DPA 4011A Cardioid Condenser Microphone

OUR PART #: 4011-A

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The DPA 4011A cardioid condenser microphone is an upgraded version of DPA's classic 4011... ...Read more

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DPA 4011A Cardioid Condenser Microphone
Our Price: $2,040.00

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Product Overview

The DPA 4011A cardioid condenser microphone is an upgraded version of DPA's classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion.

The principal appeal of the 4011A is its directional quality and attention to detail: everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources when used as a spot mic on literally any style of live music, from rock ‘n’ roll to opera. The 4011A is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone.

A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. The sensation of “being there” will always be more intense with the DPA 4011A than with any other cardioid. Chosen for its qualities as an all-around performer, the 4011A is a great, clean-sounding colorless mic. The variety of applications is as wide as the imagination of the user.

DPA 4011A Specifications:

  • Directional Characteristics: Cardioid
  • Principle of Operation: Pressure Gradient
  • Cartridge Type: Pre-polarized condenser
  • Frequency Range: 20 Hz - 20 kHz
  • Frequency Range, +/-2 dB: 40 Hz - 20 kHz
  • Sensitivity, Nominal +/- 2 dB at 1 kHz: 10 mV/Pa; -40 dB re. 1 V/Pa
  • Equivalent Noise Level, A-weighted, re. 20 µPa: Typ. 18 dB(A) re. 20 µPa (max. 20 dB)
  • Equivalent Noise Level, ITU-R BS.468-4: Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting)
  • S/N Ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 76 dB(A)
  • Total Harmonic Distortion (THD): < 1 % up to 139 dB SPL peak
  • Minimum Load Impedance: 2 kOhms
  • Dynamic Range: Typ. 121 dB
  • Max. SPL, Peak Before Clipping: 159 dB
  • Switchable Attenuator: 0 dB / -20 dB
  • Output Impedance: < 200 ohm
  • Cable drive capability: 328 ft (100 m)
  • Output Balance Principle: Impedance balancing with Active Drive
  • Common Mode Rejection Ratio (CMRR): > 60 dB
  • Power Supply (for full specifications): 48 V Phantom power (+/- 4 V)
  • Current Consumption: 2.8 mA
  • Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
  • Color: Matte black
  • Weight: 158 g (5.6 oz)
  • Microphone Diameter: 0.75 in (19 mm)
  • Capsule Diameter: 0.75 in (19 mm)
  • Length: 6.7 in (170 mm)
  • Output Voltage, RMS: > 5 V
  • Polarity: +V at Pin 2 for positive sound pressure
  • Temperature Range: 14 °F to 113 °F (-40 °C to 45 °C)
  • Relative Humidity (RH): Up to 90 %
  • Matching Tolerance: +/- 1 dB
  • Phase Deviation for Kit: < 10°

WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.

Product Reviews

Reviewed by 4 customers
(0 are Verified Buyers.)

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Les J on 12/15/2020

if you are looking for a detailed and transparent small diaphragm condenser, then the 4011A is a beautiful option.

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Mary M on 11/28/2020

My pair of DPA 4011s are my favorite microphones! They very transparent and yet very musical. I have used them in a variety situations on various instruments from vocalists, string quartets, Orchestra, drum overheads, etc. They sound amazing.

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Gary H on 11/12/2020

Be it live or recording this microphone shines and sparkles! I love them anywhere in an orchestra. You will love it! :)

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richsound on 09/24/2020

First time I became aware of this mic was at the jazz club Ronny Scotts in London, while on tour with Robben Ford and Bill Evans.the house-tech asked me to try it, and we put it in front of the guitar amp - the result blew me off my feet: it sounded 100% like the amp, but just much bigger, cause the sound now came out of the P.A.-system as well - no nasel,no booming,no harshness - just the pure amp sound!! I ordered the 4011 the next day, and it’s my loyal companion ever since - in the studio as well as on stage! the mic is very small and I use it for very different occasions - and it always reproduces the sound in a very real and uncolored way! It’s great for acoustic sound sources ( double bass, cello, acoustic guitars….) as well as for sources with very high sound pressure (guitar amps, bass amps, baritone sax…) - versatile like a swiss army knife! one of the tools, which make my daily work much easier! even it’s not cheap, it’s worth every cent! absolut pro tip - try it!!!

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