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AJA Video Systems Inc CION
4K and HD Production Camera Body with PL Lens Mount

OUR PART #:  CION

The AJA CION is a 4K/UHD and 2K/HD production camera that records directly to Apple ProRes 422 and 444 at up to 4K 60 fps or output AJA Raw at up to 4K 120fps.
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AJA CION Multicam Gang Control
AJA CION On-Set Backup and Monitoring Workflow
AJA CION High Frame Rate Workflow

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Sale Price: $4,995.00

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The AJA CION is a 4K/UHD and 2K/HD production camera that records directly to Apple ProRes 422 and 444 at up to 4K 60 fps or output AJA Raw at up to 4K 120fps.  CION features an ergonomic design and open connectivity to give complete flexibility in the field or studio.

CION features a 4K APS-C sized CMOS sensor with an electronic global shutter and 12 stops of dynamic range.  Lenses designed for Super 35mm cover the sensor imaging area and the global shutter eliminates the undesirable qualities associated with rolling shutter-based sensors.

CION can record at 4K (4096x2160), UltraHD (3840x2160), 2K (2048x1080) and HD (1920x1080).  2K and HD are hardware scaled from the full 4K sensor, resulting in beautiful over-sampled images, which also retain your lens' focal length at any desired resolution.  Frame rates up to 50 and 60p are supported - even at full 4K resolution.

NOTE:  Lenses shown attached to the AJA CION in the pictures above are sold separately. Contact your Full Compass Sales Professional for more information. 

CION uses AJA's proven SSD-based Pak storage.  The robust high-speed compact storage mounts directly in-camera and allows recording of 4K/UHD and 2K/HD as ProRes 4444, ProRes 422 (HQ), ProRes 422, ProRes 422 (LT) and ProRes (Proxy).  Choose from generous 256 GB or 512 GB capacities and by utilizing the AJA Pak Dock (sold separately) you can transfer your footage over high-speed Thunderbolt or USB 3.0.

CION is also fully capable of outputting frame rates up to 120 fps as either 4K or UHD from its 4 x 3G-SDI outputs as AJA Raw.  AJA's Corvid Ultra in conjunction with TruZoom™ software can take the AJA Raw output and replay it at up to 60 fps.  Output up to 30fps AJA Raw via the Thunderbolt connector.  CION can also record HFR 4K 50 and 60p to Pak media, as Apple ProRes 422.

All interface controls are found on the side of the camera facing the operator to provide easy single user functionality.  The menu structure itself is elegant and free of cumbersome sub-menu navigation.  Confidently dial settings with a robust selection knob that gives clear mechanical feedback as you adjust.

The integrated confidence monitor not only displays the menu information but also previews your real-time image, allowing independent operation.

CION also offers powerful network-based control.  Via the LAN connection, a web browser UI allows for remote configuration of the camera.  Your CION is completely controllable whether it's on a crane, jib or car mount from virtually any web browser.

CION's considered design brings ease of operation to both field- and studio-based productions.  For single users, set up and operation is intuitive and straightforward.  For more complex productions camera operators, camera assistants and digital imaging technicians may all interact with CION without conflict.  In such a scenario, the camera operator can use one monitor output for framing, the camera assistant another monitor output for judging focus and the digital imaging technician can use yet another monitor output as well as the web UI to configure the unit.

AJA CION Connections and I/O (See diagram above ):

  • 1. 4x 3G-SDI main outputs for 4K/UHD and 2K/HD - In addition to baseband 4K/UHD and 2K/HD output AJA Raw via 3G-SDI at up to 4K 120fps
  • 2. Input connector for timecode input
  • 3. Reference connector for connecting genlock/sync
  • 4. USB connector for connecting USB powered accessories such as assistant lights
  • 5. 2x XLR balanced analog audio inputs featuring independent selections for line, mic and phantom power
  • 6. 2x LANC ports for start/stop triggering via AJA LANC Collars or third-party LANC controllers
  • 7. 2x 3G-SDI monitor outputs for 2K/HD - Outputs can be configured to display superimposed information
  • 8. 2x HDMI monitor outputs - Features an option for superimposed camera data information (in 2K/HD); rear HDMI monitor output may additionally be configured for 4K upto 24 fps and Ultra HD up to 30 fps
  • 9. 2-pin input power connector for connecting tothird-party battery plates
  • 10. Thunderbolt™ connector - Output AJA Raw via Thunderbolt up to 4K 30 fps
  • 11. 4-pin XLR power connector
  • 12. LAN connector for network configuration and control
  • 13. Mini TRS headphone jack and volume control knob
  • 14. 2-pin output power connector for powering accessories like electronic viewfinders
  • 15. Sensor plane post - Two positions are available for the sensor plane post

All interface controls are found on the side of the camera facing the operator to provide easy single user functionality.  The menu structure itself is elegant and free of cumbersome sub-menu navigation.  Confidently dial settings with a robust selection knob that gives clear mechanical feedback as you adjust.

