), 2000 lux,reflectance ratio of 89.9%]
      • 50.00 Hz mode: F10 [1920x1080/50.00i, ISO 640 (0 dB), 2000 lux,reflectance ratio of 89.9%]
    • S/N Ratio:
      • 59.94 Hz Mode: 54db (Typical) [1920x1080/PF29.97, Canon Log Basesensitivity ISO 850 (Dynamic Range 800%)]
      • 50.00 Hz Mode: 54dB (Typical) [1920x1080/PF25.00, Canon Log Basesensitivity ISO 850 (Dynamic Range 800%)]
    • Dynamic Range: During Normal Shooting: 300%
      *With Canon Log Gamma or Wide DR Gamma: 800%
      *ISO 850 or above - gain 2.5dB or above
  • EVF:
    • Viewing Angle Adjustment: 28.2-degrees
    • Diopter Adjustment Range: +2.0 to -5.5
    • EVF Adjustments: Brightness, Contrast, Color, Sharpness, and Backlight
  • LCD Monitor
    • Type: Rotating 3.5" Organic LED (OLED) Display (1,230,000 pixels) on camera body
    • Display Adjustments: Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
  • Input/Output
    • Time code In/Out: Yes; through HDMI (Output Only)
    • HDMI: Yes (Type A); Video and Audio Output
    • Audio Input Terminal:
      • 2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power andLine Level) on handle unit
      • 3.5mm Microphone terminal on main body
    • Headphone Jack: Available; 3.5mm stereo mini-jack
    • Remote Terminals: Available, 2.5mm stereo mini jack
    • CCU: Not Available
  • Power
    • Power Terminal:
      • Battery Pack: 7.4 V
      • DC in: 8.4V
    • Battery: BP-9 Series (BP-955 Supplied)
    • Compact Power Adapter: CA-930 (Supplied)
  • Accessories
    • Tripod Adapter: Canon TA-100
    • Tripod Adapter Base: Canon TB-1
    • Zoom Remote Controller: Canon RC-V100 (sold separately-contact your Full Compass Sales Professional for more information)
  • Other
    • Dimensions:
      • C100 Mark II (Body plus Thumb Rest (without eyecup)) Approx.5.8"W x 6.9" H x 6.7" D (147 x 174 x 169 mm)
      • C100 (Body plus Grip plus Eyecup): Approx. 7.4" W x7.4"H x 8.6" D (188 x 189 x 219 mm)
      • C100 (Body plus Thumb Rest plus Handle Unit & Eyecup): Approx.7.4" W x 11" H x 13.1" D (188 x 280 x 334 mm)
    • Main Unit Weight: TBD
    • Total Equipped Weight:
      • TBD (Weight includes the Grip, hook, Handle Unit, BP-955, 2x SDCards.)
      • TBD (Weight includes the Grip, hook, BP-955, 2x SD cards.)
    • Temperature and Humidity:
      • Performance requirements: 0°C to 40°C, 85% (relative humidity)
      • Operating requirements: -5°C to 45°C, 60% (relative humidity)
    • Language Support: German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese
    • Time and Date: Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese, and European Date formats.
    • World Clock: World Clock support - UTC time setting: Setting range from -12:00 to +14:00

Canon EF 16-35mm f/2.8L II USM Lens

  • Focal Length & Maximum Aperture: 16-35mm f/2.8
  • Lens Construction: 16 elements in 12 groups
  • Diagonal Angle of View: 108° 10'-63°
  • Focus Adjustment: AF with full-time manual
  • Closest Focusing Distance: 0.92 feet (0.28m)
  • Filter Size: 82mm, P=0.75mm/1 filter
  • Max. Diameter x Length, Weight: 3.5". x 4.4" (88.5mm x 111.6mm), 640g

Canon EF 24-70mm f/2.8L II USM Lens

  • Focal Length & Maximum Aperture: 24-70mm, 1:2.8
  • Lens Construction: 18 elements in 13 groups
  • Diagonal Angle of View: 84° - 34°
  • Focus Adjustment: Inner-focusing with USM
  • Closest Focusing Distance: 0.38m/1.25 ft.
  • Zoom System: Rotating Type
  • Filter Size: 82mm
  • Max. Diameter x Length, Weight 3.5 x 4.4 in., 28.4 oz. / 88.5 x 113mm, 805g

Canon EF 70-200mm f/2.8L IS II USM Lens

  • Focal Length & Maximum Aperture: 70-200mm 1:2.8
  • Lens Construction: 23 elements in 19 groups (1 Fluorite and 5 UD elements)
  • Diagonal Angle of View: 34° - 12°
  • Focus Adjustment: Inner focusing system with USM. Full-time manual focus available
  • Closest Focusing Distance: 1.2m/3.94 ft. (maximum close-up magnification: 0.21x)
  • Filter Size: 77mm
  • Max. Diameter x Length, Weight: 3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g

† NOTES:
-Additional information can be located under the "Documentation" tab.

-All specifications subject to change without notice.

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Compact Power Adapter & Charger
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Tripod Adapter Plate for XF100, XF105, XF300 & XF305 Camcorders
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