Gel/Filters, Theatrical

 Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission = 13%). 

Enhances fair skin tones. Suggests strong sunlight. (Transmission = 56%).

 4960 + 4930. Dynamic, lush backlight. More red than 357. (Transmission = 18%).

A medium fuchsia good for special effects. An interesting backlight or accent color. (Transmission = 11%). 

Helpful in balancing brightness of lamps of different wattage. (Transmission = 25%).

Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%). 

Useful for beams of realistic moonlight. (Transmission = 2%). 

Darkest of the magenta purple range. (Transmission = 4%). 

Rich, hot pink. Electric in effect with rich saturation. (Transmission = 28%).

Suggests reflected light from dense foliage.  A brilliant cyc lighting color which will work for chroma-keying effects in television production.  Transmission = 40%

Good for general washes and cross lighting. (Transmission = 46%). 

 Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 8%). 

Warmer straw. Flattering to skin tones. (Transmission = 86%). 

Rosco color filter, Storaro Green. Designed to the personal specifications of cinematographer Vittorio Storaro. Represents key chromatic elements, and intended for dramatic effect and strong emotional response. 20" x 24" ...

 Flattering Firelight (Transmission = 23%).

Very pale warm white. Perfect for enhancing the HPL lamp in a Source Four. (Transmission = 88%). 

A soothing green blue. More blue than 76. A good conventional moonlight color. Interesting tonal color. (Transmission = 6%). 

A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects color. (Transmission = 10%). 

Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 24%).

Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 35%).