The integrated confidence monitor not only displays the menu information but also previews your real-time image, allowing independent operation.

LED VU meters are placed for easy and accurate audio monitoring.  Control knobs for each audio channel allow adjustment of the input level.  A headphone monitoring output and a headphone volume control knob are also provided.

AJA CION Interface / Buttons (See diagram above ):

  • 1. Status
  • 2. Rewind
  • 3. Fast forward
  • 4. Play
  • 5. Stop
  • 6. Unmount AJA Pak
  • 7. Rotational selection dial
  • 8. Power button
  • 9. Record
  • 10. Built-in monitor
  • 11. Headphone monitoring and input level controls
  • 12. Camera configuration
  • 13. Media configuration
  • 14. Format and frames per second
  • 15. Exposure index
  • 16. White balance

CION's sleek chassis is formed of gravity-molded magnesium which is lightweight, but extremely strong.  Integrated steel rosettes allow you to mount industry-standard accessories including hand grips and handle extensions directly to the camera body.  CION was designed to be comfortable, convenient and totally flexible for any shooting environment.  A contoured shoulder pad fits comfortably to your shoulder for hand held use.

CION is designed to create an open approach to accessorizing the camera.

This open system gives you immense flexibility no matter the shooting environment, both indoors and outdoors.  From shoulder to tripod and from dolly to crane, CION keeps all of your options open.

All of the audio and video connections used on CION are industry-standard and thoughtfully positioned.  Audio and video connectors have been placed where they are unobtrusive to the operator.

3G-SDI and HDMI monitor outputs, as well as a power output, make monitor and viewfinder additions to CION easy to implement.  Utilizing CION's high-quality scaling capabilities, these dedicated monitoring outputs are always active even when working with 4K or Ultra HD.

CION elegantly connects production and post with support for the Apple ProRes family of codecs.  In 2007, AJA introduced the Io HD.  It was the first device to offer hardware-based encoding of Apple ProRes.  In 2009, AJA introduced the Ki Pro tapeless video recorder, the first camera-connected recorder to offer Apple ProRes encoding.  CION draws on this distinguished history of support for Apple ProRes capturing vivid and detailed images that are easily manipulated in professional video editing and finishing applications.

CION provides a multitude of on-set monitoring options for 4K/UHD and 2K/HD including a hardware dedicated down convert for 4K/UHD to 2K/HD.  CION's outputs are simultaneously live allowing great flexibility in any scenario independent of resolution.

The AJA Pak Dock and Pak media are designed for field use, featuring a rugged and reliable form factor; unlike a bare SSD drive, AJA Pak media features a multi-insertion rated connector.  Connecting to CION via the LAN connector provides real-time information regarding the Pak currently in use and by utilizing a Thunderbolt enabled RAID storage drive you can quickly back up your Pak media as you shoot.

CION multicam shoots are straightforward to implement and manage by using a laptop with a simple ethernet switch and LAN cables.  The web UI allows complete and independent set up of multiple CION cameras; you may name each camera and consolidate control of the cameras from within a web browser using the unique gang recording feature.  The web UI will also allow realtime monitoring of the capacity of the Pak media used in each CION.

