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Roland M-300
32-Channel V-Mixer Compact Live Digital Mixer

OUR PART #  M-300

Our Price: $3,995.00
List Price: $3,995.01
(Low Price Guarantee)
Usually ships in 7-14 business days.
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The Roland M-300 V-Mixer is the ultimate solution for a variety of venues and applications. It provides a substantial mixing capacity of 32 mixing channels, 8 aux buses, 4 matrices, which represent the highest level in its class. The M-300 V-Mixer seamlessly integrates with other REAC devices (sold seperately). The user can directly operate the Digital Snake preamp, control an M-48 Personal Mixer, and set up the I/O for the S-4000M REAC Merge Unit (NOTE: The Digital Snake, M-48 and S-400M are sold seperately). All of these features are contained in a very compact size of 749mm width x 626mm depth x 229mm height, and at a weight of 9.8kg (21 lbs 10 oz). The M-300 is the perfect choice for any venue with a limited set-up area, as well as for mobile sound reinforcement. Optional rack rails are also available.

Equalization of channels and dynamics are the foundation of any great mix. The enhanced sound shaping abilities of the M-300 input channels include 4-band fully parametric EQ as well as gate and compression. A Key-In filter can be used for the Gate/Compressor to enable more expressive mixing. The 4 multi-effects processors can be set to use any of 11 different effects types. In addition to Reverb and Delay, modulation effects such as Chorus and Phaser are also available. The M-300’s busses are also equipped with 8 bands of fully Parametric EQ and Signal Delay on each Aux, Matrix and Main output. The M-300 is fully equipped with all of the sound adjustment tools built-in and ready to go.

The M-380 and M-400 V-Mixers are highly regarded for their ease of use and the M-300 continues this tradition starting with 17 x 100mm motorized faders. Central to the M-300’s operation is a high-resolution 800x480 pixel color display. Channel Parameters such as Gain, Pan, EQ and Dynamics can be comfortably operated from the Channel Edit section located on the left side of the display. All parameters can be instantly saved and recalled from Scene Memory. The layers of faders can be easily switched with the LAYER button. Faders can be accessed and arranged freely, and saved as a User Layer.

Record the output of the M-300 Main, assigned AUX bus or MATRIX bus di rectly to a USB memory drive connected to the built-in USB port. A mix produced with the M-300 can be saved as an uncompressed WAV file, without the need for an external recorder. WAV files on the USB memory drive can also be played back on the M-300 and used for background music/tracks. User settings and mixer data can also be saved to a USB memory drive.

Forty channels of 24-bit audio can be recorded directly to a PC (Windows) by connecting a REAC port to the gigabit Ethernet port on the PC via a single Cat5e cable. Audio is recorded as individual WAV files using Cakewalk SONAR and can be mixed after recording using the powerful digital audio tools and effects in SONAR.

The M-300 can be controlled remotely in real-time from a PC (Windows) connected via the USB port. Mixing functions on the M-300 can be operated directly from a PC by using the M-300RCS dedicated control software which has the same GUI as the M-300 color display. (The M-300RCS can be downloaded from the Roland Systems Group website.) The M-300RCS can also be operated in offline mode, allowing data for various settings to be created in advance and saved to a USB memory drive. When you get to the venue, load the settings and jump right into sound check and rehearsal.

By enabling Remote Desktop Connection on a local PC directly connected to the M-300 via the USB, the M-300 can be controlled remotely from another PC using a wireless LAN. A tablet PC can be used to control the M-300 from a remote location. For example, you can be seated in the audience to adjust the house mix during the rehearsal, or stand onstage to adjust the monitor mix while consulting the stage performer. The M-300 enables new mixing possibilities that you could never achieve with an analog console.

