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Yamaha PM5D-RH
Reinforcement console, digital PM5DRH

OUR PART #  PM5DRH

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Recommended Accessories

A New Dimension in Digital Live Sound

The PM5D and PM5D-RH Digital Mixing Consoles now take the digital revolution to the next level. They are smaller relatives of PM1D, offering state-of-the-art digital performance for a significantly broader range of SR applications that require a more dedicated surface than the DM2000. What's more, they offer a system solution that can enhance the entire sound production process from input to output through integration with digital systems such as the DME64N and AD8HR.

PM5D – a new dimension in the digital live sound has begun.

The Yamaha Digital Advantage

Model PM5D or PM5D-RH: A Choice of Two Configurations

Customers have a choice of two front-end configurations. The PM5D includes 48 XLR/balanced TRS analog mono inputs with manual mic preamps based on the circuitry found in the Yamaha DM2000, plus an additional 4 stereo line level inputs. The PM5D-RH includes 48 XLR analog mono inputs with recallable mic preamps derived from the head amplifier design of the Yamaha PM5000, with 4 stereo inputs that will accept mic level signals. The choice will depend on you needs and budget, and whether you need to store and recall the analog gain settings in the same way as other parameters.

Whichever model you choose, you are assured of the best sound quality available. Both superb mic preamps convey the most delicate nuances of the input signal right down to the smallest details. The DM2000 mic pre-amps are highly regarded for their warm, transparent sound, while the PM5000 mic preamps have a warmth and boldness specifically designed for the live sound.

* "PM5D" refers to features common to both configurations, unless otherwise noted.

A New Size, Weight, and Performance Standard For Touring and Installations

On the surface the PM5D may look like a streamlined 24-channel console, but it is actually much, much more: a total of 130 input connections, simultaneous mixing of up to 64 inputs to stereo or LCR stereo, and 24 mix buses with extraordinary versatility, all with 500-scenes of total recall. Plus you have the equivalent of several racks full of first-rate processing gear onboard (56 Gates, 92 Comps, 97 Delays, 12 GEQs and 8 units of SPX2000 class multi effects).

Add advanced digital patching capability, sophisticated monitoring, surround panning from 3-1 to 6.1, and a wealth of features that contribute to unprecedented operational ease and efficiency. The fact that all of this is housed in a 950mm x 1551mm foot print console that weighs less than 98kg, powered by a 3U external power supply that weighs only 10 kg, is simply staggering. If you've been touring with traditional equipment you'll appreciate the dramatically reduced setup time and effort required by this groundbreaking console. If you're equipping an installation you'll love the reduced installation and maintenance costs, as well as all the space you'll save.

Internal Processing

The PM5D will handle 24-bit/96kHz audio without compromise. You won't sacrifice channels or any other processing capabilities whether the PM5D is run at 44.1, 48, 88.2 or 96-kHz. Internal processing is all 32-bit (using 58-bit accumulators) to ensure that absolutely no loss of audio quality occurs at any point in the signal path.

High-capacity, Versatile Mix Performance

The PM5D can accommodate a total of 130 input connections (48 channel inputs, four stereo inputs, five 2 TR IN's plus four Mini-YGDAI slots), and can handle up to 64 inputs simultaneously. The 64 input mixing channels are configured by default as 48 mono input channels, 4 stereo inputs, and 4 stereo effect returns. By utilizing the internal patch bay and expansion slots you can instantly scene-switch between totally separate stage setups. In terms of bus-routing capability you have 24 mix buses that can function as submasters or auxiliary sends, in addition to the stereo A and B (or LCR) and CUE buses. There's also an 8-output mix matrix that is invaluable for setting up submixes for a variety of applications. Any of the input channels, mix buses, and matrix buses can be assigned to the console's 8 DCA faders for extraordinarily flexible group control.

