Module, Kit, Preamps, Distribution, Line Amplifiers

Daking Audio has launched the new Mic Pre 500 single-channel microphone/instrument preamplifier module at the 129th AES Convention in San Francisco. Derived from the company's Mic Pre One freestanding unit, the Mic Pre 500 is designed for ...

The LaChapell Model 503, like its couterpart found on the 583e, offers very low distortion signature and minimal phase deviation; it is an extremely clear and transparents EQ design.  New features include: Cut/Boost range increased to ...

Authentic Transparency for Unrestricted Creativity Continuously variable gain control Front panel instrument input DC coupled ribbon mic with 10dB gain boost setting 80 Hz rolloff filter 48V phantom power 15 dB Pad Polarity ...

Features/Specifications: Separate gain control for preamp and subwoofer 1000 watts peak power 450 watts @ 2 ohms 360 watts @ 4 ohms 200 watts @ 8 ohms Inputs: RCA (2 audio sources) Outputs: Banana binding post (to speakers) 1 RCA ...

Radial Engineering's JDV-PRE is a unique preamplifier designed specifically to capture the natural tone and distinct character of the instrument.  Unlike mic preamplifiers that are centered on 'the microphone', the JDV-Pre is focused ...

Single channel modular version of A-Designs Pacifica microphone preamp.Input and output transformer preamp/DI card with 70dB gain, phase reverse switch, -20dB pad, 48V phantom switch compabitle with 500 series type frames. 

The EM-Gold is the latest pre-amplifier of the EM Series.A-Designs took the custom wound output transformer of the EM-Silver and combined it with the custom wound input transformer of the EM-Red.The results here made for the perfect sound ...

The EM-Silver has a custom wound steel output transformer which will translate into a darker sound than the P-1, EM-RED, and EM-BLUE. The EM-SILVER is a very good match with ribbon microphones due to the fact that steel transformers were ...

The EM-Blue is equipped with a “Nickel” custom wound output transformer. This translates into “Highs” which will produce a much more airy top-end-ish tone.Used with a “dark” sounding microphone or a alto ...

The EM-Red comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the “Input Transformer,” as well. The results translates into more “Up Front Mids”! You may find this ...

Grace Design's m501, is the 500 series module version of the venerable m101 mic preamplifier. Now the signature transparency and detail of Grace's circuit designs is available for your 500 series frame.While the 500 series market has ...

Note: Please call for more information on the installation of this A/D converter option for your M802!This converter option module  includes 2 sets of 8 channel AES3 outputs on DB25, Word Clock in and Out, and 1 set of AES3-id ...

Note: Please call for more information on the installation of this A/D converter option for your M802!This converter option module  includes 2 sets of 8 channel AES3 outputs on DB25, Word Clock in and Out, and 2x 8 channel ADAT / ...

Note: Please call for information on the installation of this module first before purchasing!The m201 can be equipped with an optional ultra low-latency 24bit/192kHz A/D converter module. The A/D module is available on new m201 ...

The PT2-500 mic preamp and instrument direct-in module offers ultra-resolution with serious analog depth and warmth.Features: DI circuit calms edgy piezos DI THRU jack for amping or effects 70dB of gain High-headroom Ultra ...

 The optional LA-MC1 balanced analog input/output board can be installed into an MD-CD1

Metered distribution amplifier, Dual 1x4, balanced outputs at +22dMb, LED bargraph for the System 10K module.

Metered Dual Line Amplifier, outputs at +24dBm for the System 10K module.

This module is designed for use in wideband line input stages. Distortion remains very low and CMRR remains high, even when driven by high-source impedances.  The primary is fully balanced and its terminals may be reversed to invert ...

The DIN-2MS-2P is designed to be driven from a 150 Ohm microphone source and loaded by the typical 1 kOhm input impedance of microphone preamplifiers. It can be used with balanced or unbalanced sources and/or loads since both primary ...