Roland M-300 Features:

  • 32 mixing channels, L/C/R outputs, 8 AUX buses, 4 Matrices
  • 4-band PEQ and dynamics on all channels
  • 11 different built-in multi-effects/ PEQ and delay on all outputs
  • 24-bit AD/DA for high-quality sound
  • Remotely controllable from a PC
  • Record to /playback from USB flash memory
  • Perfectly integrates with the Digital Snake for simple and high-quality audio transmission, distribution, splits and merging
  • Construct a flexible and powerful system by adding the Personal MixingSystem, multi-channel recording and other REAC components

Roland M-300 Specifications:

  • Processing:
    • Number of Channels:  32 mixing channels/11 buses/4 MATRIX buses/Up to 92 inputs and 90 outputs when using REAC Devices
    • AD/DA Conversion:  24-bit/48.0 kHz or 44.1 kHz
    • Network Latency:  2.8 mS (typ.)*
      • * Total System Latency of audio signal from S-1608 inputs to outputs via M-300's REAC ports (A or B).
      • * Sample Rate: 48.0 kHz * Effects : No insert effects
  • Connectors:
    • Console Input Jacks (1 to 4):  XLR-3-31 type (balanced, phantom power)
    • Console Input Jacks (5 to 8):  1/4 inch Phone type (balanced)
    • Console Input Jacks (9 to 12):  RCA Pin type
    • Console Output Jacks (1 to 4):  XLR-3-32 type (balanced)
    • Console Output Jacks (5 to 8):  1/4 inch Phone type (balanced)
    • Phones Jack:  Stereo 1/4 inch phone type
    • Digital Out Jack:  Optical type
    • REAC Port:  RJ-45 EtherCon type x 2
    • USB Port:  Type A x 1, Type B x 1
  • Remote Connectors:
    • RS-232C connector: 9-pin D-sub type
    • MIDI connectors (OUT/THRU, IN): 5-pin DIN type
  • Other Connectors:
    • Grounding terminal
    • AC Input Connector
  • Input/Ouput Characteristics:
    • Frequency Response:
      • Console Output Jacks (1 to 8):  -2 dB / +0 dB (20k Ohms load, +4 dBu)
      • Phones Jack:  -3 dB / +0 dB (40 ohms load, 150 mW)
    • Total Harmonic Distortion + Noise:
      • Console Output Jacks (1 to 8):  0.05 % (typ., +4 dBu)
      • Phones Jack:  0.05 % (typ., 40 ohms load, 150 mW)
      • Dynamic Range:  Console Output Jacks (1 to 8):  105 dB (typ.)
    • Crosstalk @ 1 kHz:
      • Console Input Jacks (1 to 4):  -80dB (Pad: ON, Input sens: +4 dBu, typ.)
      • Console Input Jacks (5 to 12):  -80dB (Input sens: +4 dBu, typ.)
      • Console Output Jacks (1 to 8):  -100 dB (typ.) (Sampling frequency is 48 kHz or 44.1 kHz.)
      • Nominal Input Level (Variable):
      • Console Input Jacks (1 to 4):  -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu(Pad: ON)
      • Console Input Jacks (5 to 12):  -28 to +4 dBu
    • Input Impedance:
      • Console Input Jacks (1 to 4):  14k Ohms
      • Console Input Jacks (5 to 12):  10k Ohms
    • Non Clip Maximum Input Level:
      • Console Input Jacks (1 to 4):  +8 dBu (Pad: OFF) or +28 dBu (Pad: ON)
      • Console Input Jacks (5 to 12):  +22 dBu
      • Nominal Output Level:  Console Output Jacks (1 to 8):  +4 dBu (Load impedance: 10k Ohms)
    • Output Impedance
      • Console Output Jacks (1 to 8):  600 Ohms
      • Phones Jack:  100 Ohms
    • Recommended Load Impedance:
      • Console Output Jacks (1 to 8):  10k Ohms or greater
      • Phones Jack:  8 Ohms or greater
    • Non Clip Maximum Output Level:
      • Console Output Jacks (1 to 8):  +22 dBu (1 kHz, 10k Ohms load)
      • Phones Jack:  150 mW + 150 mW (Typ., 1 kHz, 40 Ohms load)
    • Residual Noise Level (IHF-A, typ.):  -88 dBu (All faders: Min)
    • Equivalent Input Noise Level (E.I.N.):  -126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp gain: Max)
  • General:
    • Display:  800 x 480 dots wide VGA TFT color screen with backlight
    • Power Supply:  AC 115, 117, 220, 230, 240 V (50/60 Hz)
    • Power Consumption:  50 W
    • Dimensions (WxDxH):  18.50" x 19" x 7.7" (470mm x 483mm x 195mm)
    • Weight:  21.61 lbs (9.8 kg)

 

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Usually ships in 7-14 business days.
Need it sooner? Call us!