All the Effects and Processing You'll Need Onboard

The PM5D offers every processing facility you'll ever need onboard. Every input channel has 4 band EQ plus a high pass filter, a separate gate and compressor, and delay of up to 1000 milliseconds. The stereo and mix outs have 8-band EQ, compressor, and delay. The matrix outs have 4 band EQ, compressor and delay. The cue and monitor outs also include delay. But the PM5D doesn't stop there! It features twelve 31-band GEQs and eight independent SPX2000-class multi-effect processors that can be patched into any of the console's input, stereo, mix, or matrix channels, offering a comprehensive range of reverb, delay, modulation, and combination effects.

The PM5D is also ready to use Yamaha's incomparable Add-on Effects that were first introduced for DM2000 and 02R96 digital mixers … in fact, the REV-X Reverb is included in the PM5D by default. You can use other popular programs like Compressor276, Compressor260, EQ601 and Open Deck by purchasing the Channel Strip and Master Strip packages.

Advanced, Intuitive Interface

The PM5D features interface technology developed and refined through an impressive lineup of digital consoles, including the PM1D. Here are a few highlights:

Selected Channel: Press the SEL key on any input or master channel and that channel strip is assigned to the console's SELECTED CHANNEL controls for real-time adjustment of a dazzling array of parameters. When you edit a parameter via a SELECTED CHANNEL control block, the corresponding display is automatically called to the console's large LCD display for even further editing precision and versatility.

Mix Send Select: With PM5D the operation in the vertical direction and horizontal direction on the conventional analog board can be done intuitively and more efficiently without changing the settings. For example; Press the MIX SELECT key corresponding to the desired mix bus, and the send levels to the selected bus can be adjusted directly via the channel strip encoders. If the MIX MASTER MIX SEND key is engaged, the send level from the current SELECTED CHANNEL input to all 24 mix busses can be adjusted via the MIX master encoders.

Encoder Mode: The input channel encoders can be assigned to mix send level, panning, input gain, or alternate layer input level, enabling the operator to adjust all input channel levels without changing layers.

Flip: When this key is engaged the functions of the input strip faders and encoders are reversed … this is great when you want to use the faders for fine control of a parameter normally assigned to the encoders, ideal when using PM5D for monitor applications.

The interface advantages are extensive, and extend to details that can make a significant difference to work efficiency and comfort. Also there are connectors for mouse and keyboard, great assistance when you have to type in many letters while setting up patches and scenes.

Total Recall

On the PM5D, all parameters are recallable in up to 500 scenes, so you can instantly key to the perfect mix. This type of repeatability is particularly important in high-turnover applications where you might need to accommodate a number of totally different acts every day. It can also make life much easier in one-act touring applications, leaving you more time to optimize the mix for individual venues.

There is also a flexible recall safe function that enables on-the-spot cancellation and alteration of the pre-programmed settings.

HA Library

Another new feature on the PM5D is an HA library that, on the PM5D-RH, allows the gain and other parameters of the internal microphone preamplifier to be recalled in one operation. The HA library is also an advantage on both the PM5D and PM5D-RH when remotely-controllable preamplifiers, such as the Yamaha AD8HR, are connected via the console's expansion slots.

The PM5D is equipped with 3-1, 5.1 and 6.1 surround modes. You can easily set up surround channels on the mix buses, and panning can be controlled via the track pad or by using dedicated control devices connected via the MIDI or GPI port.

Expandability

Four rear-panel Mini-YGDAI expansion slots allow you to use a range of MY series expansion cards to enhance the PM5D in a number of ways. You can, for example, use the added I/O capability to connect to and remotely control high-performance Yamaha AD8HR 8-channel A/D with microphone preamplifiers. You could also significantly expand your audio processing capabilities by cascading to a DME64N Digital Mixing Engine. You can have 64 matrix outs, and control additional GEQ, Master fader, Cross Over, Delay and Matrix Mixer components created on DME64N from PM5D. Or, of course, you could cascade-connect to another PM5D bidirectionally (up to 4 units unidirectionally) to create a huge system, or other Yamaha digital mixers such as the DM2000 or DM1000 for submix applications.

