Gel/Filters, Theatrical

Sunny spring mornings. (Transmission =85%).

Cool clear bright blue. (Transmission = 8%). 

Good for creating an overcast look and feeling. (Transmission = 56%). 

A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Transmission = 67%). 

Same as 53, but cooler. (Transmission = 37%). 

Excellent for general area or border light washes. It is a basic followspot color. (Transmission = 26%). 

Musical pink. Lush accents. Very versatile color. (Transmission = 26%). 

 A pale blush amber for skin tones and backlight. (Transmission = 75%). 

Strong red amber. Excellent for fire effects. (Transmission = 20%). 

 Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 13%). 

A clean pale pink; useful as a blush for skin tones. (Transmission = 80%). 

Plastic color lenses for Par 36 Pinspots.

Double 4430. Rich bright green. Good transmission of color. Transmission = 32%.

Powerful magenta-purple. Good effects filter for dance. (Transmission = 6%).

Rosco color filter, Storaro Yellow. Designed to the personal specifications of cinematographer Vittorio Storaro. Represents key chromatic elements, and intended for dramatic effect and strong emotional response. 20" x 24" ...

4530 + 4560. Very strong sunlight with no red accents. Transmission =66%.

 Vibrant Yellow. More red than 312. Less green than all other yellows. (Transmission = 77%). 

Production companies and photographic markets use these plastic filters to add color to stage scenery and to provide color correction for theatre, film, and television. Gel creates mood by changing the color shade of ...

Transmission = 22%. 

A pale reddish gold, good for creating sunrise or sunset, or simulating incandescent light. A flattering naturalistic backlight color. Can be used for warm area lighting. (Transmission = 58%).