Free Shipping Available

Our Price:$4,995.00

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40 Channel I/O modular rack configured to be used at the Front of House position for connection to mixing console with ordinary XLR cables. The configuration would be used with an S-4000S-3208 at the stage position. 8 input + 32 ...

Usually ships in 7-14 business days.
Need it sooner? Call us!

Free Shipping Available

Our Price:$4,295.00

Live Personal Mixer, 40 inputs REACRoland M-48 Live Personal Mixer, 40 inputs REAC

Roland's M-48 is the next generation live personal mixer that offers musicians the flexibly to control exactly what they want to listen to during their performances. It provides the highest level of sound monitoring quality for both ...

Usually ships in 7-14 business days.
Need it sooner? Call us!

Free Shipping Available

Our Price:$895.00

Rack Rails for M-300 V-MixerRoland RA-10U Rack Rails for M-300 V-Mixer

RSS' RA-10U is 1 pair of rack rails designed to adapt their M-300 32-channel compact live digital mixer to the top of a rack.

Usually ships in 7-14 business days.
Need it sooner? Call us!

Our Price:$85.00

Roland M-300
32-Channel V-Mixer Compact Live Digital Mixer

OUR PART #  M-300

Product Information:

The Roland M-300 V-Mixer is the ultimate solution for a variety of venues and applications. It provides a substantial mixing capacity of 32 mixing channels, 8 aux buses, 4 matrices, which represent the highest level in its class. The M-300 V-Mixer seamlessly integrates with other REAC devices (sold seperately). The user can directly operate the Digital Snake preamp, control an M-48 Personal Mixer, and set up the I/O for the S-4000M REAC Merge Unit (NOTE: The Digital Snake, M-48 and S-400M are sold seperately). All of these features are contained in a very compact size of 749mm width x 626mm depth x 229mm height, and at a weight of 9.8kg (21 lbs 10 oz). The M-300 is the perfect choice for any venue with a limited set-up area, as well as for mobile sound reinforcement. Optional rack rails are also available.

Equalization of channels and dynamics are the foundation of any great mix. The enhanced sound shaping abilities of the M-300 input channels include 4-band fully parametric EQ as well as gate and compression. A Key-In filter can be used for the Gate/Compressor to enable more expressive mixing. The 4 multi-effects processors can be set to use any of 11 different effects types. In addition to Reverb and Delay, modulation effects such as Chorus and Phaser are also available. The M-300’s busses are also equipped with 8 bands of fully Parametric EQ and Signal Delay on each Aux, Matrix and Main output. The M-300 is fully equipped with all of the sound adjustment tools built-in and ready to go.

The M-380 and M-400 V-Mixers are highly regarded for their ease of use and the M-300 continues this tradition starting with 17 x 100mm motorized faders. Central to the M-300’s operation is a high-resolution 800x480 pixel color display. Channel Parameters such as Gain, Pan, EQ and Dynamics can be comfortably operated from the Channel Edit section located on the left side of the display. All parameters can be instantly saved and recalled from Scene Memory. The layers of faders can be easily switched with the LAYER button. Faders can be accessed and arranged freely, and saved as a User Layer.

Record the output of the M-300 Main, assigned AUX bus or MATRIX bus di rectly to a USB memory drive connected to the built-in USB port. A mix produced with the M-300 can be saved as an uncompressed WAV file, without the need for an external recorder. WAV files on the USB memory drive can also be played back on the M-300 and used for background music/tracks. User settings and mixer data can also be saved to a USB memory drive.