Output Card, A-Net for Yamaha Digital MixersAviom 16/0-Y1 Output Card, A-Net for Yamaha Digital Mixers

The Y1 card is a digital input module that allows users of Yamaha digital mixers to add the power of Aviom’s A-Net™ protocol to their existing systems, distributing audio via inexpensive Cat-5e cable to the A-16II Personal ...

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Need it sooner? Call us!

Free Shipping Available

Our Price:$845.00List Price: $926.00You save 9%!

16 Channel CobraNet⢠network I/O cardYamaha MY16-CII 16 Channel CobraNet™ network I/O card

16 Channel I/O CobraNet™ interface that integrates into any standard CobraNet™ network. Primary and secondary network connections (2 RJ45 connectors), and reduced power consumption for compatibility with additional models.

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Power Supply Cable M7CLYamaha PSL360 Power Supply Cable M7CL

Power supply link cable to connect between M7CL and PW800W.

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16-Channel AES/EBU I/O CardYamaha MY16AE 16-Channel AES/EBU I/O Card

The MY16AE Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous AES/EBU-format (D-sub 25 pin) I/O via a single expansion slot. All 16 channels ...

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8-Channel AES/EBU Card with Sample Rate ConversionYamaha MY8AE96S 8-Channel AES/EBU Card with Sample Rate Conversion

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16-Channel ADAT Interface CardYamaha MY16AT 16-Channel ADAT Interface Card

Yamaha's MY16AT Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous ADAT-format (optical) I/O via a single expansion slot. All 16 channels can ...

Call for price! Not available online.

AES/EBU Interface CardYamaha MY8AE AES/EBU Interface Card

The MY8AE is an interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96. Eight AES/EBU digital format I/O on a 25-pin D-Sub connector.

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Digital Mixing SystemYamaha DSP5D Digital Mixing System

The DSP5D provides essentially all the functionality of a PM5D-RH minus the control surface in a rack-mountable unit that can be seamlessly controlled from a PM5D (RH) console. In terms of I/O capacity and processing capability the DSP5D ...

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Digital Cabling UnitYamaha DCU5D Digital Cabling Unit

You can directly connect the DSP5D to a PM5D via standard cascade cables if they are to be used in relatively close proximity. But if you want to use the DSP5D as a powerful stage box the DCU5D Digital Cabling Unit lets you locate the ...

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Power SupplyYamaha PW800W Power Supply

The PW800W is an optional external power supply unit for M7CL. By adding the external power supply unit to the internal power supply provides redundant failsafe operation.

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8-Channel A/D Converter, 24-bitYamaha AD8HR 8-Channel A/D Converter, 24-bit

Awe-inspiring sound quality derived from the PM5000 with sampling rates of up to 96kHzIt goes without saying that head amplifiers play a vital role in determining the sound quality of any analog-to-digital converter, and for this reason, ...

Call for info!

8 channel AES/EBU format I/O with REF VIDEO InputYamaha MY8AEB 8 channel AES/EBU format I/O with REF VIDEO Input

The MY8-AEB is one of Yamahas MY-series plug-in interface cards, providing expanded I/O functionality for compatible Yamaha digital audio products. Specifically, the MY8-AEB provides 8 channels of AES-3id-1995 standard (75O BNC connectors) ...

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16 Channel, Mini YGDAI EtherSound Card, RJ45Yamaha AVY16-ES100 16 Channel, Mini YGDAI EtherSound Card, RJ45

AuviTran EtherSound™ mini-YGDAI Card with 16 inputs and 16 outputs for Yamaha mixers, DSP processors, and TXn amplifiers using a mini-YGDAI interface. The card’s ES-Monitor software is a Windows Vista/XP application and can run on a ...