AJA CION Specifications:

  • User Interface
    • 6x Dedicated Menu Button (STATUS, CONFIG, MEDIA, FPS, EI, and WB)
    • 4x Transport Buttons (Play, Fast Forward, Reverse Playback, Stop)
    • 1x Media Unmount Button
    • 1x Record Button
    • 1x User Interface Control Knob
    • 1x User Interface Screen, 320x240 LCD
  • Sensor Type: CMOS, Electronic global shutter, 12 stops of dynamic range
  • Sensor Size: 4K APS-C sized, 22.5mm x 11.9mm
  • Lens Mount: PL (positive lock)
  • Filtration: Optical Low Pass Filter (OLPF) and IR Cut Filter (combined)
  • Removable Storage: AJA Pak media
  • Video Output:
    • 4x 3G-SDI Main Outputs (4x BNC connectors, 3G/1.485 Gbps)
    • 2x 3G-SDI Monitor Outputs (1x front-mounted BNC connector, 1x rear-mounted BNC connector, 3G/1.485 Gbps)
    • 2x HDMI Output (1x front-mounted HDMI v1.3 Type A connector, 1x rear-mounted HDMI v1.4 Type A connector)
  • Audio Input: 2x Balanced Analog Audio Inputs (2x 3-pin XLR connectors with dedicated line/mic/48v selection switch per input)
  • Audio Output: 1x Headphone Jack (3.5mm stereo mini TRS)
  • Reference Input: 1x Reference Input (BNC connector, analog color black)
  • Timecode: 1x LTC (BNC connector, 0.5 to 4.5Vpp)
  • Start/Stop Trigger: 2x LANC (1x 2.5mm top connector and 1x 2.5mm side connector)
  • Network Interface: 1x LAN connector (RJ45 connector, 10/100/1000)
  • Data Output: AJA Raw via 3G-SDI up to 120 fps or Thunderbolt™ up to 30 fps
  • Weight:
    • 6.4 lbs. (2.9 kg) (without top handle attached)
    • 7.4 lbs. (3.4 kg) (with top handle attached)
  • Power:
    • AC Range: 100-240 VAC 50/60Hz (AC adapter)
    • DC Range: 12-18Vdc, 5A maximum (4-pin XLR connector or 2-pin input connector)
    • Consumption: 38-42W typical, 45-47W maximum (Note: does not include power draw from 2-pin output connector)
    • Output: 2-pin power output connector, 10W recommended maximum
  • Temperature Range:
    • Safe Operating Temperature Range: 5 to 40 degrees C
    • Safe Storage Temperature Range (power OFF): -20 to 60 degrees C
  • 4K Format, Frame Rate, Encoding and Output:
    • 4K (4096x2160) progressive 23.98/24/25/29.97/30/50/59.94/60/119.88/120
    • Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
    • Apple ProRes 422 (or a lower data rate ProRes version) for 50/59.94/60 fps
    • SDI output support for 23.98/24/25/29.97/30 fps (SDI 1-4 YCbCr, SDI 1-4 RGB or SDI 1 Raw)
    • SDI output support for 50/59.94/60 fps (SDI 1-4 YCbCr or SDI 1-2 Raw)
    • SDI output support for 119.88/120 fps (SDI 1-4 Raw)
  • Ultra HD Format, Frame Rate, Encoding and Output:
    • Ultra HD (3840x2160) progressive 23.98/24/25/29.97/30/50/59.94/60/119.88/120
    • Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
    • Apple ProRes 422 (or a lower data rate ProRes version) for 50/59.94/60 fps
    • SDI output support for 23.98/24/25/29.97/30 fps (SDI 1-4 YCbCr, SDI 1-4 RGB or SDI 1 Raw)
    • SDI output support for 50/59.94/60 fps (SDI 1-4 YCbCr or SDI 1-2 RAW)
    • SDI output support for 119.88/120 fps (SDI 1-4 Raw)
  • 2K Format, Frame Rate, Encoding and Output:
    • 2K (2048x1080) progressive 23.98/24/25/29.97/30/50/59.94/60
    • Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
    • Apple ProRes 422 (all versions) for 50/59.94/60 fps
    • SDI output support for 23.98/24/25/29.97/30 fps (SDI 1 YCbCr, SDI 1-2 RGB, or SDI 1 RGB)
    • SDI output support for 50/59.94/60 fps (SDI 1-2 YCbCr or SDI 1 YCbCr)
  • 1080 HD Format, Frame Rate, Encoding and Output:
    • 1080 HD (1920x1080) progressive 23.98/24/25/29.97/30/50/59.94/60
    • Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
    • Apple ProRes 422 (all versions) for 50/59.94/60 fps
    • SDI output support for 23.98/24/25/29.97/30 fps (SDI 1 YCbCr, SDI 1-2 RGB, or SDI 1 RGB)
    • SDI output support for 50/59.94/60 fps (SDI 1-2 YCbCr or SDI 1 YCbCr)
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