Forty channels of 24-bit audio can be recorded directly to a PC (Windows) by connecting a REAC port to the gigabit Ethernet port on the PC via a single Cat5e cable. Audio is recorded as individual WAV files using Cakewalk SONAR and can be mixed after recording using the powerful digital audio tools and effects in SONAR.

The M-300 can be controlled remotely in real-time from a PC (Windows) connected via the USB port. Mixing functions on the M-300 can be operated directly from a PC by using the M-300RCS dedicated control software which has the same GUI as the M-300 color display. (The M-300RCS can be downloaded from the Roland Systems Group website.) The M-300RCS can also be operated in offline mode, allowing data for various settings to be created in advance and saved to a USB memory drive. When you get to the venue, load the settings and jump right into sound check and rehearsal.

By enabling Remote Desktop Connection on a local PC directly connected to the M-300 via the USB, the M-300 can be controlled remotely from another PC using a wireless LAN. A tablet PC can be used to control the M-300 from a remote location. For example, you can be seated in the audience to adjust the house mix during the rehearsal, or stand onstage to adjust the monitor mix while consulting the stage performer. The M-300 enables new mixing possibilities that you could never achieve with an analog console.

Roland M-300 Features:

  • 32 mixing channels, L/C/R outputs, 8 AUX buses, 4 Matrices
  • 4-band PEQ and dynamics on all channels
  • 11 different built-in multi-effects/ PEQ and delay on all outputs
  • 24-bit AD/DA for high-quality sound
  • Remotely controllable from a PC
  • Record to /playback from USB flash memory
  • Perfectly integrates with the Digital Snake for simple and high-quality audio transmission, distribution, splits and merging
  • Construct a flexible and powerful system by adding the Personal MixingSystem, multi-channel recording and other REAC components

Roland M-300 Specifications:

  • Processing:
    • Number of Channels:  32 mixing channels/11 buses/4 MATRIX buses/Up to 92 inputs and 90 outputs when using REAC Devices
    • AD/DA Conversion:  24-bit/48.0 kHz or 44.1 kHz
    • Network Latency:  2.8 mS (typ.)*
      • * Total System Latency of audio signal from S-1608 inputs to outputs via M-300's REAC ports (A or B).
      • * Sample Rate: 48.0 kHz * Effects : No insert effects
  • Connectors:
    • Console Input Jacks (1 to 4):  XLR-3-31 type (balanced, phantom power)
    • Console Input Jacks (5 to 8):  1/4 inch Phone type (balanced)
    • Console Input Jacks (9 to 12):  RCA Pin type
    • Console Output Jacks (1 to 4):  XLR-3-32 type (balanced)
    • Console Output Jacks (5 to 8):  1/4 inch Phone type (balanced)
    • Phones Jack:  Stereo 1/4 inch phone type
    • Digital Out Jack:  Optical type
    • REAC Port:  RJ-45 EtherCon type x 2
    • USB Port:  Type A x 1, Type B x 1
  • Remote Connectors:
    • RS-232C connector: 9-pin D-sub type
    • MIDI connectors (OUT/THRU, IN): 5-pin DIN type
  • Other Connectors:
    • Grounding terminal
    • AC Input Connector
  • Input/Ouput Characteristics:
    • Frequency Response:
      • Console Output Jacks (1 to 8):  -2 dB / +0 dB (20k Ohms load, +4 dBu)
      • Phones Jack:  -3 dB / +0 dB (40 ohms load, 150 mW)
    • Total Harmonic Distortion + Noise:
      • Console Output Jacks (1 to 8):  0.05 % (typ., +4 dBu)
      • Phones Jack:  0.05 % (typ., 40 ohms load, 150 mW)
      • Dynamic Range:  Console Output Jacks (1 to 8):  105 dB (typ.)
    • Crosstalk @ 1 kHz:
      • Console Input Jacks (1 to 4):  -80dB (Pad: ON, Input sens: +4 dBu, typ.)
      • Console Input Jacks (5 to 12):  -80dB (Input sens: +4 dBu, typ.)
      • Console Output Jacks (1 to 8):  -100 dB (typ.) (Sampling frequency is 48 kHz or 44.1 kHz.)
      • Nominal Input Level (Variable):
      • Console Input Jacks (1 to 4):  -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu(Pad: ON)
      • Console Input Jacks (5 to 12):  -28 to +4 dBu
    • Input Impedance:
      • Console Input Jacks (1 to 4):  14k Ohms
      • Console Input Jacks (5 to 12):  10k Ohms
    • Non Clip Maximum Input Level:
      • Console Input Jacks (1 to 4):  +8 dBu (Pad: OFF) or +28 dBu (Pad: ON)
      • Console Input Jacks (5 to 12):  +22 dBu
      • Nominal Output Level:  Console Output Jacks (1 to 8):  +4 dBu (Load impedance: 10k Ohms)
    • Output Impedance
      • Console Output Jacks (1 to 8):  600 Ohms
      • Phones Jack:  100 Ohms
    • Recommended Load Impedance:
      • Console Output Jacks (1 to 8):  10k Ohms or greater
      • Phones Jack:  8 Ohms or greater
    • Non Clip Maximum Output Level:
      • Console Output Jacks (1 to 8):  +22 dBu (1 kHz, 10k Ohms load)
      • Phones Jack:  150 mW + 150 mW (Typ., 1 kHz, 40 Ohms load)
    • Residual Noise Level (IHF-A, typ.):  -88 dBu (All faders: Min)
    • Equivalent Input Noise Level (E.I.N.):  -126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp gain: Max)
  • General:
    • Display:  800 x 480 dots wide VGA TFT color screen with backlight
    • Power Supply:  AC 115, 117, 220, 230, 240 V (50/60 Hz)
    • Power Consumption:  50 W
    • Dimensions (WxDxH):  18.50" x 19" x 7.7" (470mm x 483mm x 195mm)
    • Weight:  21.61 lbs (9.8 kg)