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MY8ADDA96 8-Channel Analog I/O Card, Euroblock connectorsYamaha MY8ADDA96 MY8ADDA96 8-Channel Analog I/O Card, Euroblock connectors

Offering 8 channels of analog input plus 8 channels of analog output in a single-slot card, the MY8-ADDA96 has been specifically designed for use with Yamaha’s DME24N or DME64N Digital Mixing Engines, but is also an excellent I/O ...

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8-Channel Microphone AmplifierYamaha MLA8 8-Channel Microphone Amplifier

The MLA8 is an eight-channel head amplifier inheriting top-performance head amp technology from Yamaha's acclaimed DM2000 digital mixing console. In a compact 1U unit the MLA8 features a 26 dB pad, adjustable 44 dB gain trim, an 80 Hz ...

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Interface Card, TDIF, 16-ChannelYamaha MY16TD Interface Card, TDIF, 16-Channel

The MY16TD Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous TDIF-format (D-sub 25 pin) I/O via a single expansion slot. All 16 channels can ...

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96 kHz Series Mini YGDAI 8 Channel Analog Input CardYamaha MY8AD96 96 kHz Series Mini YGDAI 8 Channel Analog Input Card

Yamaha's MY8AD96 is a 24-bit, 96 kHz eight-channel line-level analog input card.Yamaha MY8AD96 Features: 25-pin D-sub connector Individual Gain Switches per Input Channel: +18dB - Max Input Level Before Clip: +18dB +24dB (default) - ...

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96 kHz Series Mini YGDAI 8-Channel AES/EBU CardYamaha MY8AE96 96 kHz Series Mini YGDAI 8-Channel AES/EBU Card

Yamaha's MY8AE96 is a 96 kHz Series Mini YGDAI Card.Yamaha MY8AE96 Features: Eight-channel AES/EBU digital format I/O25-pin D-sub connectorSupports sample rates of up to 96 kHz

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8-Channel Analog Out CardYamaha MY8DA96 8-Channel Analog Out Card

Yamaha's MY8DA96 is a 96 kHz Series Mini YGDAI Card.Yamaha MY8DA96 Features: 24-bit, 96 kHz eight-channel analog output card25-pin D-sub connectorYamaha MY8DA96 Specifications: I/O: Output x 8Format: AnalogConnector: Euroblock ...

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8-Channel 24-bit 1/4" TRS Input Card for Yamaha Digital MixersYamaha MY8AD24 8-Channel 24-bit 1/4" TRS Input Card for Yamaha Digital Mixers

The Yamaha MY8AD24 interface card is designed for use with the 01V, PM1D, DME32, AW4416, AW2816, SREV1 and DM2000 mixing consoles. This single-slot 8-channel analog input card allows for the connection of analog equipment to 01V ...

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4-Channel A/D XLR Interface CardYamaha MY4AD 4-Channel A/D XLR Interface Card

Yamaha's MY4AD is an interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96. Four 24-bit analog inputs on XLR connectors.Yamaha MY4AD Specifications: Function: A to D inNumber of Inputs: 4Res / Freq: 24-bit 44.1/48 ...

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8 TDIF Digital Format I/O (25-pin D-Sub connector)Yamaha MY8TD 8 TDIF Digital Format I/O (25-pin D-Sub connector)

MY8TD Interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96. Eight TDIF digital format I/O (25-pin D-Sub connector).

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4-Channel XLR Interface card for Yamaha Digital MixersYamaha MY4DA 4-Channel XLR Interface card for Yamaha Digital Mixers

Yamaha's MY4DA is an interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96 mixing consoles. This interface card features four 20-bit analog outputs on XLR connectors.Yamaha MY4DA Specifications: Function: D to A ...

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Yamaha PM5D-RH
Reinforcement console, digital PM5DRH

OUR PART #  PM5DRH

Product Information:

A New Dimension in Digital Live Sound

The PM5D and PM5D-RH Digital Mixing Consoles now take the digital revolution to the next level. They are smaller relatives of PM1D, offering state-of-the-art digital performance for a significantly broader range of SR applications that require a more dedicated surface than the DM2000. What's more, they offer a system solution that can enhance the entire sound production process from input to output through integration with digital systems such as the DME64N and AD8HR.

