Aviom 6416M Pro64 Series 16-Channel Mic Input Module with XLR/DB25 Connectors

The 6416m Mic Input Module provides 16 balanced mic-level analog inputs to a Pro64 system. With a switchable Pad per channel, the 6416m also accepts balanced line-level inputs. Each channel also features continuous gain control, +48V phantom power, low cut filter, and a phase reverse switch. Audio settings for each channel can be configured from the front panel or controlled remotely using the optional MCS1 Mic Control Surface.

On the rear panel, the 6416m features both XLR jacks and DB25 multipin connectors for inputs and passive splits. Network connections use heavy duty locking Neutrik EtherCon connectors.

As with the 6416i Input Module, the 6416m can be set to operate in any of four 16-channel banks within the Pro64 network. Each audio channel can be individually activated as needed.

The Pro64 network supports three ranges of variable sample rates: 44.1/48kHz±, 96kHz±, and 192kHz±. No matter the sample rate, all 16 input channels on the 6416m are available for use. All audio is streamed at 24-bit resolution with no data compression at any time.

The 64616m also includes MIDI In, MIDI Out, RS-232, and GPIO for connecting to Pro64's Virtual Data Cables™.

The 6416m is ideally suited for use in a digital snake in a live or studio environment.

Features

• 16 mic-level inputs (XLR) with a switchable pad perchannel for line-levelinputs
• 16 passive analog thrus (DB25)
• Remote controllable over A-Net with MCS1 ControlSurface
• Continuously variable gain control per channel
• Phase, low-cut filter, and phantom power per Channel
• Five-segment level meter per channel
• Individual channel activation switches
• Headphone monitor output
• Virtual Data Cable connectivity for GPIO, MIDI, andRS-232
• Variable sample rates: 44.1kHz± to 192kHz±
• 24-bit A/D converters
• Internal universal power supply; IEC power connector

Specifications

• Inputs: 16 channels; XLR
• Passive Split/Alternate Inputs: DB25 multipin; analog audio input
• Differential Input Impedance: 3.6k ohms
• Input gain range: 0-55dB, variable, in 1dB increments
• Maximum Input Level
  • 0dB gain, Pad on = +24dBu
  • 0dB gain, Pad off =0dBu
  • 55dB gain, Pad on = -31dBu
  • 55dB gain, Pad off = -55dBu
• Minimum Input Level for 0dBFS @ maximum gain
  • Pad on = -31dBu
  • Pad off= -55dBu
• Pad: -24dB, switchable per channel
• Low Cut Filter: -3dB @ 85Hz, -18dB per octave; per channel
• Phantom Power: +48 volts; per channel
• Preset Memory: 16; saves all channel strip audio parameters
• Sample Rates
  • 1x: 39.7-52kHz
  • 2x: 79.4-104kHz
  • 4x: 158.8-208kHz
• Frequency Response
  • +/-0.3dB 20-23kHz at 48kHz
  • +/-0.3dB 20-45kHz at96kHz
  • +/-0.3dB 20-53kHz at 192kHz
  • 3dB @ 2Hz (at all sample rates)
• A/D Converters 24-bit
• THD+N
  • 0.0015% @ 1.0kHz, -10dBFS
  • 0.007% @ 1.0kHz, -1dBFS
• Dynamic Range (noise floor): 112dB
• Crosstalk: -110dB @ 1kHz. 35dB gain
• Equivalent Input Noise (EIN): -127dBu
• CMMR: 78dB @ 1.0kHz / 75dB @ 10kHz typical
• A-Net: Two Category 5 (EtherCon RJ45 connectors)
• Latency: Analog input to analog output < 800 µs
• A-Net Cable Length: 400 feet (120 meters) between devices
• Virtual Date Cables: MIDI In, MIDI Out, 5-pin DIN
  • RS232, DB9connector, DIP switch configuration
  • GPIO In (x4); terminal blockconnectors; DIP switch configuration; TTL or isolated
• Power Supply: Internal, universal switching type; standard IEC cableprovided
• Voltage: 100-240VAC, 50-60Hz, 55W
• Backup Power: 4-pin XLR; 24 Volt DC
  • Pin 1 = Ground; Pin 2/3 no connect;Pin 4 24VDC
• Dimensions (W x D x H): 19" x 12" x 5.25"; 3U
• Weight: 15 lbs
• Maximum Ambient Operating Temperature: +50°C