 

Digital Snake, Stage Unit ONLYRoland S-1608 Digital Snake, Stage Unit ONLY

Easy to use and quick to install, the S-1608 Digital Snake system is a small format audio snake solution that offers the highest quality audio signal available in a portable snake system. The S-1608 Digital Snake system is ideal for bands, ...

In Stock

Free Shipping Available

Our Price:$1,495.00

Digital Stage Snake Modular Rack 40 x 0Roland S4000S-4000 Digital Stage Snake Modular Rack 40 x 0

The S-4000S-4000 is a 40 XLR input (no outputs) modular rack unit. It includes one S-4000S-MR modular rack unit, ten SI-AD4 4-channel analog input cards, and one S-BP blank panel. S-4000 Digital Snake: Improvements ...

Call for price! Not available online.
List Price: $6,395.00

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The S-4000S-3208 is a component of the S-4000 Digital Snake System. It has 32 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 32 mic/line inputs and 8 outputs or returns. Each channel has ...

Usually ships in 7-14 business days.
Need it sooner? Call us!

Free Shipping Available

Our Price:$4,995.00

Digital Snake Stage Modular Rack 8x32Roland S4000S-0832 Digital Snake Stage Modular Rack 8x32

40 Channel I/O modular rack configured to be used at the Front of House position for connection to mixing console with ordinary XLR cables. The configuration would be used with an S-4000S-3208 at the stage position. 8 input + 32 ...

Usually ships in 7-14 business days.
Need it sooner? Call us!

Free Shipping Available

Our Price:$4,295.00

Live Personal Mixer, 40 inputs REACRoland M-48 Live Personal Mixer, 40 inputs REAC

Roland's M-48 is the next generation live personal mixer that offers musicians the flexibly to control exactly what they want to listen to during their performances. It provides the highest level of sound monitoring quality for both ...

Usually ships in 7-14 business days.
Need it sooner? Call us!

Free Shipping Available

Our Price:$895.00

Rack Rails for M-300 V-MixerRoland RA-10U Rack Rails for M-300 V-Mixer

RSS' RA-10U is 1 pair of rack rails designed to adapt their M-300 32-channel compact live digital mixer to the top of a rack.

Usually ships in 7-14 business days.
Need it sooner? Call us!

Our Price:$85.00

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