PM5D – a new dimension in the digital live sound has begun.

The Yamaha Digital Advantage

Model PM5D or PM5D-RH: A Choice of Two Configurations

Customers have a choice of two front-end configurations. The PM5D includes 48 XLR/balanced TRS analog mono inputs with manual mic preamps based on the circuitry found in the Yamaha DM2000, plus an additional 4 stereo line level inputs. The PM5D-RH includes 48 XLR analog mono inputs with recallable mic preamps derived from the head amplifier design of the Yamaha PM5000, with 4 stereo inputs that will accept mic level signals. The choice will depend on you needs and budget, and whether you need to store and recall the analog gain settings in the same way as other parameters.

Whichever model you choose, you are assured of the best sound quality available. Both superb mic preamps convey the most delicate nuances of the input signal right down to the smallest details. The DM2000 mic pre-amps are highly regarded for their warm, transparent sound, while the PM5000 mic preamps have a warmth and boldness specifically designed for the live sound.

* "PM5D" refers to features common to both configurations, unless otherwise noted.

A New Size, Weight, and Performance Standard For Touring and Installations

On the surface the PM5D may look like a streamlined 24-channel console, but it is actually much, much more: a total of 130 input connections, simultaneous mixing of up to 64 inputs to stereo or LCR stereo, and 24 mix buses with extraordinary versatility, all with 500-scenes of total recall. Plus you have the equivalent of several racks full of first-rate processing gear onboard (56 Gates, 92 Comps, 97 Delays, 12 GEQs and 8 units of SPX2000 class multi effects).

Add advanced digital patching capability, sophisticated monitoring, surround panning from 3-1 to 6.1, and a wealth of features that contribute to unprecedented operational ease and efficiency. The fact that all of this is housed in a 950mm x 1551mm foot print console that weighs less than 98kg, powered by a 3U external power supply that weighs only 10 kg, is simply staggering. If you've been touring with traditional equipment you'll appreciate the dramatically reduced setup time and effort required by this groundbreaking console. If you're equipping an installation you'll love the reduced installation and maintenance costs, as well as all the space you'll save.

Internal Processing

The PM5D will handle 24-bit/96kHz audio without compromise. You won't sacrifice channels or any other processing capabilities whether the PM5D is run at 44.1, 48, 88.2 or 96-kHz. Internal processing is all 32-bit (using 58-bit accumulators) to ensure that absolutely no loss of audio quality occurs at any point in the signal path.

High-capacity, Versatile Mix Performance

The PM5D can accommodate a total of 130 input connections (48 channel inputs, four stereo inputs, five 2 TR IN's plus four Mini-YGDAI slots), and can handle up to 64 inputs simultaneously. The 64 input mixing channels are configured by default as 48 mono input channels, 4 stereo inputs, and 4 stereo effect returns. By utilizing the internal patch bay and expansion slots you can instantly scene-switch between totally separate stage setups. In terms of bus-routing capability you have 24 mix buses that can function as submasters or auxiliary sends, in addition to the stereo A and B (or LCR) and CUE buses. There's also an 8-output mix matrix that is invaluable for setting up submixes for a variety of applications. Any of the input channels, mix buses, and matrix buses can be assigned to the console's 8 DCA faders for extraordinarily flexible group control.

All the Effects and Processing You'll Need Onboard

The PM5D offers every processing facility you'll ever need onboard. Every input channel has 4 band EQ plus a high pass filter, a separate gate and compressor, and delay of up to 1000 milliseconds. The stereo and mix outs have 8-band EQ, compressor, and delay. The matrix outs have 4 band EQ, compressor and delay. The cue and monitor outs also include delay. But the PM5D doesn't stop there! It features twelve 31-band GEQs and eight independent SPX2000-class multi-effect processors that can be patched into any of the console's input, stereo, mix, or matrix channels, offering a comprehensive range of reverb, delay, modulation, and combination effects.

The PM5D is also ready to use Yamaha's incomparable Add-on Effects that were first introduced for DM2000 and 02R96 digital mixers … in fact, the REV-X Reverb is included in the PM5D by default. You can use other popular programs like Compressor276, Compressor260, EQ601 and Open Deck by purchasing the Channel Strip and Master Strip packages.

Advanced, Intuitive Interface

The PM5D features interface technology developed and refined through an impressive lineup of digital consoles, including the PM1D. Here are a few highlights:

Selected Channel: Press the SEL key on any input or master channel and that channel strip is assigned to the console's SELECTED CHANNEL controls for real-time adjustment of a dazzling array of parameters. When you edit a parameter via a SELECTED CHANNEL control block, the corresponding display is automatically called to the console's large LCD display for even further editing precision and versatility.

Mix Send Select: With PM5D the operation in the vertical direction and horizontal direction on the conventional analog board can be done intuitively and more efficiently without changing the settings. For example; Press the MIX SELECT key corresponding to the desired mix bus, and the send levels to the selected bus can be adjusted directly via the channel strip encoders. If the MIX MASTER MIX SEND key is engaged, the send level from the current SELECTED CHANNEL input to all 24 mix busses can be adjusted via the MIX master encoders.

Encoder Mode: The input channel encoders can be assigned to mix send level, panning, input gain, or alternate layer input level, enabling the operator to adjust all input channel levels without changing layers.

Flip: When this key is engaged the functions of the input strip faders and encoders are reversed … this is great when you want to use the faders for fine control of a parameter normally assigned to the encoders, ideal when using PM5D for monitor applications.

The interface advantages are extensive, and extend to details that can make a significant difference to work efficiency and comfort. Also there are connectors for mouse and keyboard, great assistance when you have to type in many letters while setting up patches and scenes.

Total Recall

On the PM5D, all parameters are recallable in up to 500 scenes, so you can instantly key to the perfect mix. This type of repeatability is particularly important in high-turnover applications where you might need to accommodate a number of totally different acts every day. It can also make life much easier in one-act touring applications, leaving you more time to optimize the mix for individual venues.

There is also a flexible recall safe function that enables on-the-spot cancellation and alteration of the pre-programmed settings.

HA Library

Another new feature on the PM5D is an HA library that, on the PM5D-RH, allows the gain and other parameters of the internal microphone preamplifier to be recalled in one operation. The HA library is also an advantage on both the PM5D and PM5D-RH when remotely-controllable preamplifiers, such as the Yamaha AD8HR, are connected via the console's expansion slots.

The PM5D is equipped with 3-1, 5.1 and 6.1 surround modes. You can easily set up surround channels on the mix buses, and panning can be controlled via the track pad or by using dedicated control devices connected via the MIDI or GPI port.

Expandability

Four rear-panel Mini-YGDAI expansion slots allow you to use a range of MY series expansion cards to enhance the PM5D in a number of ways. You can, for example, use the added I/O capability to connect to and remotely control high-performance Yamaha AD8HR 8-channel A/D with microphone preamplifiers. You could also significantly expand your audio processing capabilities by cascading to a DME64N Digital Mixing Engine. You can have 64 matrix outs, and control additional GEQ, Master fader, Cross Over, Delay and Matrix Mixer components created on DME64N from PM5D. Or, of course, you could cascade-connect to another PM5D bidirectionally (up to 4 units unidirectionally) to create a huge system, or other Yamaha digital mixers such as the DM2000 or DM1000 for submix applications.

Output Card, A-Net for Yamaha Digital MixersAviom 16/0-Y1 Output Card, A-Net for Yamaha Digital Mixers

The Y1 card is a digital input module that allows users of Yamaha digital mixers to add the power of Aviom’s A-Net™ protocol to their existing systems, distributing audio via inexpensive Cat-5e cable to the A-16II Personal ...

Usually ships in 7-14 business days.
Need it sooner? Call us!

Free Shipping Available

Our Price:$845.00List Price: $926.00You save 9%!

16 Channel CobraNet⢠network I/O cardYamaha MY16-CII 16 Channel CobraNet™ network I/O card

16 Channel I/O CobraNet™ interface that integrates into any standard CobraNet™ network. Primary and secondary network connections (2 RJ45 connectors), and reduced power consumption for compatibility with additional models.

Call for info!

Power Supply Cable M7CLYamaha PSL360 Power Supply Cable M7CL

Power supply link cable to connect between M7CL and PW800W.

Call for info!

16-Channel AES/EBU I/O CardYamaha MY16AE 16-Channel AES/EBU I/O Card

The MY16AE Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous AES/EBU-format (D-sub 25 pin) I/O via a single expansion slot. All 16 channels ...

Call for price! Not available online.

8-Channel AES/EBU Card with Sample Rate ConversionYamaha MY8AE96S 8-Channel AES/EBU Card with Sample Rate Conversion

Yamaha's MY8AE96S is a 96 kHz Series Mini YGDAI Card.Yamaha MY8AE96S Features: Eight-channel AES/EBU digital format I/O with sample rate conversion25-pin D-sub connectorSupports sample rates of up to 96 kHzYamaha MY8AE96S Specifications: ...

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16-Channel ADAT Interface CardYamaha MY16AT 16-Channel ADAT Interface Card

Yamaha's MY16AT Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous ADAT-format (optical) I/O via a single expansion slot. All 16 channels can ...

Call for price! Not available online.

AES/EBU Interface CardYamaha MY8AE AES/EBU Interface Card

The MY8AE is an interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96. Eight AES/EBU digital format I/O on a 25-pin D-Sub connector.

Call for price! Not available online.

Digital Mixing SystemYamaha DSP5D Digital Mixing System

The DSP5D provides essentially all the functionality of a PM5D-RH minus the control surface in a rack-mountable unit that can be seamlessly controlled from a PM5D (RH) console. In terms of I/O capacity and processing capability the DSP5D ...

Call for price! Not available online.

Digital Cabling UnitYamaha DCU5D Digital Cabling Unit

You can directly connect the DSP5D to a PM5D via standard cascade cables if they are to be used in relatively close proximity. But if you want to use the DSP5D as a powerful stage box the DCU5D Digital Cabling Unit lets you locate the ...

Call for price! Not available online.

Power SupplyYamaha PW800W Power Supply

The PW800W is an optional external power supply unit for M7CL. By adding the external power supply unit to the internal power supply provides redundant failsafe operation.

Call for info!

8-Channel A/D Converter, 24-bitYamaha AD8HR 8-Channel A/D Converter, 24-bit

Awe-inspiring sound quality derived from the PM5000 with sampling rates of up to 96kHzIt goes without saying that head amplifiers play a vital role in determining the sound quality of any analog-to-digital converter, and for this reason, ...

Call for info!

8 channel AES/EBU format I/O with REF VIDEO InputYamaha MY8AEB 8 channel AES/EBU format I/O with REF VIDEO Input

The MY8-AEB is one of Yamahas MY-series plug-in interface cards, providing expanded I/O functionality for compatible Yamaha digital audio products. Specifically, the MY8-AEB provides 8 channels of AES-3id-1995 standard (75O BNC connectors) ...

Call for info!

16 Channel, Mini YGDAI EtherSound Card, RJ45Yamaha AVY16-ES100 16 Channel, Mini YGDAI EtherSound Card, RJ45

AuviTran EtherSound™ mini-YGDAI Card with 16 inputs and 16 outputs for Yamaha mixers, DSP processors, and TXn amplifiers using a mini-YGDAI interface. The card’s ES-Monitor software is a Windows Vista/XP application and can run on a ...

Call for info!

MY8ADDA96 8-Channel Analog I/O Card, Euroblock connectorsYamaha MY8ADDA96 MY8ADDA96 8-Channel Analog I/O Card, Euroblock connectors

Offering 8 channels of analog input plus 8 channels of analog output in a single-slot card, the MY8-ADDA96 has been specifically designed for use with Yamaha’s DME24N or DME64N Digital Mixing Engines, but is also an excellent I/O ...

Call for price! Not available online.

8-Channel Microphone AmplifierYamaha MLA8 8-Channel Microphone Amplifier

The MLA8 is an eight-channel head amplifier inheriting top-performance head amp technology from Yamaha's acclaimed DM2000 digital mixing console. In a compact 1U unit the MLA8 features a 26 dB pad, adjustable 44 dB gain trim, an 80 Hz ...

Call for info!

Interface Card, TDIF, 16-ChannelYamaha MY16TD Interface Card, TDIF, 16-Channel

The MY16TD Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels of simultaneous TDIF-format (D-sub 25 pin) I/O via a single expansion slot. All 16 channels can ...

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96 kHz Series Mini YGDAI 8 Channel Analog Input CardYamaha MY8AD96 96 kHz Series Mini YGDAI 8 Channel Analog Input Card

Yamaha's MY8AD96 is a 24-bit, 96 kHz eight-channel line-level analog input card.Yamaha MY8AD96 Features: 25-pin D-sub connector Individual Gain Switches per Input Channel: +18dB - Max Input Level Before Clip: +18dB +24dB (default) - ...

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96 kHz Series Mini YGDAI 8-Channel AES/EBU CardYamaha MY8AE96 96 kHz Series Mini YGDAI 8-Channel AES/EBU Card

Yamaha's MY8AE96 is a 96 kHz Series Mini YGDAI Card.Yamaha MY8AE96 Features: Eight-channel AES/EBU digital format I/O25-pin D-sub connectorSupports sample rates of up to 96 kHz

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8-Channel Analog Out CardYamaha MY8DA96 8-Channel Analog Out Card

Yamaha's MY8DA96 is a 96 kHz Series Mini YGDAI Card.Yamaha MY8DA96 Features: 24-bit, 96 kHz eight-channel analog output card25-pin D-sub connectorYamaha MY8DA96 Specifications: I/O: Output x 8Format: AnalogConnector: Euroblock ...

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8-Channel 24-bit 1/4" TRS Input Card for Yamaha Digital MixersYamaha MY8AD24 8-Channel 24-bit 1/4" TRS Input Card for Yamaha Digital Mixers

The Yamaha MY8AD24 interface card is designed for use with the 01V, PM1D, DME32, AW4416, AW2816, SREV1 and DM2000 mixing consoles. This single-slot 8-channel analog input card allows for the connection of analog equipment to 01V ...

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4-Channel A/D XLR Interface CardYamaha MY4AD 4-Channel A/D XLR Interface Card

Yamaha's MY4AD is an interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96. Four 24-bit analog inputs on XLR connectors.Yamaha MY4AD Specifications: Function: A to D inNumber of Inputs: 4Res / Freq: 24-bit 44.1/48 ...

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8 TDIF Digital Format I/O (25-pin D-Sub connector)Yamaha MY8TD 8 TDIF Digital Format I/O (25-pin D-Sub connector)

MY8TD Interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96. Eight TDIF digital format I/O (25-pin D-Sub connector).

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4-Channel XLR Interface card for Yamaha Digital MixersYamaha MY4DA 4-Channel XLR Interface card for Yamaha Digital Mixers

Yamaha's MY4DA is an interface card for 01V, PM1D, DME32, AW4416, AW2816, SREV1, DM2000 and 02R96 mixing consoles. This interface card features four 20-bit analog outputs on XLR connectors.Yamaha MY4DA Specifications: Function: D to A ...

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